- Network: HULU
- Series Premiere Date: Feb 2, 2022
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Critic Reviews
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Critiquing Pam & Tommy as a single, unified work is hard because it’s such an awkward hybrid of genres and ideas. ... I enjoyed this show. It made me think about Anderson differently—as someone who’s survived extraordinary victimization and typecasting and who’s managed to redefine how she’s perceived. But the series, which so often feels like it’s trying to atone for our old mistakes, seems intent on pointing out ethical transgressions while looking right past the notable void at its own core.
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“Pam & Tommy” is certainly watchable, if questionably structured.
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Its pretensions to commentary on the Nineties are undermined by a curious mix of comedy, drama and period piece.
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The series is worth watching for Lily James’s phenomenal, career-redefining turn as Pamela Anderson. However, the strengths of the series are ultimately undercut by its own wild ambitions. It wants to be a darkly comic true crime tale, a tragic love story, a cruel satire, and a reclamation of Pamela Anderson all at the same time. Ultimately, these divergent tones don’t come together in perfect harmony.
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What the scene ultimately confirms is that Pam & Tommy is more interested in laughs than in drawing serious conclusions from the scandal and its role in catalysing modern celebrity culture. This true life sex caper is fabulously frisky. But also as tacky and insubstantial as one of Lee’s tattoos.
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Whiplash settles in as the series vacillates in tone, trying all at once to be a crime thriller, a raunchy sex comedy, a critique of the media, and a reflection on a very famous woman's inner turmoil. It never figures out how to effectively tie those elements together, nor is it able to successfully make the case that Gauthier's story is just as important as Pamela's.
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Rogen’s Gauthier is sketched out more confidently than any other character. The alluring, trashy chic aesthetic of “Pam & Tommy” is a smoke screen for a series that is reluctant to give its protagonists—the lovers it would purport to raise to a classical perch—any real depth.
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Pam and Tommy — you know, the two victims of the crime — are sometimes disconcertingly sidelined in this retelling. Which is a shame because as the central couple, Lily James and Sebastian Stan dive into their roles with an enthusiasm I found hard to resist. ... Why “Pam & Tommy” chooses to frame Gauthier in a sympathetic light becomes a singularly if unintentionally interesting question underscoring the entire series.
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Those two components—the humanist look at victims of a crime and the free-wheeling black comedy of witless perpetrators—are never successfully married. Each half has its merits, particularly in a handful of sharp performances, but the mighty, summative synthesis they are supposed to reach by the end arrives forced, sledgehammered over our heads.
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Pam & Tommy is upbeat and entertaining, no question, but it is as superficial as a Baywatch titty calendar.
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The best thing this frustrating crime caper has going for it is its cast. Sebastian “Winter Soldier” Stan captures the manic machismo of Mötley Crüe drummer Lee in full, chaotic flower. If Lily James, the British period drama stalwart, leans into Anderson’s breathy ditziness to an extent that feels slightly mean, at least she makes an astonishing physical transformation into the Baywatch star.
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Perhaps the show could help change attitudes among those still seeking out intimate leaked images, but so far it seems too busy revelling in its own debauchery to say anything especially powerful.
Awards & Rankings
User score distribution:
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Positive: 16 out of 24
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Mixed: 4 out of 24
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Negative: 4 out of 24
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Feb 2, 2022
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Feb 4, 2022
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Jun 16, 2022