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CRITIC SCORE DISTRIBUTION | ||
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Positive:
123
Mixed:
15
Negative:
0
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Critic Reviews
SlashfilmSep 10, 2025
Season 5 Review:
Even the most irksome and overwrought moments of "Only Murders in the Building," even five seasons in, are still sort of charming, and a few jokes got genuine chuckles out of me across the nine episodes provided to critics. Still, I'm worried about this show's future, because it's truly just spinning its wheels at this juncture.
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The GuardianSep 8, 2025
Season 5 Review:
The podcast element falls by the wayside, the proportion of red herrings to genuine progress is off, the action is too often located outside the Arconia, and the core team are too often split up. .... It still has enough flashes of the old dynamic to keep us hooked and hopeful. Martin, Short and Gomez have not lost sight of their characters, and a course correction could easily be made for season six.
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LooperSep 8, 2025
Season 5 Review:
There's enough good stuff here, especially among the central trio (and Da'Vine Joy Randolph, who guest stars once again as Detective Donna Williams) that it's worth watching. But even great shows have a tendency to move past their prime when they've been on the air long enough. I'm afraid that could be what's happening here.
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Season 4 Review:
There are too many suspects because there are simply too many high-profile guest stars and recurring players on this season of the Hulu comedy. .... And, to be fair, this collection of talent does at times yield strong results. .... More often, though, Season Four is too busy, and too focused on dynamics other than the durable one among the three leads, to be as satisfying as Only Murders is capable of being.
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Season 3 Review:
There’s not enough time spent on solving the mystery at the center of season 3 of Hulu’s Only Murders in the Building, leaving the characters disconnected and pursuing thinly developed relationship plots. While the show still delivers some strong performances from this season’s guest stars Paul Rudd and Meryl Streep, it’s lost sight of what made the first two seasons of the true-crime spoof so compelling.
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TV Guide MagazineSep 13, 2021
Season 1 Review:
Fitfully amusing. ... Series cocreator Steve Martin is the most endearing as Charles. ... Martin Short has the most fun. ... Selena Gomez deadpans effectively but often deadens the pace of an overlong misadventure that might have made a snappier movie. [13 - 26 Sep 2021, p.17]
The GuardianAug 31, 2021
Season 1 Review:
For a series about obsession, Only Murders in the Building has curiously shallow hold on one’s attention. Like the true crime podcasts that inspired it, the show appears to be figuring things out as it goes. Whether or not you’re along for the ride depends on one’s affinity for the performers – and how much time you’re willing to invest on a mild, moderately rewarding journey.
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Season 1 Review:
All of those seasoned performers provide moments of pleasure, and the various narrative threads play out with polished proficiency. But “Only Murders” doesn’t gel into something beyond the ordinary. Part of the problem is the time devoted to the show’s sentimental side ... That material takes some of the life out of what’s otherwise a slight but charming comedy, and it doesn’t do any favors to Martin, whose performance is a little dour and closed off, or to Gomez, who looks uncomfortable and occasionally terrified.
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Season 4 Review:
Outside of Steve Martin nailing that pitter-patter song last season, the show has struggled to reach the highs of its first go-around. Chalk it up to too many new cogs in the machine, a misplaced focus on celebrity cameos, or a misreading of the dynamics that actually make the show special—take your pick. But it begs the question: If Only Murders in the Building needed to step so far outside of the building to stay relevant, maybe we should’ve wrapped the show up after its first season.
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Season 3 Review:
The first eight (of ten) episodes of Only Murders in the Building Season 3 left me feeling decidedly “meh.” Sure, you can’t really snub your nose at Meryl Streep bantering with Martin Short — even I have to admit that watching the show’s stars collide is worth the price of admission — but the storytelling kept letting me down.
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