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The sharply scripted, crisply directed premiere hooks you with twists and turns, and Anderson and Sasse are crazy appealing. [7 Oct 2016, p.51]
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Right off the bat, No Tomorrow is not as strong as Jane or Crazy Ex-Girlfriend, but its winning cast, and the hint of darkness in its hook imply that it may prove its mettle opposite its formidable companions.
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This is pleasant and likable, at least for the length of the pilot.
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While unquestionably a strange brew, No Tomorrow also is quite bewitching. It's fun falling under its spell.
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It’s a charming and quirky romantic tale with an overarching twist thanks to the notion that the world may indeed be ending, and it’s pulled of by two completely watchable leads.
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No Tomorrow is original, quirky and fun, not another remixed superhero story or movie remake.
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No Tomorrow is a lovely hour, with romance, humor and serious moments along the way. The characters are appealing, and if the world really were ending in 8 months (it's not, is it?), this still wouldn't be a bad way to spend some time.
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The opener for this CW charmer, TV's latest series based on a foreign hit, easily gets over the hurdle that stymies some romantic comedies: your willingness to accept the couple as made for each other.
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This pilot's not quite as clever as those for Jane or Crazy Ex-Girlfriend were, but it's charming fun.
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No Tomorrow isn’t going for authenticity so much as high-energy escapism. One’s ability to enjoy this series will hinge entirely on a willingness to suspend disbelief and embrace its sense of fun, a process that also requires an ability to overlook some contrivances in its writing.
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Sasse and Anderson are pretty charming, and I’m curious to see if the show can sustain its premise into a second week.
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The fantasy-dramedy is cute enough, though it doesn’t have the endearing daffiness of “Jane.” Tori Anderson and Joshua Sasse, who play Evie and Xavier, have a nice chemistry.
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While it’s not as wildly inventive as either “Jane” or “Crazy,” “No Tomorrow” is a breezy diversion with charm to spare.
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No Tomorrow feels more ordinary than “Crazy Ex-Girlfriend” and “Jane the Virgin,” but it’s more engaging than most other new network comedies, and it gets a big boost from the supporting performances of Amy Pietz as the nasty boss, Jonathan Langdon as Evie’s work husband and especially Jesse Rath as her long-suffering boyfriend, a tech journalist so soft-spoken he sometimes requires subtitles.
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There's a good cast here, a template that has worked elsewhere and abundant promise. But No Tomorrow will need more tomorrows--multiple episodes--o find its groove and earn its spot alongside its stellar CW companions. Here's hoping that happens.
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No Tomorrow nonetheless has some quirky laughs, and Anderson is an appealingly inept protagonist. You could do worse with your time.
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The show’s first episode passes by quickly and enjoyably, but if every week Evie learns a lesson about living life to the fullest and Xavier’s efforts to get her to “go for it” go a little too far, No Tomorrow could quickly drift into the realm of formula. Yet there are promising grace notes in the pilot.
Awards & Rankings
User score distribution:
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Positive: 25 out of 39
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Mixed: 8 out of 39
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Negative: 6 out of 39
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Oct 15, 2016
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Mar 7, 2017This review contains spoilers, click full review link to view.
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Feb 12, 2017