User Score
Universal acclaim- based on 436 Ratings
User score distribution:
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Positive: 394 out of 436
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Mixed: 16 out of 436
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Negative: 26 out of 436
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User Reviews
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Nov 5, 2017
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Oct 29, 2017
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Oct 25, 2017
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Oct 28, 2017The first episode is all you need to see. Overly theatrical and unrealistic characters. When does a room full of small town cops all borderline cry over criminal cases(never). And also, the chemistry between the characters is laughable. If you want to watch a show that rivals Flashpoint on cringiness, go ahead, this show is for you.
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Oct 14, 2017
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Nov 8, 2017Good cast, predictable plotlines. The writers have a need to telegraph their left wing bona fides which leads me to tune to a different show and purveyor.
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Oct 15, 2017
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Nov 20, 2017
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Oct 13, 2017Thrills without the thrills.
Bad casting and Bored. This is the last Fincher thing I will ever be a fan of.
Emotion is washed away like blood down the drain. I want the hours of my life back. Groff is interesting for... a teen magazine, but... Mindslumper... wow. That was boring for most of my night. -
Feb 1, 2018Bloody awful, like a made-for-tv movie. Slow. Bland. Wooden acting. Bad dialogue and far too much of it. I forced myself to finish the first episode in case it got better. It didn't. Maybe it eventually improves, but I'm not sticking around to find out. There's too much other good TV out there to watch.
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Sep 28, 2022
Awards & Rankings
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“All the world is not, of course, a stage, but the crucial ways in which it isn’t are not easy to specify.” The writers (led by Penhall) and the directors (who include David Fincher) of “Mindhunter” play with this and related ideas about masks, frames, screens, and true selves in a distinct tone. As the show flows from mode to mode--slow-burn horror, arch workplace comedy, buddy-cop road movie--it returns its attention to performers, and to the daily problem of giving an audience what it wants.
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Mindhunter is addictive and resonant for its mining of two evocative forms of social contrast. The terrific cast informs Fincher and creator Joe Penhall's sociological schematic with a human element that's unusual for a crime procedural, and the series has a piercing sense of how macro influences micro culture.
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It’s a head trip, a cerebral consideration of all the terrifying things that can go wrong inside the minds of murderers and men. ... Mindhunter locates its drama in interrogations. The show is, in essence, a string of short plays, two- and three-handers featuring Ford, Tench, and a vile murderer in a room.