NBC | Release Date: September 20, 1999
CRITIC SCORE DISTRIBUTION
66
METASCORE
Generally favorable reviews based on 27 Critic Reviews
Positive:
14
Mixed:
13
Negative:
0
100
Cleveland Plain DealerMark DawidziakFeb 22, 2013
Season 1 Review: The cast is first rate, delivering sympathetic and believable performances. The writing is intelligent, providing intellectual grist to the grisly moments. And the direction is as crisp as it is clever. [20 Sept 1999, p.1E]
80
Miami HeraldTerry JacksonFeb 22, 2013
Season 1 Review: It's only measured against that formidable benchmark that the spinoff falls short of those expectations. It's a solid drama, but it's no Law & Order - yet...On its own, it's a good show. But it's got the genes to be great. [20 Sept 1999, p.1E]
80
Houston ChronicleAnn HodgesFeb 22, 2013
Season 1 Review: And we learn more about the lives of Stabler and Benson than Wolf usually reveals in a whole season with his L&O detectives. [20 Sept 1999, p.1]
75
USA TodayRobert BiancoFeb 22, 2013
Season 1 Review: It takes a while to pull you in -- but once it does, you're likely to stay. [20 Sept 1999, p.1D]
75
Kansas City StarAaron BarnhartFeb 22, 2013
Season 1 Review: Time will tell whether this spin-off of NBC's cops-to-courts standby can lure an audience to Mondays. There's plenty here to work with. The question is, in what direction will creator Dick Wolf move it all? [20 Sept 1999, p.E1]
75
Dallas Morning NewsEd BarkFeb 22, 2013
Season 1 Review: Victims Unit also imports Mr. Belzer's sardonic John Munch character from NBC's canceled Homicide: Life on the Street. His wise-guy asides are a little forced in this first hour, as are some of the recurring sexual references. But the featured case gets more compelling by the minute. [20 Sept 1999, p.1C]
75
Chicago Sun-TimesPhil RosenthalFeb 22, 2013
Season 1 Review: The key here is that the emotional payoffs are dead-on. [20 Sept 1999, p.38]
70
St. Louis Post-DispatchGail PenningtonFeb 22, 2013
Season 1 Review: The absence of the familiar law-order yin-yang gives the spin-off its own identity, but in the beginning it feels like a loss...What may turn out to sink this sharply written, well-acted show, however, is the premise itself. The prospect of tuning in every week to confront a creepy new sex crime, with most of the victims women and children, simply isn't very appealing. [20 Sept 1999, p.E6]
70
Pittsburgh Post-GazetteRob OwenFeb 22, 2013
Season 1 Review: As a loyal "Homicide" viewer, for me Munch is the best part of SVU, especially in tonight's scene where he explains his departure from Baltimore. [20 Sept 1999, p.B-1]