- Network: Amazon Prime , Prime Video , AMAZON
- Series Premiere Date: Aug 18, 2016
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Critic Reviews
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JCVJ does a better job of playfully incorporating its homages, but they still don’t build to anything more meaningful. Van Damme himself has a bit of fun playing another character, but exhibits little enthusiasm as “himself.” All in all, it’s a rather forgettable, and even if “JCVJ” finds an audience, this diversion could’ve resonated with a wider niche.
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The full series, run by Dave Callaham and directed by Peter Atencio, is a weird ride, living in an uneasy space of parody, satire, homage, and straight-ahead drama.
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Jean-Claude Van Johnson is just okay most of the time, occasionally verging on a mess. ... Still, Van Damme’s alternately bemused and haunting visage makes it worth a look.
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The whole international-spy thing gets repetitive fast. Kat Foster is awfully appealing as her own sort of intelligence agent whose cover is that she’s Van Damme’s hairdresser--it’s easy to see why the action hero still pines for her. That on-again, off-again romance isn’t very sustaining, however. The show is likable--no more, no less.
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Directing all six installments, Atencio maintains high production values and when there's an action sequence opportunity--a fight-to-the-death in front of the Huck green screens or some of the climactic battles in the finale--he makes the most of it. It feels like more of a writing problem that whole episodes go by without anything amusing or memorable transpiring.
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To be fair, the idea underlying the show isn't a bad one. It's just in the execution where it would help if the star really could turn back time.
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The six-episode season gets increasingly outlandish, eventually including time travel, doppelgangers and a machine that controls the weather. It’s not quite enough to transcend the mediocre comedy, thin characters and rote fight scenes, but at least it’s more entertaining than another assembly-line D-level action movie.
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Although occasionally funny, Jean-Claude Van Johnson sits in an odd no-man’s-land between clever self-parody and aggrieved vanity project.
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Though clearly inspired, the overlapping cartoonish approach to this promising "return" proves to come from creativity that is clearly limited, instead of liberated.
Awards & Rankings
User score distribution:
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Positive: 24 out of 36
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Mixed: 8 out of 36
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Negative: 4 out of 36
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Mar 30, 2019
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Dec 19, 2017
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Feb 17, 2022