- Network: Apple TV
- Series Premiere Date: Mar 18, 2026
Critic Reviews
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Nancy marries “up.” Both her friends are jealous (Mary, of her money; Eleanor, of her broad-shouldered Kennedy of a man), and they hide their jealousy for years, staying friends with Nancy because it’s to their advantage, but unable to properly support their actual friend because of their envy. There is something to this idea, but this kind of thriller—compellingly watchable as it may be—is a hard place to explore it well.
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While we’re skeptical that the twists and turns of Imperfect Women are really going to surprise us, we are curious enough about those twists and turns to keep watching.
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Imperfect, then, definitely. But escapist fun enough.
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While it may not be the next Big Little Lies, Apple TV's Imperfect Women is an addictive thriller with plenty to offer outside its ultimately predictable mystery.
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Despite its lack of originality (or a conclusion worthy of its set-up), those with an unending appetite for sultry and salacious mysteries about BFFs and the shocking skeletons in their closet will undoubtedly eat it up.
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Creator Annie Weisman does know how to keep the pot boiling, but the material, based on a novel, seems obvious and struggles to figure out what it wants to accomplish.
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There is nothing wrong with “Imperfect Women,” but that is neither praise nor criticism. It’s just fine.
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Despite significant heavy lifting from Washington and Moss, especially, Imperfect Women struggles to sustain its own momentum every time the narrative jumps to a different point of view.
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Eight episodes twist through their backstories, but first we have to wade through a morass of weeping, hugs and gradual suspicion that doesn’t yet feel properly earned.
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An unfortunate title for a far-from-perfect show, one that takes a gaudy assortment of talent and delivers a limited series that’s much less than the sum of its parts.
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It's more like an elevated, multi-part Lifetime movie. Still, Washington and Moss manage to bring some real emotional depth and texture to their roles as women on the brink of unraveling. Whenever these two go at each other in a scene, particularly in the second half of the season, they raise each other's game and make us wish the rest of the series could be as compelling as those moments are.
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Imperfect Women isn’t the worst entry in television’s most exhausted genre, but it arrives so late in the genre’s lifespan that its generic blandness feels more offensive than jagged ineptitude.
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