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The perspective one gets from inside the House of Saddam is different than media reports from the outside and is, in itself, an important reason to tune in.
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A chilling and riveting essay on the evils that men do and continue doing, year after year, century after century, millennium after millennium.
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Made jointly by the BBC and HBO, House of Saddam is well told and often lurid, a saga that blends the dirty work of despotism with the rituals of family gatherings, sibling rivalries and marital discontents.
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House of Saddam offers a fascinating but limited portrait of the Iraqi tyrant.
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There are well-written and well-mounted scenes and some good performances. It is not without suspense. But even at four hours, House of Saddam feels incomplete and scattered--a lessened, not a heightened reality.
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It's a refreshing take and an interesting effort, if finally not quite a compelling one.
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House plays like an edition of PBS' Frontline with actors.
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The production's appeal is all on the surfaces--in a moment where a killer's image is reflected in a fresh pool of blood, say, or a megalomaniac catches his own eye in the mirror.
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The style of the telling--heavy and, ultimately, hollow--perfectly matches the substance of the story. But of course that lugubrious style makes House of Saddam a slog, even while it is precisely paced and seamlessly directed.
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Witnessing every ugly twist in Hussein's long and arduous path to self-destruction is more grueling than you'd expect, in part because this script doesn't paint Hussein in very many shades other than the pitch black of pure evil.
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For its part, House of Saddam provides little insight into Saddam Hussein. Instead, it repeats truisms about well-reported events, many of them best remembered as TV images.
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Beyond snapshots of his quarter-century of tyranny, though, there's precious little that penetrates the surface, despite vague references to his stepfather slapping him around.
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As disrespectful to his victims as it may be to view The House of Saddam as entertainment, that is the only level where it succeeds.
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