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With the ability to go to whichever tonal extreme the narrative finally lands on — the problem with situating Morgan on a Major Crimes squad is that she may be a character more suited to solving, well, Frivolous Crimes — Olson represents this series’ high potential. Everything else needs to catch up with her.
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“High Potential” struggles to ground itself in solid storytelling and create fully realized characters, even when they are one-offs. A case-of-the-week structure requires a specific skill and I worry writers are out of practice.
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