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You watch for Olson and to see what heights of absurdity the writers can reach each episode, how much esoteric knowledge they can cram into the plot and still make it work, like jazz musicians riffing to the point of chaos then bringing it safely back home. High potential for joy and delight.
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Written by The Good Place’s Drew Goddard, the script is sparky, while the rapid-cut deductive sequences recall Sherlock or House. This is cosy crime with an irreverent, impish twist.
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With its fast-paced storytelling, jump cuts and premium sheen, this isn’t perhaps the “cosy crime” drama of Ludwig or Death in Paradise that we’re more accustomed to on British television, but it’s certainly a nod to an era when TV producers knew that easy watching had high potential for big audiences — let’s hope it’s the start of a new trend.