User Score
Generally favorable reviews- based on 23 Ratings
User score distribution:
-
Positive: 15 out of 23
-
Mixed: 1 out of 23
-
Negative: 7 out of 23
Review this tv show
-
-
Please sign in or create an account before writing a review.
-
-
Submit
-
Check Spelling
User Reviews
- User score
- By date
- Most helpful
-
May 8, 2021Hilarious. The story is a bit slow in places, but the quick paced dialogs that go from 90s puns to current day popculture quibs in the blink of an eye easily make up for that. The 4 leads are very well cast and play off each other well, each putting their stamp on their very different characters.
-
May 10, 2021Before misogynists tank the score, let me just say that this is the balm of goofy joy we need. Renee Elise Goldsberry is the clear breakout star and Paula Pell is a riot. The shades of 30 Rock and Unbreakable Kimmy Schmidt are welcome, even if it's not as effective as either of those shows.
-
May 14, 2021Such a great show. Really clever and incredibly quick writing. The pilot alone has as many jokes as some sitcoms have in half a season. The cast simply couldn't be better either. Highly highly recommended.
-
May 26, 2021Girls5Eva feels as though Tina Fey banished every level-headed person in her employ and, in their place, hired your regressive, unfunny uncle. The brand of humor here seems to be "Stereotypes are funny," and exactly nothing else.
-
May 12, 2021
-
May 20, 2021
-
Jun 30, 2021This review contains spoilers, click expand to view.
-
Dec 22, 2021
Awards & Rankings
-
The eight-episode season is full of beautifully honed jokes, absurdities, acute commentary (as well as some more similar to the decidedly unacute, defensive moments about “woke” criticism and contemporary issues the previous Fey/Carlock collaborations contained), sight gags and song and dance numbers. ... It is, as I say, a joy.
-
“Girls5eva” is spawned from the Fey model: accessibly absurdist, riddled with clever zingers, thick with critique. The cast makes this a fun binge.
-
Bareillis, who worked on the scores for the musicals “Waitress” and “SpongeBob SquarePants,” contributes some songs, too, and amid a lot of clever, outsized exaggeration, her easygoing presence grounds this promising series nicely.