Critic Reviews
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A naturalistic comedy of modern manners set among the young, less young and undeniably middle-aged people of Chicago, it's another basket of goodies turned up on the doorstep in a fall season barely started yet already full of them.
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Subtext gives Easy its tart edge, emboldening it with an obsessiveness that resists fashionable platitudes. Swanberg captures the frictions between men and women and yuppies and bohemians, revealing a common core of fear that the other has got it better.
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For as easy as it would be to get lost in the look and feel of the new series, Swanberg has a lot to say with Easy. Some arguments may be more compelling than others, and Easy itself is distinctly understated in almost every regard (much like its setting).
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There are moments in each episode when a disarming sincerity shines through, and you realize that you’re seeing that rarity of rarities: television characters who are having substantive, free-ranging conversations about something other than their own needs, and finding themselves getting closer to something like mutual understanding. This is hard to do without coming off as pompous or Polyannaish, but Easy makes it look easy.
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The themes and situations Swanberg and co. explore are so specific and relatable they sting.
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Ratajkowski’s insightful observations cut through Maron’s monologues, but there’s no clear winner, of course. There are no buttons here so much as pins in a discussion. Swanberg’s modular approach to storytelling offers one of the few true snacking options among Netflix’s binging fare, which is almost as satisfying.
Awards & Rankings
User score distribution:
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Positive: 27 out of 51
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Mixed: 10 out of 51
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Negative: 14 out of 51
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Sep 23, 2016
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Sep 24, 2016
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Sep 23, 2016