- Network: ABC
- Series Premiere Date: Sep 21, 2010
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Critic Reviews
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What will remain is the terrific, admirably diverse cast; the tough-but-uncynical attitude; and, perhaps best of all, the out-of-the-TV-norm location. The show isn't just set in Detroit; it's shot there, which gives it an authenticity and a palpable sense of place.
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Detroit 1-8-7 is a lovingly updated tribute to shows that were on the air so long ago that almost none of the detectives were black.
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The location shooting and some very strong performances lift it above standard cop-show fare.
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The series has developed its own original rhythm, each week breaking cases down into unexpectedly punchy vignettes. The cast is excellent. [6 Dec 2010, p.50]
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Absent the overworked conceit of actors glancing at the camera to register annoyance or irony, this has turned into just another well-produced cop show with some excellent actors, like Imperioli or James McDaniel, who plays Det. Jesse Long and played Lt. Arthur Fancy on "NYPD Blue."
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Ultimately, Detroit 1-8-7, ABC's new cop series just may have enough forward thrust and raw emotion to take off.
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NYPD Blue's James McDaniel joins Imperioli and a fine cast, including the City of Detroit itself, in this show that tries to imbue a Cops-like documentary feel to its action, all shot on location.
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It's definitely worth sampling, but impatient viewers might not return to the scene of the crimes.
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Besides the location, there's little about Detroit that is particularly new or groundbreaking, but it should easily satisfy the millions who seem to have a bottomless appetite for this genre. There are plenty that do it worse.
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Detroit 1-8-7 has a long way to go before it comes close to equaling Homicide, but it's off to a promising start.
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Detroit's on-location shooting aids its authenticity, but the show goes awry when it goes for a joke. For example, medical examiner Abbey Ward (Erin Cummings, "Mad Men") carries bruises from her after-hours avocation: roller derby. Detroit 1-8-7 is one of those shows that is going to need some time to finds its destination.
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1-8-7 doesn't pop with the gritty-city dynamism of, say, The Shield, leaving us to wonder whether this is another perfectly fine cop show going by on the assembly line.
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Now it's a talky but straight-ahead ensemble cop show whose cast includes Michael Imperioli ("The Sopranos") and James McDaniel ("NYPD Blue"). Think "Southland" in Detroit.
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Despite a good veteran cast led by Michael Imperioli, Detroit 1-8-7 doesn't immediately set itself apart from a whole pack of competing cop shows.
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Detroit 1-8-7 is disappointingly generic. It's not a show that compels viewers to tune in on a weekly basis, but die-hard cop show fans may be satisfied.
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It's not bad, but it initially looks relatively uninspired next to TV's best copshows, including current entries such as TNT's "Southland."
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Detroit 1-8-7 is, rather than a slice of life, very much a slab of TV. And yet, as currently constituted, the show's only way forward is through the unlikely Fitch; his emotional awkwardness is more interesting than the cases he works.
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While the cop genre is all but played out, Detroit 1-8-7 is stylish and acceptably rough-hewn enough to make it worth your while.
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The godson of "The Sopranos" heads the cast of this police procedural, which is having trouble finding its tone.
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Detroit 1-8-7 is not bad and not great, though, ironically, the characters seem to have come off a Detroit assembly line.
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The reshot pilot episode that will be broadcast Tuesday is no longer irritating, but neither is it distinctive, just one more humdrum cop drama, notable only for wasting a high-powered cast that includes Michael Imperioli (The Sopranos) and Aisha Hinds (True Blood).
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Detroit 1-8-7 comes across, despite the strong performances, as wan and halfhearted. Dividing each episode into two cases, and labeling them onscreen (as Tuesday night: "Pharmacy Double" and "Bullet Train") may be convenient, but it seems part of an especially unimaginative approach.
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The rest of Detroit 1-8-7's cast is fill-in-the-blanks police fodder. The only two characteristics that separate this show is one, it is filmed wholly in Detroit (who cares, a soundstage looks just as convincing) and two, the cameras are handheld (who cares, that shakiness can become very annoying).
Awards & Rankings
User score distribution:
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Positive: 32 out of 35
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Mixed: 0 out of 35
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Negative: 3 out of 35
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Sep 21, 2010
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Sep 23, 2010
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Sep 23, 2010