- Network: FX
- Series Premiere Date: Oct 5, 2011
Critic Reviews
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The first two episodes are pleasurably creepy.
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It’s a bit more muted than other season premieres, playing more as sleek thriller rather than gonzo horror, which might disappoint the hardcore fanbase but it makes it more accessible, and far less annoying, to the rest.
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Frankly, keeping track of the various incarnations of this series has at times felt like its own kind of ordeal, requiring attention (from critics, anyway) because of its inexplicable popularity despite being as subtle as a blow to the head with a bag of hammers. “Delicate” might not fully alter that dynamic, but the eerie qualities of the premiere at least establish it as the kind of introduction that spurs curiosity, as Cohen might put it, to watch what happens next.
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AHS: Delicate has the potential to be a good installment of American Horror Story, because of good performances from Roberts and Kim K. But there are also a lot of red flags that indicate that the season may get too weighed down in the pop culture aspect of Roberts’ character at the sacrifice of actual blood and horror.
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It’s a rather tedious affair, but somehow Kardashian’s performance proves there’s room for something bolder, battier, and bloodier lurking within the body of this season. Perhaps the best way for Delicate to solve its nuance problem is to double down and do away with it altogether.
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It’s Kim Kardashian who makes this season truly worth watching. Her affected line readings and familiar face might make it hard to take the show completely seriously, but that’s exactly what AHS needs: a season that has given up on trying to be anything more than good, campy fun.
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A just-OK debut. To be fair, it’s impossible to judge an entire season based on a single episode. But if the best premieres sink their claws into a viewer, Delicate manages only a light scratch — sharp enough to leave an impression, but not to hook someone in.
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Not even Kardashian’s inspired casting can save this dreadful new season, which arrives stillborn with an exhausted riff on “Rosemary’s Baby.”