• Network: Netflix
  • Series Premiere Date: Mar 8, 2019
Season #: 3, 2, 1
User Score
8.1

Universal acclaim- based on 111 Ratings

User score distribution:
  1. Positive: 91 out of 111
  2. Negative: 9 out of 111
Watch Now

Where To Watch

Stream On

Review this tv show

  1. Your Score
    0 out of 10
    Rate this:
    • 10
    • 9
    • 8
    • 7
    • 6
    • 5
    • 4
    • 3
    • 2
    • 1
    • 0
    • 0
  1. Submit
  2. Check Spelling

User Reviews

  1. Mar 24, 2019
    6
    This review contains spoilers, click expand to view. I watched this with some trepidation, because I lost one of my closest friends to cancer last year, and anything that even vaguely touches on that topic has a tendency to reduce me to blubbering mess--Which is why I was surprised at how little this series affected me. I shed a couple of tears here and there-- but the emotional beats of this series felt off somehow.

    That isn't to say I didn't enjoy elements of it, but I felt it skated over the surface of the issues at times without ever really plumbing the depths?

    But I'll focus on the good stuff first: I thought the relationship between Tony (Ricky Gervais' character) and his wife was beautifully portrayed through a series of flashbacks and video footage. And I really enjoyed Ashley Jenson as the nurse who is caring for Tony's father, she exuded warmth and compassion. Those two characters and their relationships to Tony stood out to me as the most well realized. I also enjoyed his interactions with Anne, an older woman who he meets at the graveyard who was recently widowed, and with whom he developed a good friendship.

    However, the series starts with the premise that Tony now feels he has a 'superpower' where doesn't have to care about anything any more. This is set up using a series of situations that felt progressively more and more contrived. The situation in the cafe where a waitress refuses to serve him a child's meal, and the postman who refuses to deliver his mail, were just two examples-- both of which had me frowning and saying, "People aren't really this petty, are they?" And if they are, it isn't something you come across three or four times a day.

    Diane Morgan is woefully underused as a one dimensional character whose only purpose seems to be to allow Ricky to insert long rants about why atheism is amazing. He seems entirely uninterested in examining why people might draw comfort from faith or the thought of an afterlife at all, and while that's his prerogative, having such a one dimensional character represent that side of the debate lent a lack of balance to the whole thing-- and created a hollowness that didn't ring true. It would have been braver if he'd had a character who he could really engage with on it-- who challenged him-- even if he still 'won' the debate.

    Then there's Tony's brother in law, who is tirelessly supportive of him, but who is revealed (predictably) to have problems of his own as the season progresses. My biggest problem with the way that character was written is that we never got to see any of the grief he must feel for the loss of a sister who he seems to have been very close to.

    There were a strange mixture of supporting characters including a drug addict and a sex worker-- and while their arcs were fine-- the absence of other significant supporting characters, like inlaws (other than the brother), and close friends, for a widower who has lost his wife of 20+ years, really struck me. It seemed like an odd choice to include such random supporting cast members but not even mention in passing people who they would have presumably been close to, too? His wife was portrayed as a warm, kind woman-- and we are constantly told that Tony is nice even though there's precious little evidence of it. They must have had people in their life who would still be looking out for him? If they're not there, then why aren't they? That needs to be explained, even if it's just in passing.

    Don't get me wrong, there were some beautiful poignant moments, but there were times when things felt heavy handed. Dialogue that was a little too on the nose. And I frequently felt I was being told rather than shown. It felt sincere, but also saccharine, and occasionally even preachy.

    I'm glad I watched it, but I don't feel the need to watch it again. And, honestly, if you're interested in a TV series that examines how grief can turn you into a selfish, floundering **** than Fleabag is probably a better bet. It's sharper and more uncomfortable-- but it's also funnier and the emotional beats and story telling are ultimately better imo.
    Expand
  2. Mar 16, 2019
    6
    I'll start by stating that I enjoyed After Life more than any TV show Ricky Gervais has created since Extra's but this is still a far cry from reaching the heights of that show let alone the brilliance of The Office.

    Throughout the six episodes there are plenty of genuine laughs to be found but, as with much of what Gervais has created over the last decade or so, the writing and most of
    I'll start by stating that I enjoyed After Life more than any TV show Ricky Gervais has created since Extra's but this is still a far cry from reaching the heights of that show let alone the brilliance of The Office.

    Throughout the six episodes there are plenty of genuine laughs to be found but, as with much of what Gervais has created over the last decade or so, the writing and most of the characters lack any kind of subtlety with everything painstakingly explained to the viewer and a sudden character shift in the final episode that comes completely out of the blue. The usual topics of 'atheism' and 'causing offence' that Gervais likes to talk about on every chat show or podcast he's on are also shoehorned in in a way that just felt totally unnatural.

    With some editing (maybe from former writing partner Stephen Merchant?) this could perhaps have been Gervais' comeback but as it is it's only a small step in the right direction.
    Expand
  3. Mar 11, 2019
    6
    Yeah it's enjoyable enough, but something about this show really rubbed me the wrong way. So it's OK to treat people around you like **** if someone close to you has died recently? People do not behave this way in real life. You aren't a great wonderful person (as his dead wife repeats ad nauseum in those cheesy videos) and then turn into a bitter angry suicidal **** just because someoneYeah it's enjoyable enough, but something about this show really rubbed me the wrong way. So it's OK to treat people around you like **** if someone close to you has died recently? People do not behave this way in real life. You aren't a great wonderful person (as his dead wife repeats ad nauseum in those cheesy videos) and then turn into a bitter angry suicidal **** just because someone you loved is dead. Just rang very false to me. And the way the last episode turns him suddenly into an angel and everyone forgives him is awful. Its OK to threaten to murder a child as long as you buy them a new bike afterwards??? Ricky Gervais has some messed up ideas about humanity dude. Expand
  4. May 27, 2019
    4
    Ricky Gervais offers up a thoughtful and darkly humorous account of a depressed widower and the life still existing around him. Brilliant cast, you’ll want to watch season one all at once. Can’t wait for season two.
Metascore
59

Mixed or average reviews - based on 15 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 15
  2. Negative: 4 out of 15
  1. Reviewed by: Ed Power
    Jan 3, 2020
    80
    Under the laconic chuckles After Life is at once a scorched-earth portrait of grief and an impassioned exhortation to keep living.
  2. Reviewed by: Stuart Heritage
    Dec 3, 2019
    60
    Despite all my misgivings, After Life’s ending has managed to stay with me, for much longer than I expected. There is nothing remotely subtle about it, and it isn’t very funny, but stick with After Life to the end and the journey will have been worth it. Just.
  3. Reviewed by: Ben Travers
    Mar 8, 2019
    67
    While After Life turn navel-gazey--with one man working out his own issues--it still makes for a thoughtful, compelling dark comedy to boot.