24

Though the premiere's twists are not as shocking as in years past, better ones are coming, and quickly. Trust me, the show has not lost its ability to surprise--or even to make you gasp.

After two flabby seasons, the Fox action series is back in bang-up shape. [25 Jan 2010, p.41]

That plot crystallizes through a pair of two-hour episodes, Sunday and Monday nights, and at times it crystallizes slowly.

It's an old story rolled out with all the power of the new--meticulously plotted, irresistibly suspenseful.

The first four hours are good. Very good. Certainly, 24 fans will enjoy them.

You can never tell how the uneven days of 24 will vary in quality, but here's hoping the show keeps doing all the right things it does in these opening hours.

The new season is solid - things really get good once Renee Walker (Annie Wersching) returns and contributes her unique expertise. But overall, I do have a few complaints.

For some, it has become a mostly predictable, tired pattern that causes eyes to roll. But for those who can still check their critical capacities at the door--even after seven seasons--24 continues to make for pulse-pounding, nail-biting comfort food.

24" works best when the show doesn't take itself too seriously -- incorporating just enough sobering geopolitics to establish a credible foundation before indulging in wild flights of counterespionage fancy. Moreover, having one villain drive the plot for a handful of episodes before being supplanted by another has added greater satisfaction and closure to the program's high-wire storytelling.

Despite the repetitions, the first four episodes are slick, fast-paced and engrossing, but that’s not new either.

If it’s not an ingenious or very new device (see: Nina, Tony, Curtis, et. al.), the damaged soul who is Jack’s Self Reflected re-raises and continues to complicate the questions that are typically understood as resolved in Jack. Patriotism and heroism, bad choices and hideous torture in the name of a big picture: it’s 24 repeating.