A few sparks of potential is all The Anacrusis has but perhaps when it comes out of early access and gets a full release its litany of issues can be rinsed away. Until then it’s not worth anything more outside of a curious session or few thanks to how forgettable and unexciting the action, the serious lack of urgency and the horrid performance jankiness. The set dressing does offer some appeal, but the entire game needs to revel in the ideas the game clearly has in terms of how it’s presenting itself to players instead of strafing away from its commendable features. Stray Bombay has a fission of what The Anacrusis could be after a serious overhaul, but for now there’s nowhere near enough reason to give it a prolonged time commitment.

Metroidvania games can often fall short as far as gameplay balance is concerned, typically requiring the player to contently progress and backtrack like a non-stop yo-yo. What makes Hollow Knight particularly special is that it leans on this very design, yet does so without at all wearing thin, thanks largely to its fluid play and its wonderfully dark, intriguing world.