Scars Above is an enjoyable, if simple, entry into the sci-fi shooter genre. Although elements of the game feel a bit rushed or unpolished, none of that will detract from the overall experience. If you have a few hours to spare and you like mysterious adventures on far-flung planets, I recommend giving this one a go.

As a follow-up to the highly successful Forgotten Land, Kirby’s Return to Dream Land Deluxe may tread on old ground, but it does so with confidence and colour aplenty.

Elderand feels like a game that would have thrived in a previous generation of gaming. It holds onto some mechanics that just don’t feel that great compared to what the Metroidvania genre offers in the modern day. It’s not all bad, but there are better games in the genre that you can play.

Atomic Heart has an impressive command of aesthetics and occasionally gives you the tools to enjoy its world, but an unstable console build, unsatisfying systems and complete misfire of a script prevent these atoms from achieving the necessary fusion.

Like A Dragon: Ishin! does exactly what it says on the box. It takes the recognisable characters that have appeared throughout the series and transformed them into 19th-century analogs. The super dramatic storyline, backstabs and betrayals remain pleasingly offset with the eccentric substories that feature memorable characters in the wildest of circumstances. Kiryu-Ryōma-Saito remains the ever-loveable stone-faced uncle driven by honour, stoically seeking the goodness in hearts everywhere before curb stomping a handsy mugger.

Wild Hearts is packed with creative mechanics and delightful flourishes that make it a welcome and exciting addition to the monster hunting genre.

Blanc is a wonderful journey, whether played solo or with a friend, that will have you cooing in delight at its black and white cuteness.

The gameplay of A Space for the Unbound isn’t overly deep, but its simplicity is more than made up for by its exceedingly entertaining and emotional storytelling.

Hogwarts Legacy is the most definitively accurate and exciting wizarding world adventure people could hope to experience, short of getting a real-life invitation to Hogwarts. With hours of content and a wealth of wizarding wonderment, you’d be hard pressed not to enjoy yourself to an impressive capacity.

Despite some moments of genuine enjoyment, with a combat system that does its best to entertain, Forspoken never makes the most of its potential. Ultimately, there are bigger, bolder and more inventive action games both already out there and soon to be upon us in an already stacked 2023 release schedule.

ATONE: Heart of the Elder Tree sets out to do a lot in a short space of time and manages to pull it off impressively, even though I wanted to spend even more time within its take on Midgard compared to what it holds.

Dead Space is a remarkable achievement in design on all fronts. A loving and intelligent remake that reminds players of what has been lost in AAA games and what can be found again if you just know where to look.

A stunning One Piece game great for fans and JRPG newbies, but one that won't satisfy hardened min-maxers.

Kynseed is a shockingly robust and fully realised fantasy farming-sim that may overwhelm at first but rewards patience with its countless interlocking systems.

Even after all this time, there remains very few RPGs as creative, colourful and enjoyable as Persona 4 Golden. Though these new console additions don’t add too much to the experience, it was a journey already at a high level of quality and now more fans can experience and enjoy the murder mystery mayhem.

P3P is still a terrific remake from a bygone era and a gold standard in handheld JRPGs on the Switch.

Fire Emblem Engage is enjoyable but leaves little impression. If the narrative was more compelling, if the character relationships were deeper and more interesting or if combat was more varied, there’s every chance that Engage would have felt more robust and impactful. In the absence of those things, Engage just feels…fine.

Sports Story doesn’t hit the heights of its predecessor, overstuffed with new ideas and sports that probably should have been left on the cutting-room floor. There’s still plenty here to enjoy, both golf and tennis fans will find something to like and fans of the original likewise, but the trophy could have used a polish.

Lone Ruin nails the brief on what makes an appreciable roguelike – combining a slick and sexy aesthetic with a core gameplay loop that can be rapidly picked up, but is deep enough to beg for mastery.

Removing the combat from a shoot ‘em up is a bold choice that manages to pay off with Swordship. The fast and responsive movement and reliance on wit over brute force create an additive and challenging gameplay loop that kept me coming back time and time again. The occasional frustrating moment can be found when the RNG decides to play rough, and defaulting to one life feels a bit savage, but these are minor gripes when all is said and done. Swordship is a fantastic indie arcade title that will have leaderboard chasers salivating.

With a striking hand-drawn art style and challenging puzzles, Children of Silentown is a decent romp for those adventure game fans seeking a dark journey.

With fun exploration and an enjoyable world to get lost in, Blacktail is a whimsical journey of self-reflection through our favourite fairy tales; not too hot, not too cold but just right.

An unsatisfying shooter brought even lower by an exhausting and all-encompassing script, High on Life can’t commit to its satire or ideas long enough to do anything of value.

Ys VIII remains a fundamentally great action JRPG that looks its best on PS5, but its underwhelming DualSense feedback is a huge missed opportunity.

Need for Speed Unbound sees Criterion put its spin on the formula laid down by its predecessor and the result is a stylish racer that is mostly fun but sometimes frustrating.

Melatonin is a short but kind experience, a hint of melancholy and a splash of retro vibes. It’s less about the challenge (though it's there for those who seek it) and more about chilling out to some cool tracks across some fun levels, with accessibility that should be applauded.

It does feel a little patchwork in places, but Crisis Core is a reunion worth going to. The emotional gut-punch of a finale remains one of the best in the long running series, and that alone is worth the price of admission.

If one were to look at Darktide as a foundation for Fatshark’s newest co-op shooter legacy, you’d be impressed at the sheer girth of it all. This is a title that comes with a fat promise of more great things to come, while already awash in a sea of great things to see and do. Short of some critical failure on Fatshark’s part, I really can’t imagine a future where Darktide doesn’t establish itself as another fantastic team shooter experience for fans to enjoy for years to come. It is a great many things – gorgeous, fun, rewarding – but one thing it is not, is lacking ambition.