A simple control scheme concession elevates this new version of Skyward Sword from simple HD remaster to essential playing for anyone that dismissed the original for its love affair with waggle. Here's a top-tier 3D Zelda, freed of its shake-to-win shackles and ready to be appreciated anew for its timeless tale and awesome adventuring.

Signalis is a kaleidoscope of horror tropes and foundational mechanics elevated by insightful tonal work and tightly constructed core gameplay. Even more surprising and thrilling that this is rose-engine’s first commercial release, signalling a tremendous command of systems, aesthetics and, most importantly, intent. Signalis is independent game development at its best, reverential to the past but unafraid to infuse classic genre work with exciting, and deeply personal, new blood.

Keeper and its endearing story of friendship and nature hits every artistic mark you would expect out of Double Fine, but its unengaging gameplay and lacking puzzles keep it from joining the studio’s top-shelf hits.

As the lyrics from the song Reunion asks, was it worth it all? I can happily say, yes. Despite its problems, Goodbye Volcano High is every bit worth it, and I’d happily spend more time with Worm Drama if I could.

A fast and fun action platformer that effectively utilises its core gimmick in inventive ways, Gunbrella is the noir punk indie that you should be looking to play when the weather calls for a coat and a brolly.

Age of Empires IV is a worthy return of an iconic series, but is difficult to recommend over older remastered entries. Newer players, and some returning ones, may find use of its new gameplay features but will probably end up scrapping them as they grow more experienced.

Fans of the Syberia series and adventure games in general will find a lot to like about Syberia: The World Before. Its heartfelt narrative allows for a much rawer Kate Walker and Dana Roze, the puzzle design is simple and clever and the city of Vaghen is full of intrigue and charm. The team at Microids should be proud of the send-off they’ve helped create for Bênoit Sokal.

Immortals is more than just a fun open-world with slick combat and massive Breath of the Wild vibes, it's also a superbly written and legitimately funny take on Greek mythology. This is one of Ubisoft's best games in years.

Like A Dragon: Ishin! does exactly what it says on the box. It takes the recognisable characters that have appeared throughout the series and transformed them into 19th-century analogs. The super dramatic storyline, backstabs and betrayals remain pleasingly offset with the eccentric substories that feature memorable characters in the wildest of circumstances. Kiryu-Ryōma-Saito remains the ever-loveable stone-faced uncle driven by honour, stoically seeking the goodness in hearts everywhere before curb stomping a handsy mugger.

Stellar Blade is collage filtered through kaleidoscope, its myriad influences bleeding together in a neon swirl that produces vibrant new colours and dull familiar ones at an uneven pace. When it chooses to use its building blocks to reach new heights it’s a dizzying achievement in combat presentation and approachability, with EVE’s toolset fun and varied enough to carry the weight of the game’s lesser components. It leaves you wanting to see what else this studio could accomplish, even if they’ve gotten this far on borrowed wings.

Which is the overarching tale of Senua’s Saga– for almost everything it does well, there is a better counterpart in its predecessor, the remaining new additions never fully realised. It is painstakingly crafted yet thoroughly unengaging, its ruminations on the human condition are not unwelcome but presented with unearned profundity and housed in gameplay that is apathetic to the player at best. Senua’s Sacrifice was a crunchy experience but, in its limitations, and focus, it blossomed into a striking, contained reflection of emotions through systems. Conversely, Senua’s Saga is undeniably gorgeous and well intentioned, but exhaustively preoccupied with its own reflection.

Telling a number of touching tales of loss and love, Kena is a visually stunning action-platformer that feels like a classic PS2 game in mostly the right ways.

Fire Emblem Warriors: Three Hopes succeeds admirably as both a spin-off stacked with fanservice that truly understands the source material and as a compelling take on the Warriors format. It's not going to win over any detractors of musou-style gameplay and it starts to buckle under the weight of repetition by the end, but if you're a fan of Three Houses and can handle that, you're in for a treat.

Fire Emblem Engage is enjoyable but leaves little impression. If the narrative was more compelling, if the character relationships were deeper and more interesting or if combat was more varied, there’s every chance that Engage would have felt more robust and impactful. In the absence of those things, Engage just feels…fine.

Not at all what any Bayonetta fan might have expected, but when freed from the expectations of the franchise, Bayonetta Origins: Cereza and the Lost Demon stands on its own two feet as a charming, worthwhile, indie-inspired puzzle adventure game.

The Artful Escape is a brash, bold and beautiful musical journey with a simplistic gameplay hook and all the interdimensional jellyfish deities you can shake a quantum-powered space guitar at. It's the next-best way to spend an afternoon indoors to dropping acid.

Adol Christin's most agile adventure excels but its PS5 port can only be recommended to first-time players

Standing out among the Metroidvania crowd is tough, but with satisfying combat, great platforming and a cleverly designed and well thought out world, F.I.S.T. more than manages to stand on its own lucky feet.

Clocking in at around five–six hours, Slender Threads is a great example of a point-and-click adventure that simply tells its story and does not overstay its welcome. I wish more developers understood that not every story needs to drag on because it has to hit a longer runtime. In saying that, any story still needs to be entertaining, and Slender Threads’ finale may not be the conclusion that everyone is hoping for, but I enjoyed it. Regardless, Slender Threads is a great fusion of modern and classic point-and-click design that should be played by all fans of the genre.

It’s the most fun you’ll have from a comfortable vantage point of shuffling cards and pouring wine.

Sonic X Shadow Generations once again proves that while Sonic may be timeless, Shadow just squeaks ahead in understanding the assignment a little better – offering a revisited revamp that is easy to enjoy for fans and fence sitters alike.

As baseball games go, MLB: The Show 24 is the only team on the field to choose from but handles its license wonderfully well. No doubt long time players will have their gripes with some of the minor changes here or there, that’s a given when yearly titles constantly attempt to evolve, but if you’re like me and want to experience a baseball game for the first time, this is a no-brainer choice. It’s also reflective of what sports titles should be aiming for; a game that isn’t throwing the microtransactions at you in every menu and that treats the history of the sport with respect while sharing it to a larger audience. There’s still space to evolve further, and there will always be another yearly cycle, but the San Diego Studio team are putting in the work and that should be applauded.

Regardless of how synonymous the characters now are with their big-screen depictions, this version of the Guardians of the Galaxy is far and away my favourite. The exceptionally well-written story is backed by a cast of unique and complex characters whose interactions with each other are equally hilarious and heartfelt. The fun and frantic combat may take some warming to, but the reliance on team synergy is thematically rewarding and visually impressive. Looking past the few technical issues and outdated exploration, this is an action game that will appeal to comic fans and gamers alike.

Wo Long is another solid entry into the hardcore hack and slash RPG genre, but some wonky difficulty and questionable enemy AI spoil some of the design nuances and mean it doesn't quite hit the heights of Team Ninja's previous efforts.

I didn't think it was possible, but Ready or Not’s unique thrills and overwhelming controls have adapted well to the PlayStation 5.

Rarely can you say that moving house is fun, but SMG Studio’s co-op party sequel manages to introduce more than enough new ideas and added content to have you pushing aside your weekend plans to pack and stack.

What Corpse Factory lacks in subtlety it makes up for with an unnerving commitment to its absurdly morbid theming and story. The production value of Australian team Crow River Studio’s latest visual novel is remarkable in both its visuals and fully voiced dialogue. The lack of meaningful decisions and its three endings offering the coldest of closure does little to shake this title from being an easy recommendation for fans of edgy psychological horror.

Bramble: The Mountain King is a beautiful, charming and disturbing interactive dark fairy tale that is undone slightly by some dated gameplay moments.