We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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    • 61 Metascore
    • 60 Critic Score
    The Hero
    Anchored by a top-notch performance from its lead, The Hero surpasses its cliches and becomes an ideal vehicle for its star. In Sam Elliot we trust.
  2. Resident Evil: The Final Chapter
    Resident Evil: The Final Chapter proves that there's nothing left in the tank of this grossly nondescript zombie-shootin' franchise.
  3. T2 Trainspotting
    Danny Boyle's T2 Trainspotting is a diverting nostalgia exercise, to be sure, but it never really justifies its own existence.
  4. An Inconvenient Sequel: Truth to Power
    An Inconvenient Sequel: Truth To Power is an important and relevant worldwide look at the environmental crisis.
  5. I Am Michael
    James Franco is a stand-out in I Am Michael, but the film's specific story struggles to relate on a broader scale.
  6. The Yellow Birds
    For a film that has such an intriguing premise at its core, The Yellow Birds seems to drag due to Moor’s abrupt tempo changes and flat visual style.
  7. A Dog's Purpose
    A Dog's Purpose goes the Collateral Beauty route by preying on sadness and not earning its emotional reactions.
  8. Landline
    [Robespierre] and Slate make a formidable, interesting pair together and I do look forward to their next venture, but Landline is a disappointing venture.
  9. The Eagle Huntress
    Feminist by nature rather than design and consistently visually dazzling, The Eagle Huntress is top flight documentary cinema.
  10. The Axe Murders of Villisca
    The Axe Murders Of Villisca is too familiar a haunted house story to be anything more than generic.
  11. My Father Die
    Look into the eyes of My Father Die, and you’ll see honesty. Never once does writer/director Sean Brosnan go out of his way to present “revenge” as a worthwhile venture, as he evokes the beastly nature of such drastic measures.
  12. Hell or High Water
    Pulpy, old-fashioned Western action and terrific performances make Hell or High Water one of the most satisfying releases of the summer.
  13. xXx: Return of Xander Cage
    It may be messy, but the parts that matter go for broke with breakneck ambition.
  14. Split
    Split is never as clever or poignant as it thinks it is, but James McAvoy won't let it be forgotten, either.
  15. The Snare
    The Snare is so without substance that you might not even remember watching it.
  16. Pitchfork
    Pitchfork is defined by a country dance sequence with full boot-stomping choreography - not a great sign for a horror movie.
    • 44 Metascore
    • 40 Critic Score
    100 Streets
    Unfortunately, 100 Streets' parts are greater than the whole, forcing it to crash and burn after an absolutely ludicrous third act.
  18. Coin Heist
    Coin Heist is like Ocean's 11 meets The Breakfast Club, but minus the charm, character and ambition.
  19. Staying Vertical
    Staying Vertical feels weighed down when it should be light, and ironic when it should be earnest. For better and worse, the film terrorizes conventional cinema without providing any good alternative.
  20. The Founder
    Keaton’s hazy wading through Kroc’s McDonald’s takeover is a dynamic performance that drives moral emptiness, but remains so poisonously watchable.
  21. The Abandoned
    The Abandoned is a steadfast and creepy haunted flick, until the final five minutes sink the entire production. It'll work for some, but sadly not for most.
  22. Sleepless
    Odar does his best to manipulate Las Vegas’ seedy underbelly (City of Sin, after all), but so much of Sleepless feels like recycled, seen-it-before action genre gristle. The stuff you chew while hoping a little fatty goodness is left.
  23. The Son of Joseph
    I can’t deny that Eugène Green is a talented, idiosyncratic director and his Son of Joseph has many visual and intellectual qualities to boast about. But it’s a film I appreciated much more than I actually enjoyed.
  24. Attack of the Lederhosen Zombies
    Attack Of The Lederhosen Zombies doesn't quite live up to its eye-catching name, but still offers enough undead snowboarding mayhem worth a horror laugh.
  25. Go North
    Though flawed, clunky and a bit Instagram-chic, Go North is an intriguing parable about how the next generation deals with the mess baby boomers have left behind.
  26. The Bye Bye Man
    The Bye Bye Man is an unfathomably inept horror film; one that’s an obvious byproduct of The Babadook/It Follows brand of horror success. It is, without apology, one of the emptiest, nonsensical haunted thrillers ever to fail genre audiences.
  27. Bad Kids of Crestview Academy
    Ben Browder's follow-up to Bad Kids Go To Hell is less stylized and more generic, even with the same private-school mean streak.
  28. Monster Trucks
    Monster Trucks is a weird, wacky ride that's made better by its sense of good-natured, juvenile fun (for the most part).
  29. We Are the Flesh
    This is dirty, abusive, sticky, heartfelt (?), enlightened (??), intellectual (???), deranged, offensive, damningly provocative filmmaking at its…most…unhinged?
  30. Underworld: Blood Wars
    Underworld: Blood Wars is the kind of mainstream horror I want to champion, but lackluster technical aspects nullify Kate Beckinsale's kick-ass performance.
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