We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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  1. The Collection
    The Collection is one of those horror films that really makes you sound like a deranged psychopath for recommending, but demands to be spread like a mind-controlling plague.
  2. Area 51
    Area 51 is everything that's wrong with not only found footage films, but also weak-minded sci-fi thrillers that think crazed talking heads and fuzzy shadows are scary enough.
  3. The Scribbler
    While The Scribbler isn't exactly in contention with the best that the comic book genre has to offer, Katie Cassidy utilizes the numerous voices in her head to create a unique hero for a bit of stylized freshness.
  4. V/H/S: Viral
    Grab on for dear life and expect a freakish, wild, and seriously f#cked up ride from start to finish - which, of course, is every horror fan's dream.
    • 28 Metascore
    • 40 Critic Score
    Survivor
    Relentlessly dumb yet royally entertaining, Survivor sometimes approaches the realm of being “so bad it’s good.”
  6. Dirty Grandpa
    It lives up - or rather down - to its title, sending its stars on a hedonistic road trip with a pink Mini Cooper's worth of sexist, racist, homophobic and ugly jokes for company.
  7. Okja
    Okja is a wild, tender tale of wonderment and friendship, delightful but still with smacks of vile consumerism darkness.
  8. War for the Planet of the Apes
    While War for the Planet of the Apes's third act is a bit hairy, the sequel helps cement the franchise as one of the more exciting mainstream properties worth watching.
  9. The Book of Henry
    The Book of Henry is a hair away from being in league with the most ludicrous Lifetime original movies, but its cast, slick production and Trevorrow’s willingness to take risks make it an oddball chunk of entertainment you’ll be sure to tell your friends about, whether you liked, loved or loathed it.
  10. The Beguiled
    The Beguiled is a deliciously dangerous period thriller that refuses to let a man's privilege go unchecked like the Hollywood standard.
  11. Transformers: The Last Knight
    Bay's latest Transformer title is a daunting behemoth of a film and you can feel every ounce of dead weight, as sins of the past are committed without any signs of stopping.
  12. 47 Meters Down
    47 Meters Down navigates choppy waters, but ultimately manages to deliver some prime summer-time screams.
  13. Cars 3
    Cars 3 isn’t remarkable or groundbreaking or even all that memorable, but it’s a rock-solid movie that leaves a far better taste in the mouth than its critically panned predecessors.
  14. Rough Night
    Rough Night is a seriously funny movie led by some seriously funny ladies, but even more impressive is a mainstream comedy that relies not on cheap shocks like many who have come before.
  15. Night School
    Night School exposes the individualism of poverty and the power that education can bring to the powerless.
  16. It Comes at Night
    If you believe horror shines blackest when hardest to decipher, 2017’s horror crop may never best this effort. For me, it’s a Mortal Kombat finisher that punches through your ribcage with heart-in-hand – but the fight itself is a bit too talkative.
  17. The Mummy
    This isn’t a new breed of terror, just another neutered reboot churning all the same mainstream gears.
  18. Captain Underpants: The First Epic Movie
    Its shamelessly sophomoric sense of humor only sporadically leans into inspired territory, but while it may not arrive as an instant classic, the ambitiously titled Captain Underpants: The First Epic Movie easily stands among the best animated films of the year so far.
  19. Wonder Woman
    Wonder Woman is a gorgeous, powerful display of epic storytelling that makes me wish this was Gadot’s first chance to play Diana Prince. It’s the roaring introduction she deserves, and a hopeful shift in DC culture that hints at what’s about to come.
  20. Baywatch
    You’ll find laughs, zaniness and plenty of signature slow-motion jiggling, but it’s buried under a burdensome two-hour procedural.
  21. War Machine
    Michôd’s military dramedy is more about press tours, TV interviews and power plays. That’s what makes this Netflix new release redeeming in its political poignancy – but having Brad Pitt doesn’t hurt.
  22. Pirates of the Caribbean: Dead Men Tell No Tales
    Dead men may tell no tales, but with Disney's latest Pirates sequel, I'm not convinced that living men can tell tales with any more intrigue.
  23. Martyrs
    Martyrs is the exact movie we feared it'd be - a forgettable remake of a far more prolific foreign success story.
  24. Snatched
    While Snatched stars big names in Schumer and Hawn, the ones you'll be remembering are Cusack, Meloni and Barinholtz.
  25. The Wall
    Aaron Taylor-Johnson deserves more credit as an actor, because he's the only reason this Iraq War thriller hobbles steadily on two legs.
  26. Take Me
    Take Me is a sunny little daydream about fetishistic domination, spun around one man’s jabby little gender battle. There is a sweetness to it all, as well as an undeniable creep factor.
  27. King Arthur: Legend of the Sword
    Excitement is fleeting, dialogue rambles and Jude Law’s tyrant-approved throne slouch pretty much sums the film’s overall attitude – a hearty “meh,” worthy of no diamond-studded crown.
  28. Alien: Covenant
    Scott’s latest is a thrill-ride that blasts through celestial carnage, while building a bigger Alien world that might not be 100% necessary. Out of all the films in the franchise, Alien: Covenant has the least stand-alone potential – but dammit if it’s not a wild, warp-speed-killing-machine adventure.
  29. 3 Generations
    About Ray is not, in the end, a triumph, but is still good and necessary viewing for its subject matter.
  30. Rupture
    Rupture is the kind of ill-conceived film that gives Michael Chiklis the campy role while keeping Peter Stormare on background duty.
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