We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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  1. The Tragedy of Macbeth
    This is acting at its purest, designed to communicate and enlighten an audience in search of answers. Either through visual and verbal dexterity, or blood-curdling physicality and audible androgyny, this play still has much to teach people about the power of cinema.
    • 86 Metascore
    • 100 Critic Score
    Renaissance: A Film by Beyoncé
    Renaissance is not a concert film, it's an artifact and a time capsule of Beyoncé at "f***ing forty-two". Its every frame a reminder that although fleeting, greatness is also immortal.
    • 86 Metascore
    • 80 Critic Score
    Spider-Man: Across the Spider-Verse
    Spider-Man: Across the Spider-Verse travels worlds to upend its own status quo, spinning a truly unique and sometimes devastating narrative that finally matches its visual ambitions.
  4. The Big Sick
    This is a movie about life. Bigger than love. Bigger than hope. Bigger than anything. Just life, and all its attempts to wear you down – and how you’ll never let it.
  5. Baby Driver
    Baby Driver proves why we should never doubt Edgar Wright's vision, because few filmmakers can back their ambition with such quality thrills.
    • 85 Metascore
    • 100 Critic Score
    A Real Pain
    Pivoting gut-punching drama and whip-smart comedy around a career-best turn from Kieran Culkin, 'A Real Pain' is a real treat of the highest caliber.
    • 85 Metascore
    • 70 Critic Score
    From Here to Eternity
    Despite sliding into melodrama a bit too often, From Here to Eternity remains a decent film due to the strong performances of its Oscar-nominated cast.
  8. Get Out
    Get Out marries racial satire with a terrifying finale, one that tears down blinders that some may have kept conveniently in place. Don’t listen to those who say horror movies are defined by physical scares. Plots based on real-life fears typically make for the most horrifying scenarios.
    • 85 Metascore
    • 90 Critic Score
    West Side Story
    Just like the star-crossed lovers at its center, this West Side Story risks it all, and the result is an explosive reminder that life and love are both gifts worth celebrating, for we never really know how long we have to enjoy either one.
    • 85 Metascore
    • 90 Critic Score
    The Wild Robot
    Equal parts eye-and-ear candy and carbs for the soul, 'The Wild Robot' is animation's finest hour of the year.
    • 85 Metascore
    • 90 Critic Score
    Black Bag
    Holding itself to the tip-top standard that the talent involved would imply, 'Black Bag' is intelligent, entertaining, and nearly bulletproof.
    • 85 Metascore
    • 80 Critic Score
    Decision to Leave
    Decision to Leave is a finely crafted film, with stellar performances from Park Hae-il (charming, and perfect as a detective torn between emotions and duty) and Tang Wei (also perfectly cast, lovely with a depth that’s just below the surface).
    • 85 Metascore
    • 80 Critic Score
    The Fabelmans
    The Fabelmans is a compelling family portrait, a love letter to filmmaking, and a revealing look inside the heart of one of America’s great directors. It’s well worth watching, just to see Spielberg at his most tender and personal.
  14. Won't You Be My Neighbor?
    This beautiful work pays an immaculate tribute to him, illustrating the legacy of a man whose nature transcended the concepts of knowledge, understanding, age and love. Fifteen years after his death, the heroic and criminally under-appreciated efforts of Fred Rogers are finally being celebrated on the big screen in what may very well be the best documentary of the year.
  15. The Handmaiden
    A unique cherry blossom of a period piece finds its roots intertwined with an erotically-charged crime, set to shock and entrance viewers unaware of the free-spirited madness to follow. A cultural appropriation of submission, the male gaze and gender dominance, stretched until storytelling fabrics just begin to tear.
  16. Once Upon a Time ... in Hollywood
    Once Upon a Time in…Hollywood is a wistful fantasy fueled by a series of top-grade performances, a stampeding collage of Tarantino-isms, and of course, a happy slathering of movie magic.
  17. Booksmart
    Olivia Wilde’s directorial debut bursts outward with neon electricity, encompassing, even if overcooking, the teenage tropes levied by similar films of the past, while also staying deeply rooted in the here and now.
  18. To Leslie
    What this film celebrates more than anything, is the fact that it’s never too late to make a change.
  19. Toy Story 4
    Toy Story 4 is as mediocre a Toy Story movie as there is and probably can be, but it also marks another unbelievable triumph at Pixar in their never-ending quest to realize the imagination.
  20. A Ghost Story
    A Ghost Story leads you down a path that allows for personal reflection, which will either sooth lost souls or scare them away.
  21. Widows
    The best ensemble cast of the year live through Steve McQueen’s Widows, an entertaining, intelligent, but altogether familiar rendition of the heist film.
  22. First Man
    First Man hardly comes close to capturing the overwhelming triumph behind Neil Armstrong’s lunar explorations, though the journey to get there is technologically masterful.
  23. Star Wars: Episode VIII - The Last Jedi
    Star Wars: The Last Jedi is striking, stunning, visually hypnotizing, thrilling - everything "epic" about the famed franchise rolled into a tremendously overcharged start to Rian Johnson's Star Wars career.
    • 83 Metascore
    • 80 Critic Score
    His Three Daughters
    In His Three Daughters, Azazel Jacobs provides the very unique joy of a simple, yet perfectly executed story about universal human experiences.
  25. Under the Shadow
    Under The Shadow marries haunted horrors with period-piece importance for a deliciously dark ghost story.
  26. The Lighthouse
    The Lighthouse boasts and thrives off of a maritime rap battle between Willem Dafoe and Robert Pattison, whose claustrophobic journey together towards madness is among the sickest and most memorable collaborations in recent memory.
  27. 20th Century Women
    20th Century Women relegates a set of extraordinary female characters to supporting players in a standard coming-of-age narrative. It's entertaining, but also disappointing.
    • 83 Metascore
    • 60 Critic Score
    Belle
    With U, Belle could be a prescient reimagining of real-kei for a new age, but it never fully escapes the tired conventions of homage it so desperately wants to fit into this future.
  29. BlacKkKlansman
    Spike Lee offers no solution here – his story’s conclusion, in the long run, hardly ends on a positive note – but rather a very, very loud plea that cannot be ignored.
    • 83 Metascore
    • 90 Critic Score
    Wallace & Gromit: Vengeance Most Fowl
    Wallace & Gromit: Vengeance Most Fowl is supremely sincere, warmly witty, and laugh-out-loud funny. And really, what else did you expect?
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