Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. It needs a wooden stake AND a silver bullet through its script.
  2. Let it swindle you; it's part of the fun. In fact, it's all of the fun.
  3. It's just a loud, derivative grade-Z horror film of no particular distinction.
  4. It gets at something exquisitely human, so human that even movie stars feel it.
  5. However many millions of dollars Rodriguez set aside for blanks and exploding squibs was a waste. Depp's salary, on the other hand, was money well spent.
  6. If you can get past the "Big Chill" setup, there is a fine piece of moviemaking here.
  7. A gorgeously morbid meditation on the interconnectivity of life.
  8. The wanton fabulistas of Party Monster are as boring and insignificant as the very "normals and drearies" they so contemptuously deride.
  9. This David Spade comedy breaks an ankle, ruptures several knee ligaments and hits the dirt harder than a felled linebacker. Best thing you can do for this movie? Leave it writhing in the throes of forced humor.
  10. The notions of the good man's complicity through inertia and of innocence tarnished by association are ones that have been more powerfully explored before.
  11. The movie is not for the squeamish, but for those who are unafraid to look at what is, perhaps, their own metaphorical "backyard," for those willing to stare into the long, dark night of the contemporary American soul, its bone-crunching message is worth hearing.
  12. The story, which feels more like a sprawl of television episodes than a film, is a little tedious to sit through.
  13. It winds up being tuneless, unfunny and, despite its strenuous efforts, not terribly sexy.
  14. Functional but tiresome.
  15. So cheesy and cheap that it almost attains high camp.
  16. Though the story line seems grim at times, it's always made lighter by Brodsky's gentle, often hilarious presence.
  17. Gator never emerges as anything but a blatant and outspoken -- and virulently brutal -- jerk.
  18. Clara Khoury delivers a performance that is luminous, fierce and intensely focused as the title character of Rana's Wedding.
  19. An insufferable piffle.
  20. The creation of teen-girl culture seems almost pitch-perfect. The flaw is the flaw of most works of muckraking when they are held to artistic standards: It's a question of proportion.
  21. It's all too, too cute and too, too forced for words -- not to mention too, too dark.
    • 37 Metascore
    • 30 Critic Score
    A kind of cinematic analogue of the Iran-Iraq war: It's overlong, it's hard to tell which one's the bad guy, and it's filled with lots of senseless carnage on both sides.
  22. The genius of the film is its utter commitment to the Pekar point of view.
  23. Shaolin Soccer is "Crouching Tiger, Hidden Dragon" with soccer balls, a touch of Sergio Leone and not one microsecond of seriousness.
  24. It's a fine, old-fashioned 2 1/4 hours at the Bijou.
    • 30 Metascore
    • 20 Critic Score
    A lightweight skating story/road-trip film, is apparently the best it can do, which is to say, not good at all.
  25. Should have been a smart bit of cinematic froth but instead sinks like an overworked souffle.
  26. It suffers from a dreary middle section. Great movie, mediocre script.
  27. This is pretty much a feel-good film for committed fans and moviegoers looking for some spectacular combination of travelogue, athleticism and slo-mo grace.
  28. Offers up the kind of pleasures that only a summer movie can...The cast is good-looking, the soundtrack is loud, the plot is stupid.

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