Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Surprisingly nimble and fun to watch, mostly thanks to the magnificent dogs Hoffman has found to portray his lead characters, and thanks to the actors he cast as the animals' voices.
  2. Smart, silly, splenetic and a bit smug, it's a movie that might put a viewer's teeth on edge were it not for its winning lead performances.
  3. There's a thin line between some drag comedy and misogyny, and Girls Will Be Girls, a crass comedy in which all the women are played, with over-the-top abandon, by men, roars past that line.
  4. Reconfirms Tarantino's status as the master of pop cinema and puts a sense of excitement into the year. He has matched, if not eclipsed, the power and scope of 1994's "Pulp Fiction," though not its human charm.
    • Washington Post
  5. The results are as riveting as any action movie ever made.
  6. If Mystic River is just a bit overplayed, a tad too highly pitched, it still resonates with grief and fury and feeling.
  7. Despite its impeccable acting and subtle backdrop of the Sept. 11, 2001, attacks, The Event lets its message overwhelm its emotion.
  8. Until that sugar coating at the end, Out of Time is clever, believable and gripping, and seems to be headed to a wondrous, bad place as it carefully modulates classic '40s themes.
  9. It offers a special "something" for everyone who ever appreciated the Quiet Beatle's musical gifts and spiritual explorations.
  10. The best advice to filmgoers who appreciate smart, mature, humanist movies is, simply, Go.
  11. Overblown, overheated, overdirected, overacted, overlong.
  12. A movie for almost everyone, from boomer parents (who remember their teens and twenties) to their teenage kids (who can't wait to get started with same). And if there's anyone who can bring so many into the same mosh pit, it's Black, who so occupies the role you can't believe he's acting.
    • 35 Metascore
    • 30 Critic Score
    Surprisingly amateurish attempt at cross-cultural comedy.
  13. The film should at least be wise and three-dimensional enough to see Ann's motivations as a source of mystery as much as heroic self-empowerment. This one-dimensional ennoblement doesn't sit quite right.
  14. This is a one-note deal, and it doesn't take long before you want to, well, just move out and leave these characters in their rent-controlled limbo.
  15. Turns out he's infinitely more likable than Vin Diesel, who carries his sense of stardom through every movie like an insufferable Atlas. In fact, Dwayne Johnson is a gentleman, the kind of Rock who puts you in a very easy place.
  16. It's like a music video of Helen Reddy's "I Am Woman" filmed in the Chevy Chase Pottery Barn.
  17. The film stars Bruce Campbell of the "Evil Dead" series as Elvis in a touching, funny and at times grotesque performance that is actually the best thing about the movie.
  18. It's just unfortunate that a movie about such a daring man ultimately takes few risks.
  19. Short but powerful drama.
  20. Meant to be a sleek, dark, disturbing David Cronenberg-style thriller, Olivier Assayas's film is just an annoying concoction.
  21. Each revelation seems more disturbing than the next. But Chinese treatment of Tibetans is only half the heartbreak. The other is the amazing resilience of the Tibetans, who are overwhelmingly Buddhist.
    • 37 Metascore
    • 30 Critic Score
    This movie isn't a thriller, it's an insomnia killer.
  22. Lacks that outrageous effrontery that might have socked it to its intended audience.
  23. It's of an odd genre: a formally scripted (by Tony Grisoni) feature with a musical score that adheres totally to journalistic accuracy and willfully ignores formula, melodrama and uplift. It's a real down-lift.
  24. The movie doesn't have the energy to be truly horrible. It's too muted and enervated. But it's a somewhat tedious thing to sit through.
  25. For all his patient, accumulative storytelling, Sayles yields little that doesn't feel trite or overly schematic.
  26. Amounts to a rare gift and an opportunity to appreciate the end of an era and celebrate one of the screen's most subtly etched heroes: the soft-spoken Monsieur Georges Lopez.
  27. It's less a children's movie made for contemporary children than a children's movie made for people who still remember, and pine for, how children's movies were made 50 years ago.
  28. A soundtrack buried inside a sitcom.

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