Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. For the most part, the film's a bewildering disappointment.
  2. It's at once too restrained and too perversely funny to have emanated from the play-it-big-but-play-it-safe sensibilities of Hollywood, U.S.A.
  3. Will seem a classic if you're stoned, and only slightly less funny if you're straight.
  4. It all adds up to something less powerful and interesting than the original.
  5. The most misguided, ill-conceived and lamentable film.
  6. Garden State features some wonderful performances, chief among them an engaging, even courageous turn from Natalie Portman.
  7. The movie comes across as a political science course videotape rather than a movie to fully engage a general audience.
  8. Dragged down by a paper-thin story, the predictable number of fight scenes executed at equally predictable intervals and stock, unmemorable characters.
  9. If Kelly felt it necessary to add the new material, that's all to the good. It just means there's more to love.
  10. The film's first half is easily the best and brightest. As the movie moves into the more saddening sections, however, it loses most of its power.
  11. Kitano the filmmaker makes sure that everything is beautiful, from the wonderful colors and passing tableaux to the intricate fighting choreography. This blind swordsman, you realize, has vision to spare.
  12. It's creepy, all right. It's just that HOW it goes about creeping you out is sometimes just plain cheesy.
  13. I had some trouble with the plot, but I'm not the only one -- so did the screenwriter.
  14. Less a tale of mysterious, tragic love than a three-way Harlequin romance.
  15. It is horrible. Time curls up and dies while this Hilary Duff vehicle wheels its weary, conventional way along.
  16. A gripping, deeply moving film
  17. It goes so far -- way too far -- as having a known actor play Grant.
  18. Smith makes it look easy, but underneath the physical high jinks and slick veneer of I, Robot lies a performance of real discipline and intelligence.
  19. The outspoken congressman is just as entertaining as his liberal fans already know him to be.
  20. Bridges can't be a whole movie. But he's the main reason to watch.
  21. Documentary about rock history's biggest heavy metal band is -- variously -- serious, funny, frustrating and touching.
  22. The cast, all classically trained on the stage, is simply commanding.
  23. It wants us to believe that being popular and getting the cutest guy in school really is the key to happiness. Like, how totally last century is that?
  24. Wonderfully silly all the time.
  25. By land or by sea, there aren't many movies that can move you like that.
  26. By going back to its origins and dusting itself off, the King Arthur story has proved itself to have a very contemporary resonance.
  27. Modest and winning.
  28. This is Disney at its live-action best and brightest.
  29. Ultimately, we find ourselves looking for the wrong sort of clearing: a way out.
  30. All foreplay and no climax.

Top Trailers