Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. The movie drains Cole and Linda Porter of blood and fills them with embalming fluid.
  2. This movie, directed with precision and an appreciation for (relatively) rich character texture by Sam Raimi, remembers all the fine elements of the original film (and the comic book story). It reprises them perfectly, including wonderfully choreographed, skyscraper-hanging fights.
  3. May be one hundred percent sap, but its spirit is anything but cloying, thanks to persuasive performances, most notably from Rachel McAdams.
  4. I would rather have a more interesting group of desperate people to spend my post-apocalyptic time with.
  5. The story, which features an apparently lobotomized Guy Pearce as an opportunistic explorer and hunter who learns the errors of his ways, is deeply dull.
  6. Laugh? I thought I'd never start.
  7. In Fahrenheit 9/11, Moore largely stays out of the picture, and the film is the better for it. But otherwise his style hasn't changed.
    • 53 Metascore
    • 40 Critic Score
    Something far more consequential looms in the wings. And that renders The Hunting of the President the feel of a sideshow
  8. There's something diverting but not wildly stirring about this Italian drama.
  9. Most important, the film has a terrific supporting character in St. Marie herself, portrayed by the real Canadian island of Harrington Harbour (pop. 300).
  10. Here was my question for most of this movie: Wha-? I was clueless. Did not understand. Count me among the stupid.
  11. It has great mood and a sense of the toughness of the London underworld, but it never really gets into gear.
  12. Hanks is great; the movie isn't.
  13. On the whole, it feels like a cross between a PBS special hosted by a series of low-rent Deepak Chopras and an infomercial for self-help audio tapes.
  14. Modestly amusing teen summer comedy.
  15. The gags are physical but rarely funny.
  16. A heartfelt but eccentric, pseudo-documentary tribute to his sister Maria.
  17. If you love the theater, you've got to see the film.
  18. The muddy, convoluted story revolves around the star's cool-guy poses and one-liners.
  19. None of it appears to be well thought out, or thought through, and it's consequently never remotely believable.
  20. Bland, workmanlike and instantly forgettable.
  21. I laughed. And I laughed primarily over Heder's hilarious performance. You ain't seen nothing till you've seen Napoleon attack that tether ball.
  22. But even though Marcos, in this film, provides enough material for a few hundred giggles and head-shakings, she also shows a pathetically human side.
  23. Strangely moving film.
  24. This is another unhelpful screed, uncontaminated by sense or perspective, that preaches loudly to the choir.
  25. Put delicately, this is one long sit, made all the more so by a turgid story, a dour visual palette and uninspiring action.
  26. It never really feels like we've gotten to know the man himself, leaving the figure at the heart of I'll Sing for You a cipher.
  27. About as good a picture of a writer's real life as we are likely to get. It is wide-ranging, it is fair, it is thorough, and although it admires, it is also tough enough to condemn.
    • 33 Metascore
    • 30 Critic Score
    An hour and a half of real airplane turbulence is better than sitting through the bad, offensive material that makes up Soul Plane.
  28. If you're mocking holier-than-thou-ness, you can't very well strike a hipper-than-thou tone.

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