Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. There's really nothing more here than you can find watching dreadful political advertisements and dreadful political talk shows.
  2. By Breillat's usually dire standards, this is practically a laff riot, and if you want to see her funniest, most accessible movie, this is the one to watch.
  3. Somehow, wondrous acting holds things together.
  4. Cut-and-dried sci-fi thriller.
  5. Moolaade, in short, is a movie to rock the soul.
  6. May lack originality but makes up for it in sheer bravado and really nice clothes
  7. Despite all the life-threatening situations, warrior deaths and heroic feats, it's hard to get behind characters who feel like lazy archetypes.
  8. Occasionally charming but ultimately forgettable bit of fox-trot fluff.
  9. This is all terrifically nasty and shocking stuff.
  10. This is for the pre-converted, certainly not the left, or even those who consider themselves detached observers.
    • 83 Metascore
    • 90 Critic Score
    Sweet, strange and ultimately heartbreaking.
  11. So programmatic, so dogged in hitting the right steps at the right time that it completely lacks spontaneity.
  12. A thematically bleak yet subtly comic film.
  13. A warmly spirited travel diary of a movie.
  14. In the end, Stage Beauty is in over its mediocre head.
    • 70 Metascore
    • 70 Critic Score
    Give credit to Berg for keeping Bissinger's all-too-true ending intact. It's a doozy.
  15. As Primer progresses, it just gets murkier and the experience of it more drudgelike.
  16. The movie is going to be fine for PG-ready audiences, assuming they don't have a problem with extremely predictable story turns.
  17. You may not want to hang with the haunted Caouettes, but the movie is so compelling, it doesn't give you a choice.
  18. Goes nowhere fast.
  19. Jim de Seve's cogent pro-gay-marriage argument appeals equally to emotion and reason.
  20. A lucid, emotionally affecting portrait not just of one man but of his times.
  21. At its best, Woman Thou Art Loosed conveys the unfathomable meaning behind those words.
  22. Ultimately undermined by the fact that the two rock bands Timoner chose to focus on -- the Brian Jonestown Massacre and the Dandy Warhols -- simply don't matter as much as she thinks they do.
  23. This movie just doesn't match its predecessors.
  24. It's uncompromisingly bad, single-mindedly off-target.
  25. The firefighting equivalent of an Army recruitment commercial.
  26. It's a warm bath experience, soap-sudsed with sentimentality, improbability and other storytelling misdemeanors.
  27. A few minutes of inspired lunacy aside, The Yes Men is largely a case of the same old preachers preaching to the same old choir.
  28. Pontecorvo's pointed 1969 drama of the politics of war feels surprisingly timely.

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