For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jen Chaney
This movie’s pleasures are less about its villains and more about the interplay between Pegg and Frost.- Washington Post
- Posted Aug 22, 2013
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- Washington Post
- Posted Dec 20, 2012
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Reviewed by
Ann Hornaday
A whimsical, sad, diverting and altogether delightful exploration of how cinema can benefit, not only from glancing back at its own past, but by staying open to parallel forms of presentation and play.- Washington Post
- Posted Sep 13, 2012
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Reviewed by
Michael O'Sullivan
The only artwork by Ai that Klayman's film dwells on at any length -- aside from the iconic "bird's nest" stadium he helped design for the Beijing Olympics, and then denounced as tasteless -- is "Sunflower Seeds." Created for a 2010 exhibition at London's Tate Modern, the installation featured 100 million hand-painted ceramic sunflower seeds spread out on the floor.- Washington Post
- Posted Aug 2, 2012
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Reviewed by
Michael O'Sullivan
Whatever your belief system, this much is gospel: Movies like The Conjuring are less about the battle between God and Satan than the battle between the silly and the scary.- Washington Post
- Posted Jul 18, 2013
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Reviewed by
Ann Hornaday
Howard directs Rush with speed and jangly, jarring verve, bringing the races themselves to white-knuckled life and allowing the men’s stories to play out with only slightly predictable reversals, upsets and, inevitably, those hard lessons learned.- Washington Post
- Posted Sep 26, 2013
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Reviewed by
Michael O'Sullivan
In writer-director David Chase's heartfelt delivery, this same old tune somehow comes out sounding fresh.- Washington Post
- Posted Jan 3, 2013
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Reviewed by
Stephanie Merry
The documentary offers a fascinating and heartfelt examination of history through the microcosm of one sport.- Washington Post
- Posted Oct 4, 2012
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Reviewed by
Michael O'Sullivan
10 Years doesn't completely avoid the road-not-taken theme. It does, however, neatly navigate around many of the potholes, finding a novel and nuanced approach to addressing the ways that our mistakes make us better, wiser and more human.- Washington Post
- Posted Sep 21, 2012
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Reviewed by
Michael O'Sullivan
Chasing Ice aims to accomplish, with pictures, what all the hot air that has been generated on the subject of global warming hasn't been able to do: make a difference.- Washington Post
- Posted Nov 16, 2012
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Reviewed by
Ann Hornaday
But even appreciated simply as a little-known chapter of European history, it proves consistently engrossing, edifying and affecting.- Washington Post
- Posted Nov 16, 2012
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Ann Hornaday
West of Memphis makes a lucid, absorbing contribution to an epic saga that Berlinger and Sinofsky first wrestled into an 18-year-long narrative that changed two lives and saved one. And it gives that epic an ending that's happy, sad, inspiring, infuriating, right and terribly wrong, all at the same time.- Washington Post
- Posted Jan 24, 2013
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Reviewed by
Ann Hornaday
Smoothly navigating the perilous line between insufferably twee and heartbreakingly grim, Quartet is a subtle, sure-footed delight.- Washington Post
- Posted Jan 24, 2013
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Reviewed by
Ann Hornaday
Beauty Is Embarrassing stays true to White's own exacting standards: It's thoughtful, skillfully executed and pure pop pleasure, from start to finish.- Washington Post
- Posted Oct 19, 2012
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Reviewed by
Ann Hornaday
That Detropia won't be just another well-reported urban obituary is clear from the film's arresting opening moments.- Washington Post
- Posted Sep 21, 2012
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Reviewed by
Michael O'Sullivan
It's the story of changing chefs and changing seasons. It looks at food as not just something that nourishes our bodies, but as something that enriches our lives and our relationships.- Washington Post
- Posted Sep 21, 2012
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Reviewed by
Sandie Angulo Chen
Like the hit single on its soundtrack, “Can’t Stop the Feeling,” the movie Trolls is irresistibly charming because of a simple but catchy hook.- Washington Post
- Posted Nov 3, 2016
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Reviewed by
Sandie Angulo Chen
Directors Jennifer Yuh Nelson and Alessandro Carloni deploy a gorgeous color palette for the Chinese countryside, using vibrant, swirling shades of green, blue and red for the panda hideaway....The directors also make sure to let Po stay the charming bumbler he’s always been. That’s what makes him such an earnest, lovable hero.- Washington Post
- Posted Jan 28, 2016
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Reviewed by
Michael O'Sullivan
Director Neil Burger (“Limitless”) has crafted a popcorn flick that’s leaner, more propulsive and more satisfying than the bestseller that inspired it.- Washington Post
- Posted Mar 20, 2014
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Reviewed by
Michael O'Sullivan
Admission is not especially funny. The trailer can’t seem to make up its mind. On the one hand, it looks like a satire of academia. On the other hand, it could be a gentle rom-com. In truth, it’s neither.- Washington Post
- Posted Mar 22, 2013
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Reviewed by
Sean O’Connell
Technically, The House I Live In isn't season six of "The Wire." But Eugene Jarecki's investigative documentary probing our nation's futile war on drugs is so similar in tone and intent to HBO's acclaimed series that fans of the defunct television program will want to take a look.- Washington Post
- Posted Oct 11, 2012
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Reviewed by
Ann Hornaday
Like summer movies themselves, it’s become so easy to be glib in dismissing Tom Cruise. “Edge of Tomorrow” provides welcome and hugely entertaining evidence that he’s still a star of considerable gifts, and savvy enough not to let them be squandered just yet.- Washington Post
- Posted Jun 5, 2014
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Reviewed by
Ann Hornaday
Saving Mr. Banks doesn’t always straddle its stories and time periods with the utmost grace. But the film — which John Lee Hancock directed from a script by Kelly Marcel and Sue Smith — more than makes up for its occasionally unwieldy structure in telling a fascinating and ultimately deeply affecting story.- Washington Post
- Posted Dec 12, 2013
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Reviewed by
Stephanie Merry
Enlightening, inspiring and expertly crafted documentary.- Washington Post
- Posted Nov 2, 2012
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Reviewed by
Michael O'Sullivan
The second half of this nearly two-hour film is a pure delight — fast-paced and funny and filled with special effects and humor as great as any recent Marvel movie, with the possible exception of “Guardians of the Galaxy.”- Washington Post
- Posted Jul 16, 2015
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Reviewed by
Sandie Angulo Chen
The spectacular cinematography (which took a year to capture), the sometimes silly and sentimental narration, and the alternately cutesy and menacing score are all used to showcase the dramatic lengths the wildlife kingdom’s most famously protective mother will go to provide for her cubs.- Washington Post
- Posted Apr 17, 2014
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Reviewed by
Sean O’Connell
A ripped-from-the-headlines psychological chiller that burrows under the skin with its terrifyingly local twist.- Washington Post
- Posted Nov 2, 2012
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Reviewed by
Ann Hornaday
Suffused with enormous compassion for the young woman at its center, this parable of awakenings shares some DNA with the art house hit “An Education” but has little of that movie’s nods to cozy humor and happy endings.- Washington Post
- Posted Mar 22, 2013
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Ann Hornaday
With Much Ado About Nothing, Whedon has crafted an endearing bagatelle, made with equal parts brio and love, ambition and pared-down modesty.- Washington Post
- Posted Jun 20, 2013
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Reviewed by
Ann Hornaday
In the vein of such recent classics as "The Lives of Others" and "4 Months, 3 Weeks and 2 Days," Christian Petzold's Barbara re-visits the quiet, everyday tragedies of the Iron Curtain era, when paranoia ran deep and for very good reasons.- Washington Post
- Posted Dec 20, 2012
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