Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Tender, observant coming-of-age comedy.
  2. Elizabeth Olsen delivers an utterly transfixing turn as the title character of this chilling psychological thriller.
  3. After all, Like Crazy seems to say, haven't we all been there? Didn't it hurt? And wasn't it grand?
  4. A movingly told tale of tragedy and its consequences, not just for the players in the original tragedy but also for those touched by their actions, in an ever-widening circle of aftershocks.
  5. The real value of poetry - of the contest itself - is not revealed until the closing credits, when we see the impressive list of colleges that the movie's four subjects have gone on to.
  6. A colorfully macabre stop-motion animation comedy that embraces the sociopolitical allegories of George A. Romero's zombie pictures and reworks them into a feature-length episode of "Scooby-Doo."
  7. There's a back story to this, and it's actually sort of witty.
  8. Majewski's film is a captivating exercise that will interest fans of art, not to mention arthouse cinema. But the movie's lasting impression is about more than novelty. It's a portrait of suffering and subjugation that urges viewers to stop what they're doing and take notice of the world around them.
  9. The second part of Peter Jackson’s “The Hobbit” trilogy goes a long way — and at 2 1/2 hours, I do mean long — toward righting the wrongs of the first movie, which was even longer.
  10. The movie is called Love Crime. But its hidden message has more to do with business than with passion. Hell hath no fury like a woman scorned. Especially one in a power suit, who knows how to work a room.
  11. Some movies prove so eye-opening that a viewer may feel the urge to recount the story, start to finish, to friends and acquaintances. Crime After Crime is that kind of film.
  12. Kristin Canty's surprisingly engrossing documentary, a worthy addition to the growing annals of movies and books advocating for sustainable farming methods.
  13. The gritty film is realistically inspiring and, thankfully, not overly dramatized. While the interrupters succeed on many levels, a pervasive sadness remains.
  14. The casting coup here is Benedict Cumberbatch, who exudes steely resolve and silken savagery as a villain on the cusp of becoming a legendary nemesis.
  15. This, finally, is the Dredd movie comic book readers have been anticipating.
  16. Lynne Ramsay's thoughtful, unnerving film works its strange power over viewers who are likely to find themselves as compelled as repelled by its fatally flawed key players.
  17. The setting and fatalistic musings of The Grey invite comparison to Sean Penn's stirring 2007 ad­ven­ture "Into the Wild"; in its more metaphysical moments, told in impressionistic flashbacks, it recalls last year's "The Tree of Life."
  18. It's uncompromisingly steamy, in a way that seems designed to make people who are uncomfortable with a physical relationship between two men even more uncomfortable.
  19. Funny, moving, hip and transcendent all at the same time, The Way is both deeply thoughtful and enormous fun to watch.
  20. The Hedgehog is a treat: a movie that's smart, grown-up, wry and deeply moving. Best of all, this is accomplished with the lightest of cinematic strokes. It sneaks up on you, without grandstanding, melodrama or outright jokes.
  21. It really captures what it feels like to be a kid.
  22. Fans of Fassbender's yummy performances in this year's "Jane Eyre" and "X-Men: First Class" should be forewarned that, although we see the handsome Irish actor in the altogether, Shame is strangely un-sexy.
  23. Hope Springs is a minor miracle of a movie. Within a Hollywood tradition accustomed to treating sex as something titillating, taboo, gauzily idealized or downright pornographic, finally someone has made a movie that treats it in the riskiest way possible: as the physical expression of intimacy between two flawed but recognizable adults.
  24. Boy
    A funny and touching coming-of-age story.
  25. It's a nicely balanced blend of comedy, drama and athletic dancing that plies its trade with winking, unforced self-assurance.
  26. Ender’s Game is more than a parable about bullying, or a disquisition on the concept of the “just war.” It’s also a rousing action film, especially in Imax.
  27. The documentary mostly steers clear of Vreeland's home life. Little attention is paid to her husband or her children, and that may be partly because Vreeland didn't seem to have much time for them, according to interviews with her two sons.
  28. Most footnotes don't get a passing glance, but this one proves worthy of careful study.
  29. It's great fun.
  30. For all the trite sayings that come to mind, the story feels exceptional thanks to the subject, a self-made perfectionist still pursuing culinary transcendence.

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