Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Tedious.
  2. Most of the comedy, such as it is, consists of the uppity Chase acting "street" and the ghetto-fabulous Tiffany putting on moneyed airs. But, if you've seen the trailers, you already know that.
  3. A grisly, depraved and wholly uninvolving exercise in empty mannerism.
  4. A rambling disappointment.
  5. Hatched by screenwriters watching "The Sixth Sense" on methamphetamines
  6. Guys, I'm telling you: Don't go to this movie! It's "Chasing Amy" with guns! You're walking into a trap! This is for fans of the holy couple, but they already know that.
  7. The most misguided, ill-conceived and lamentable film.
  8. Proof of Life isn't a movie. It's an overpriced scrapbook.
  9. Nothing more, or less, than a cheap, dirty grab at our Christmas spirit.
  10. The driving drama of such a desperate situation is lost in the movie's casting silliness.
  11. Tries to combine humor with ghostly horror but excels at neither.
  12. Dismal. Lame. Not funny.
  13. There was absolutely no reason to make a new version of the 1970 comedy.
  14. Let's accentuate the positive: Saving Silverman really stinks. No, really. It's bad. Awful.
  15. To call Lawrence a poor man's Richard Pryor libels not just Pryor but also the 33 million Americans currently living under the poverty line.
  16. It's trivial and narcissistic and ultimately rather sordid.
  17. Its important if inflammatory message will bore all but Chomsky's fellow travelers to death.
  18. The drug-fueled romp turns ugly, sexist and misogynistic, as so many rap-star vehicles do.
  19. A loud, choppily edited and surprisingly unengaging portrait of speed demons.
  20. The good news might be that Huppert wasn't available for Alias Betty, but the bad news is that it didn't stop France from exporting yet one more cold, pretentious, thoroughly dislikable study in sociopathy.
  21. The laughs are few, far between and pretty darn faint in this comedy.
    • 30 Metascore
    • 20 Critic Score
    A lightweight skating story/road-trip film, is apparently the best it can do, which is to say, not good at all.
  22. We're supposed to adore Gibson's sang-froid and his toughness, but everything, a few good lines aside, is so witless and monotonous it becomes numbing.
  23. Stumbles right out of the gate and never regains its footing. It's sad to see a gifted comedian like Janeane Garofalo trying, but failing, to anchor this mediocre affair.
    • Washington Post
  24. Even the Richard Rich-directed animation -- except for some nice but gratuitous computer-generated walking statues and dramatic ocean waves -- is not appreciably better than Saturday morning cartoons.
  25. Feels more like "Porky's" with marinara sauce than "Summer of '42."
  26. Here's the best thing about Stealing Harvard: A dog bites Green in the crotch for a really long time. Priceless.
  27. A mousy little nothing of a picture.
  28. I'd rather sit in bumper-to-bumper hell on I-495 for two hours than get caught in Traffic again.
    • 20 Metascore
    • 20 Critic Score
    After a somewhat promising opening, the movie falls flat.

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