Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. The best part of Walk Hard, oddl enough, is the music. I might not care to see Walk Hard" a second time, but I can't wait to hear it again.
  2. Possesses its share of modest laughs, many of them delivered by Ted Danson as Bridget's bemused husband. But director Callie Khouri (best known for writing "Thelma & Louise") doesn't bring the dash needed to make this a comic heist on a par with "Ocean's Eleven."
  3. Katherine Heigl makes an official bid for America's Sweetheart in her sophomore effort, 27 Dresses, a romantic comedy that -- despite her undeniable, apple-cheeked appeal -- sags like a day-old bouquet.
  4. Ice Cube and Tracy Morgan are the nominal stars of First Sunday, but it's Katt Williams who steals the show in this by turns trite and mildly amusing B-comedy.
  5. This muttering boatman seems to have lost his old-time heroism. No longer is Rambo killing for a cause, but for kicks. And his portentous blather, even by Rambo standards, becomes unintentionally hilarious.
  6. From its very first scene, Untraceable isn't the sophisticated, brainy thriller it so nearly could have been, but just another movie about a serial murderer.
  7. In her imperfectly beautiful way, Bell suggests Carole Lombard. As a comedian, Bell is enough of a distraction that you can forgive all the inanities around her. And there are many.
  8. A talented comedian, Lawrence has leaned all too easily on formula for his successful films. Imagine if he would test his flair against original and fresh premises, instead of the tried and trite. Why, he'd discover what it's like to take pride, not just profit.
  9. Definitely an overlong exercise in the concept of kismet, and maybe it's just what you want, in lieu of chocolates.
  10. It's difficult to know whom to root for.
  11. For the uninitiated? Man, it's a bummer.
  12. What The Year My Parents Went on Vacation seems to be about, in the end, is big-time sport as the opiate of the masses.
  13. Owen Wilson phones it in with Drillbit Taylor, a by-the-numbers teen comedy.
  14. There's a flatness about the whole enterprise -- like drinking champagne, but from an old house slipper. Re: his performance, Clooney is terrific. His comparison to old movie stars is not just hype. He really does possess the combination of supreme confidence and humility that has been the hallmark of the biggest male Hollywood stars.
  15. There's never any mistaking the film's politics. If they were any different, it would be a surprise, given that the co-director and executive producer is the onetime talk-show god and lifelong liberal Donahue. But it is a film (as opposed to a collection of talking heads, Michael Moore-style ambushes or Robert Greenwaldian shorthand).
  16. In casbahs and desert villages, in kibbutzim and around the campfire, Spurlock has a way of getting people to open up, to use their real voices and express their real opinions, the likes of which never make it onto network news. That's his gift, and when he uses it, "Where in the World zzzzz-zzzz" opens up into a miraculous document.
  17. For those who crave mannerisms and shtick and like their jokes set up and knocked out with plenty of arrows and quote marks, Baby Mama may fall flat. But audiences alive to the modest charms of its take on female friendship will be rewarded with at least a few quiet chuckles.
  18. Everyone in the movie, from Dillane to (especially) Serbedzija down to the child actor Robbie Kay (as young Beer), is fabulous, and Podeswa has an ability to distill history into a few powerful images. The movie, however, is circular in structure and keeps reiterating points it has already made. For some, it will be a long sit.
  19. The best thing about "Children" is the cinematography by Zhao Xiaoding ("Hero," "House of Flying Daggers"), which is so distracting because it so out-classes the rest of the movie.
  20. The director raises the question that haunts the whole film: Who should feel shame: gay Muslims or the Muslims who oppress them?
    • 47 Metascore
    • 50 Critic Score
    A hodgepodge in the raj -- a predictable patchwork of forbidden romance, English arrogance, a gun given as a gift, suicide, corruption, deception, rising Indian nationalism and a short-lived chase through the jungle.
  21. The movie is gross but not unfunny as it covers the Zohan's rise through hair culture, aided by his steamy heterosexuality, his lack of inhibition and his stereotypical career aggressiveness, until the old ladies are lined up all the way to the Bronx for a few minutes of bliss in the Zohan's chair.
  22. Even as Brick Lane manages to sidestep one formula, it falls prey to another.
  23. This is a movie guaranteed to please crowds, if only because it insists on their affection so strenuously.
    • 59 Metascore
    • 50 Critic Score
    For all the flash and dazzle, Gunnin' for That #1 Spot never comes close to the power and intimacy of 1994's "Hoop Dreams." The comparison may be unfair, but, given the subject matter, it's inevitable.
  24. A taut, well-acted, not very scary, not very hard to figure out serial-killer mystery.
  25. It seems to celebrate him more for his attitude, his fashionably leftist politics, his fame and his friendships than for any meaningful accomplishment.
  26. Thank heaven for Judi Dench, whose M provides Quantum of Solace its sole quantum of peppery brio.

Top Trailers