Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Will Smith and Margot Robbie bring low-key erotic chemistry to an easy simmer in Focus, a smooth, sophisticated, often amusing little caper flick.
  2. The idea is unabashedly silly, yet Monster Trucks is more involving than it sounds. Characters and conflicts are sharply defined, and director Chris Wedge handles the action with clarity.
  3. While cute, enormously entertaining and stuffed with more jokes than you can count, is only a half-step up. Partly, that’s a problem that’s built into its very premise.
  4. The Conjuring 2 satisfies more than it disappoints.
  5. The Galapagos Affair spins a strange and compelling tale, with perfectly sinister music by Laura Karpman setting the mood. But the movie is better at building suspense than following through.
  6. It’s a claustrophobic drama that unfolds like a thriller, although its characters are so bizarre that sympathizing with them is difficult.
  7. Even at its most wrenchingly painful, the film readily delivers generous dollops of pleasure.
  8. Its cinematic flair nearly overcomes the awkward story.
  9. At times, “Apocalypse” can be great fun, even if it doesn’t know when to hand its car keys to a friend and ask to be taken home.
  10. The story’s message may not be the most original one in the world — put down your device and make eye contact — but it’s fun to watch it unfold in a world that, while far from realistic, feels real enough.
  11. Although sweet and likable, Ricki and the Flash pulls too many punches to qualify as cathartic or even memorable. Instead, it’s a crowd-pleaser every bit as calculated and earnestly defanged as a Golden Oldies bus-and-truck tour.
  12. The Walk satisfies as an absorbing yarn of authority-flouting ad­ven­ture and as an example of stomach-flipping you-are-there-ness. The journey it offers viewers doesn’t just span 140 feet, but also an ethereal, now-vanished, world.
  13. Even with the odd misgiving or two, The Grand Seduction will effortlessly charm anyone susceptible to an endearing story told with modesty, wit and unprepossessing sweetness.
  14. Wild is an accomplished movie, and often a beautiful and moving one, but the woman at its center remains warily at arm’s length.
  15. Structurally, The Wonders suffers from awkward bulges and sags, especially toward the end. Still, it’s a beautiful, richly imagined ride that doesn’t end as much as evaporate into a dreamlike puff of smoke.
  16. Lessons will be learned about teamwork and reconciliation, and many jokes will be told along the way. Some of those jokes are pretty funny.
  17. In a jovial, if superficial way, he offers some perspective on the men behind the banana hammocks.
  18. “Restrepo” felt like the story of how boys become men. Korengal feels like the story of how strangers become family.
  19. Even those who don’t buy in completely to Mundruczo’s parable will be impressed by his canine crowd scenes, staged with ambition, skill and genuinely original vision.
  20. Max
    Despite the overplaying, Max gets its job done, which is to celebrate the sacrifices of military dogs, while warming the cockles of your heart.
  21. The Fluffy Movie’s principal weakness is that it’s not much of a movie. There’s no particular reason to watch this in a theater rather than on television.
  22. Walking the Camino: Six Ways to Santiago may not be entirely brilliant, but it’s at the very least inspiring.
  23. Despite Allen's sincere face; Bridges' quirky, effective portrayal; some exquisite effects; and many funny moments, the film falters at the finish, if not a little before. Mostly it never delivers what it promises -- an alien with all the right answers. [14 Dec 1984, p.31]
    • Washington Post
  24. Roald Dahl’s beloved ad­ven­ture tale about a brave little girl who befriends the titular Big Friendly Giant, finds Steven Spielberg in his natural element of childlike enchantment, yet also strangely out of step, his trusted sense of narrative propulsion and pacing occasionally failing him in a saggy, draggy second act.
  25. For a movie that lasts longer than two hours and is made up solely of talking, it’s impressive that the story never seems to drag. But with all of the possibilities of movie magic, it’s a shame that the characters keep us at arm’s length.
  26. Sometimes a great story is enough to overcome mediocre storytelling, and that’s the case with the documentary The Green Prince.
  27. The final destination of A Five Star Life is well worth the wait, but the service is so slow that some viewers may check out early.
  28. What makes The Tribe unforgettable is the filmmaker’s attention to composition and staging, with camera work by cinematographer Valentyn Vasyanovych that goes from implacable stasis to poetic fluidity with seamless, expressive ease.
  29. The morale of [Scorsese's] story is ultimately both tough and nuanced.
  30. Even if at times its structure feels overly complicated and the B-roll seems silly, the movie makes compelling points. More important, the film suggests both long-term and short-term solutions.

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