Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Spiked with some genuine show-stopping musical numbers, and the sheer pluck of its young cast is nothing if not admirable.
  2. Elf
    Ferrell provides just enough humor to get us through the familiar fare and enjoy the ride.
  3. So good it breaks your heart for not being better. It is kept from brilliance by a soggy climax and a clumsy central narrative device.
  4. Becker handles the film's comedy with fluency.
  5. Nothing from the book is left to wither away. That should please the vast reading audience that'll watch the movie.
  6. With razor-sharp performances, zingy one-liners, broad slapstick humor and a message of sorts, there's enough to distract the viewer from becoming hopelessly lost in the lint-filled chaos that is the umbilicus.
  7. Isn't scintillating, but it's sort of embraceably funny.
  8. The path taken by the film is somewhat labyrinthine and obscure, but it offers enough rewards to counterbalance its frustrations.
  9. Offers audiences a real rarity in theaters these days: a good, honest cry.
    • 53 Metascore
    • 70 Critic Score
    A wonderful movie: inspired, hilarious, visually inventive. Just don't take your kids to see it.
  10. Cleverness can be overrated but it can be underrated too, and the best thing about National Treasure is how clever it is.
  11. Until a disappointing tailspin in the last hour, Pearl Harbor is the best piece of popular entertainment to come along in years.
  12. Often wickedly funny, but about halfway through, the premise becomes -- shall we say? -- intestinally overextended.
  13. Ray
    It is to the film's credit -- and Foxx's -- that we are able to see, behind the flash and fury, a man who didn't know how to love, and was so much the lonelier for it.
  14. You may find some of the story developments melodramatic -- I did -- but the film itself is quite powerful.
  15. Enter the world of the sociopathic killer and enjoy.
  16. Garden State features some wonderful performances, chief among them an engaging, even courageous turn from Natalie Portman.
  17. You may soon forget the specifics of the plot, but you'll always remember the world it came from.
  18. It's at once too restrained and too perversely funny to have emanated from the play-it-big-but-play-it-safe sensibilities of Hollywood, U.S.A.
  19. This is a smart movie, full of astonishing reverses and switchbacks, and it adroitly walks the thin line between too clever by half and not clever enough by three-quarters.
    • 57 Metascore
    • 70 Critic Score
    A film whose far-fetched foundation is overshadowed by the endearing story.
  20. There's no doubt that Eminem has the talent and presence of a star. It's just a shame that the filmmakers didn't capture his power with mad skillz of their own.
  21. Seems like a pretty cool movie -- at least, for a remake of a 1970s Saturday morning TV show.
    • 82 Metascore
    • 70 Critic Score
    It's not perfect, or even close, but it delivers on the promise of J.K. Rowling's novels to a far greater extent.
  22. Surprisingly effective re-creation of a Latin American Bing and Bob on the Road to History.
  23. Mind you, there's lots to like, if not love, in this London-set, star-studded comedy. Unfortunately, there's a little bit to hate, too.
  24. In this sprawling oglefest, such things as "narrative" and "story" are remote little abstractions indeed.
  25. Far from great, but much farther from awful, Troy offers several popcorn buckets' worth of good old-fashioned time at the movies.
    • 67 Metascore
    • 70 Critic Score
    An amusing enough romp through his familiar undersea universe.
  26. Isn't just for music fans. It's more accessible than that, thanks to Joel Schumacher's bright direction and a few storytelling embellishments.

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