Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. The frequent, mundane talks -- which Alexandra engages in with her grandson, Malika and the base camp's enlisted men -- are not so much about politics as they are about people.
  2. Although the movie never quite dispels the sense of being dated (it could have been made anytime in the past 40 years), it's a memorable, often moving timepiece.
  3. It's a remarkably entertaining movie, thanks in part to a first-rate cast and a director who knows you can't make a point without calling everyone to attention.
  4. An interlocking ensemble piece in the tradition of "Crash" and "Babel," but with welcome dashes of whimsy and magical realism.
  5. Even as the derivative roots of Nim's Island are clearly visible, kids will no doubt vicariously enjoy Nim's adventures and Edenic existence. And how refreshing, for once, to see a girl embark on derring-do that, in Nim's own words, makes her the hero of her own story.
  6. Here are old people in all the magnificence of their elderliness. The movie doesn't pretend like getting old is any fun. But it's about the transcendental power of -- well, yes, music; and each of these folks has a talent whose expression is a fuel to survive.
  7. A refreshingly tender treatment of love gone wrong -- we mean, for a movie that's got enough lowdown sexual content to start its own Kinsey Report.
  8. Uma Thurman delivers a mesmerizing performance in The Life Before Her Eyes, a film that, once seen and fully digested, exerts the same haunting pull as the shattering events it chronicles.
  9. The movie is more entertaining than it is logical; its narrative leaps are sometimes ahead of our ability to believe them. But as the compellingly enigmatic Pierre, Pinon keeps us rapt.
  10. The disparity between Cindy and Jerry is itself obscene, but less so than that illuminated by the customers of Farewell Cruises, whom Yung shows to be almost parasitic in the way they feed off the misery (albeit without knowing it) of those who serve them.
  11. What engages us is Korine's revolutionary way of telling stories. It's as though he's downloading his dreams directly onto the screen.
  12. What is memorable is the film's portrait of a man of honor in a sleazy world, possibly a metaphor for the struggle of the artist to stay honorable in a world of backbiting, betrayal and hunger for easy money.
  13. A crowd-pleasing combination of buoyant spirit and occasionally dark humor.
  14. XXY
    XXY is, in the best possible sense of the word, an awkward film.
  15. Insightful, free-roaming but tautly constructed.
  16. An exceedingly bright comedy that never makes you feel stupid for enjoying its brisk pacing, smart lines, sound construction and superb comic acting, not only from Ashton Kutcher but from Cameron Diaz and well-chosen No. 2 bananas Rob Corddry and Lake Bell.
  17. It's romantic manliness at its purest, almost but not quite schmaltz, ideally calculated to please true believers and ironic snorters at once.
  18. He treats jocks like humans, not stars or superheroes, and in the end has managed something unique for documentaries these days: It's as entertaining as it is fair.
  19. It's less a movie than a delivery system for sensory pleasures, sunny romance and designer-label stuff that in real life would result in diabetic shock (or at least a ruined credit rating).
  20. The result is a classic comic-book hero quest that, while not entirely novel, hews to its own rules and conventions with dignity and artfulness.
  21. As for Hathaway, she's a revelation. Those eyes are still as big as Beamer hubcaps, but she's able to show more edge than her previous goody-goody roles have allowed.
  22. With its pounding, bloody violence, foul-mouthed language and putrid worldview, Wanted isn't comic book-y on a par with "Iron Man" or "The Incredible Hulk." Rather it's an example of revenge of the nerds at its nastiest and most vulgar.
  23. What becomes clear is that Trumbo's humor is only one thing that helped him survive the professional and personal hardships of the blacklist, which drove more than one of his Hollywood friends to kill themselves and took a toll on Trumbo's children.
  24. The dopest thing about The Wackness is Thirlby, who, after supporting turns in "Juno" and "Snow Angels," is quickly becoming reason enough to see any film she's in.
    • Washington Post
  25. Sometimes art imitates life; sometimes it is life. If the market gets any worse, Days and Clouds could kill realism outright.
  26. The real question is whether the film moves the "Brideshead" ball down the playing field in any meaningful way since the acclaimed miniseries. And I'd have to say that it doesn't so much advance it as it shrinks it into a golf-ball-size nugget.
  27. Gracefully explores Mobile's Mardi Gras celebrations and profiles the young people playing at royalty at these ceremonies' hearts.
  28. Whatta movie: booze, unhappy French people, Alan Rickman and really cool pickup trucks.
  29. This is pure, escapist fun -- skepticism and naysaying are best left at home.
    • 61 Metascore
    • 70 Critic Score
    Red
    Its earnest, always incomplete quest haunts us in ways stock imagery cannot.

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