Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. The movie's chief value is to preserve Phoenix at the height of his wary physical grace, which recalls a young Marlon Brando.
    • 61 Metascore
    • 70 Critic Score
    You can probably figure out how this is all going to end, but it still has more laughs than you might think. Nobody gets more than the wonderful Jane Lynch as the ex-drug addict and director of the mentoring program.
  2. The loudest, flashiest, silliest and longest blockbuster in a summer full of long, silly, flashy, loud blockbusters (long and silly "Transformers," flashy and loud "Wolverine").
  3. It's the last thing anyone expected: an old-fashioned monster movie with a heart.
    • 66 Metascore
    • 70 Critic Score
    The film manages a career-spanning panache: Soderbergh taps into the nervy impulses of his earliest endeavor, "sex, lies and videotape" as well as "Ocean's Eleven." The Girlfriend Experience has something to elevate and exasperate fans of both.
    • 74 Metascore
    • 70 Critic Score
    Delmore, Duplass and Leonard work up a loose-limbed, improvisatory energy, but Humpday radiates with the sheen of a film that has been thought out within an inch of its witty and insightful life.
  4. Shows us how funny farce can be -- even with the hokiest of premises -- in the hands of the British.
  5. Corny? Oh, yeah. But it's also reasonably good fun.
  6. A big, sprawling, sweet-natured mishmash with plots upon subplots and enough characters to make the head spin.
  7. Covers every cliche in the Hollywood sports movie playbook, but it also makes the routine much more enjoyable than you'd expect.
  8. Larded over with le fromage, which is to say, French cheese. But as these dairy products go, Christophe Barratier's movie is delectable sentiment. Audiences will crumble into itty-bitty pieces of Roquefort watching this.
  9. As cliche-ridden horror films go, Hide and Seek builds a pretty darn good mousetrap.
  10. Argentine filmmaker Daniel Burman's shaky-camera, cinema-verite-style dramedy meanders in charming fashion.
  11. If there's such a thing as freedom for everyone, Rory's determined to give the prospect its most grueling road test.
    • 58 Metascore
    • 70 Critic Score
    Hitch works best when it's a buddy comedy, with Smith and James having a blast as smooth Yoda and jiggly Jedi.
  12. An often lively investigation of the social forces that produced the original movie and made it an unlikely political shibboleth in the ongoing culture wars.
  13. It Works.
  14. Robb is remarkably assured; there isn't a false note in her performance.
  15. Schorr's endearing little movie gets under your skin much like the music it celebrates.
    • 76 Metascore
    • 70 Critic Score
    All of the dozen works featured are strong, with even the least engaging of the stories ... being visually compelling.
  16. Within this overly familiar trope, there's plenty of room for small surprises, not the least of which are delightful, understated performances all around.
  17. Do these soldiers make it? We keep watching and waiting. There's not much more to Gunner Palace than that, but it's no different than the soldiers' lot.
  18. Fox's film seems to say that the kind of saintly purity that would enable one to walk on water -- or to kill with impunity and without repercussions -- doesn't exist.
  19. For audiences simply looking for easy entertainment and some neat-looking robots along the way.
  20. What's best about "Upside" is its gonzo-sitcom craziness, a situation that lends itself to enjoyable performances.
  21. A joy to watch.
  22. A somewhat formulaic if nevertheless crudely effective manipulation of the figure skating themes that all of us girls love so much.
  23. A lively, engrossing documentary
  24. It's so spoofy it's difficult to call 'good' or even 'bad'; just say it's smooth.
  25. It's a fascinating film, but after a while, the digital photography wears out its gritty welcome.

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