Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. In this immersive, often deliciously sensuous documentary portrait of the late opera star Maria Callas, viewers are treated to another rise-and-fall story of a great but tortured artist, this one punctuated by the occasional real-life bed of roses and pleasure cruise.
  2. This is a must-see film, not just for the primer it offers in how foodways, farming practices and larger environmental forces are crucially connected but for its dazzling imagery of nature in action, both by way of breathtaking close-ups and sensational aerial shots of the farm and its environs.
  3. Don’t expect more of Teen Spirit than the movie can deliver: It’s an unapologetically slight story about a girl with ambitions that many would call shallow. But even as it obeys the rules of the Cinderella story in many ways, it defies them in some others.
  4. A zombie comedy that gradually builds from a teasing take-off to a genuine, gross-out thriller. It's definitely not for all audiences, but its visceral effects and old-fashioned scare tactics make it a real scream for chiller fans. [16 Aug 1985, p.19]
    • Washington Post
  5. This familiar-sounding melodrama works because of the extraordinary performance, in the title role, by Alba August, a young actress whose every emotion is made manifest, like passing clouds or a burst of sunshine, on her uncannily expressive face.
  6. A playful, artfully made horror movie that shows there's life in Norman Bates yet, and death, too. [04 July 1986, p.C1]
    • Washington Post
  7. Genre fans will appreciate the blood flow and the gore, and director Anthony Hickox keeps things moving so that there's never a dull moment -- or dull blade. Consider Hell raised.
  8. Antlers obeys the rules of horror — many of which are familiar, even at times cliche — while also bending them. It’s a creature feature at heart, yes, but its footing is grounded in the tragedies we hear about in the news every day.
  9. A delightful and frequently funny cartoon feature based on the characters of the Sherlock Holmes series. [07 July 1986, p.B8]
    • Washington Post
  10. Take the kids. Have fun.
  11. A visually and verbally ingenious sendup of romantic comedies that wears its candy heart on its sleeve.
  12. True Stories is an Our Town for our time, a slightly surreal portrait of the fictional frontier village of Virgil, Texas, sprung from a pancake landscape and hogtied with freeways.
  13. Aside from the bell-ringer's new look, the studio's ambitious adaptation of Victor Hugo's sprawling classic remains surprisingly faithful to the book's grim mood, if not its plot.
  14. Ultimately, Divide and Conquer offers useful lessons — and maybe even a little hope — for people on both sides of the national divide, about just how we came to this terrible, but not irreversible, place.
  15. Well supplied with both raunchy humor and star appeal, particularly in the person of Burt Reynolds, the film seems certain to become a crowd-pleaser.
  16. What She Said pays fitting homage, not just to a great writer but to a vanished age.
  17. Filmed in the mock-documentary style pioneered by acknowledged mentor Robert Altman, it does for baby-kissing phonies what This Is Spinal Tap did for heavy metal poseurs.
  18. The fact that Guy-Blaché isn’t a household name — even after making nearly 1,000 films — is due pure and simply to sexism, and literally being written out of history, either through animus or laziness. Thank goodness “Be Natural” is here to set a brilliant, distinguished, invaluable record straight.
  19. Luckily, The Mustang overcomes its most predictable story beats thanks to de Clermont-Tonnerre’s intimate, unfussy style and a quietly captivating performance by Schoenaerts.
  20. Through the lens of the eminence sleaze at its center, Where’s My Roy Cohn? offers as cogent a primer as any on how we got here. Meanwhile, somewhere down there, Roy Cohn is having the last, bitter laugh.
  21. An amusing, buoyant documentary about competitive body building, dominated by the humorous though awesomely proportioned star presence of champion of champions Arnold Schwarzenegger as he trains and disarms the competition prior to defending the title of Mr. Olympia for the fifth time.
  22. Malle's most forcefull dramatic element is the feeling of rivalry and resentment that exists between mother and child without the characters being conscious of it. The script is eloquently supplied with scenes illustration this fundamental conflict and bond. [26 Apr 1978, p.B1]
    • Washington Post
  23. An intriguing speculative drama.
  24. It’s a while before we learn anything, even a name, about the title character in The Wedding Guest. Played by Dev Patel, who delivers an unexpectedly stoic — yet predictably appealing — lead performance, he is a man of deep professionalism and equally deep mystery.
  25. There is enough action and general movement to satisfy younger moviegoers and enough gentility and creative thought to please everyone else. [26 Nov 1982, p.D1]
    • Washington Post
  26. As a history lesson every bit as clarifying as it is cockeyed, Hail Satan? possesses unarguable value. But it also serves as a reminder of why we embrace nonconformity, pluralism and tolerance.
  27. Doom Generation is an 85-minute, darkly comic assault on the audience, laden with satirically over-the-top (and below-the-belt) violence, unending profanity and enough references to the posterior to fill a proctologic encyclopedia. Araki wants to serve up the sleaziest, crudest fare he can dream up. His efforts can only be described as successful.
  28. On one level, Brian’s story is meant to be inspirational; the real Banks would ultimately go on to play in the NFL. But it is also a painful reminder of how young black people still face overwhelming disadvantages. The film leaves you wondering: What might have happened if Brian hadn’t been a talented linebacker?
  29. Fortunately, the [animated] reenactments are rendered with sensitivity, respectfully capturing the wide-eyed curiosity of a young woman, and conveying her story in a way that archival footage and family photos cannot.
  30. The Secret Garden unearths a few inventions of its own, it bears its own, quiet charms.

Top Trailers