For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Ann Hornaday
In this immersive, often deliciously sensuous documentary portrait of the late opera star Maria Callas, viewers are treated to another rise-and-fall story of a great but tortured artist, this one punctuated by the occasional real-life bed of roses and pleasure cruise.- Washington Post
- Posted Nov 6, 2018
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Reviewed by
Ann Hornaday
This is a must-see film, not just for the primer it offers in how foodways, farming practices and larger environmental forces are crucially connected but for its dazzling imagery of nature in action, both by way of breathtaking close-ups and sensational aerial shots of the farm and its environs.- Washington Post
- Posted May 14, 2019
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Reviewed by
Michael O'Sullivan
Don’t expect more of Teen Spirit than the movie can deliver: It’s an unapologetically slight story about a girl with ambitions that many would call shallow. But even as it obeys the rules of the Cinderella story in many ways, it defies them in some others.- Washington Post
- Posted Apr 17, 2019
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Reviewed by
Rita Kempley
A zombie comedy that gradually builds from a teasing take-off to a genuine, gross-out thriller. It's definitely not for all audiences, but its visceral effects and old-fashioned scare tactics make it a real scream for chiller fans. [16 Aug 1985, p.19]- Washington Post
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Reviewed by
Michael O'Sullivan
This familiar-sounding melodrama works because of the extraordinary performance, in the title role, by Alba August, a young actress whose every emotion is made manifest, like passing clouds or a burst of sunshine, on her uncannily expressive face.- Washington Post
- Posted Nov 28, 2018
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Reviewed by
Paul Attanasio
A playful, artfully made horror movie that shows there's life in Norman Bates yet, and death, too. [04 July 1986, p.C1]- Washington Post
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Reviewed by
Richard Harrington
Genre fans will appreciate the blood flow and the gore, and director Anthony Hickox keeps things moving so that there's never a dull moment -- or dull blade. Consider Hell raised.- Washington Post
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Reviewed by
Michael O'Sullivan
Antlers obeys the rules of horror — many of which are familiar, even at times cliche — while also bending them. It’s a creature feature at heart, yes, but its footing is grounded in the tragedies we hear about in the news every day.- Washington Post
- Posted Oct 27, 2021
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Reviewed by
Paul Attanasio
A delightful and frequently funny cartoon feature based on the characters of the Sherlock Holmes series. [07 July 1986, p.B8]- Washington Post
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- Washington Post
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Reviewed by
Jane Horwitz
A visually and verbally ingenious sendup of romantic comedies that wears its candy heart on its sleeve.- Washington Post
- Posted Feb 13, 2019
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Reviewed by
Rita Kempley
True Stories is an Our Town for our time, a slightly surreal portrait of the fictional frontier village of Virgil, Texas, sprung from a pancake landscape and hogtied with freeways.- Washington Post
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Reviewed by
Rita Kempley
Aside from the bell-ringer's new look, the studio's ambitious adaptation of Victor Hugo's sprawling classic remains surprisingly faithful to the book's grim mood, if not its plot.- Washington Post
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Reviewed by
Michael O'Sullivan
Ultimately, Divide and Conquer offers useful lessons — and maybe even a little hope — for people on both sides of the national divide, about just how we came to this terrible, but not irreversible, place.- Washington Post
- Posted Dec 5, 2018
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Reviewed by
Gary Arnold
Well supplied with both raunchy humor and star appeal, particularly in the person of Burt Reynolds, the film seems certain to become a crowd-pleaser.- Washington Post
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Reviewed by
Ann Hornaday
What She Said pays fitting homage, not just to a great writer but to a vanished age.- Washington Post
- Posted Feb 12, 2020
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Reviewed by
Rita Kempley
Filmed in the mock-documentary style pioneered by acknowledged mentor Robert Altman, it does for baby-kissing phonies what This Is Spinal Tap did for heavy metal poseurs.- Washington Post
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Reviewed by
Ann Hornaday
The fact that Guy-Blaché isn’t a household name — even after making nearly 1,000 films — is due pure and simply to sexism, and literally being written out of history, either through animus or laziness. Thank goodness “Be Natural” is here to set a brilliant, distinguished, invaluable record straight.- Washington Post
- Posted May 1, 2019
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Reviewed by
Ann Hornaday
Luckily, The Mustang overcomes its most predictable story beats thanks to de Clermont-Tonnerre’s intimate, unfussy style and a quietly captivating performance by Schoenaerts.- Washington Post
- Posted Mar 27, 2019
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Reviewed by
Ann Hornaday
Through the lens of the eminence sleaze at its center, Where’s My Roy Cohn? offers as cogent a primer as any on how we got here. Meanwhile, somewhere down there, Roy Cohn is having the last, bitter laugh.- Washington Post
- Posted Sep 24, 2019
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Reviewed by
Gary Arnold
An amusing, buoyant documentary about competitive body building, dominated by the humorous though awesomely proportioned star presence of champion of champions Arnold Schwarzenegger as he trains and disarms the competition prior to defending the title of Mr. Olympia for the fifth time.- Washington Post
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Reviewed by
Gary Arnold
Malle's most forcefull dramatic element is the feeling of rivalry and resentment that exists between mother and child without the characters being conscious of it. The script is eloquently supplied with scenes illustration this fundamental conflict and bond. [26 Apr 1978, p.B1]- Washington Post
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- Washington Post
- Posted May 14, 2019
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Reviewed by
Michael O'Sullivan
It’s a while before we learn anything, even a name, about the title character in The Wedding Guest. Played by Dev Patel, who delivers an unexpectedly stoic — yet predictably appealing — lead performance, he is a man of deep professionalism and equally deep mystery.- Washington Post
- Posted Mar 7, 2019
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Reviewed by
Richard Harrington
There is enough action and general movement to satisfy younger moviegoers and enough gentility and creative thought to please everyone else. [26 Nov 1982, p.D1]- Washington Post
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Reviewed by
Ann Hornaday
As a history lesson every bit as clarifying as it is cockeyed, Hail Satan? possesses unarguable value. But it also serves as a reminder of why we embrace nonconformity, pluralism and tolerance.- Washington Post
- Posted Apr 24, 2019
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Reviewed by
Desson Thomson
Doom Generation is an 85-minute, darkly comic assault on the audience, laden with satirically over-the-top (and below-the-belt) violence, unending profanity and enough references to the posterior to fill a proctologic encyclopedia. Araki wants to serve up the sleaziest, crudest fare he can dream up. His efforts can only be described as successful.- Washington Post
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Reviewed by
Alan Zilberman
On one level, Brian’s story is meant to be inspirational; the real Banks would ultimately go on to play in the NFL. But it is also a painful reminder of how young black people still face overwhelming disadvantages. The film leaves you wondering: What might have happened if Brian hadn’t been a talented linebacker?- Washington Post
- Posted Aug 5, 2019
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Pat Padua
Fortunately, the [animated] reenactments are rendered with sensitivity, respectfully capturing the wide-eyed curiosity of a young woman, and conveying her story in a way that archival footage and family photos cannot.- Washington Post
- Posted Apr 29, 2019
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Reviewed by
Desson Thomson
The Secret Garden unearths a few inventions of its own, it bears its own, quiet charms.- Washington Post
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