Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Infinity War is big, blustery and brave, taking viewers to places that they may not be used to going.
  2. When Merchants of Doubt isn’t making you mad, it makes you very simply, and overwhelmingly, sad.
  3. The film’s writers, directors and stars lovingly impale bloodsucker mythology with the sharpened wooden stick of comedy. As with “Shaun of the Dead,” their satire is a crude but effective tool.
  4. The performances are consistently first-rate from a cast of appealing actors who slip effortlessly into Farhadi’s naturalistic aesthetic scheme, which seems utterly unforced even at its most intricately staged.
  5. Remote Area Medical is an in­cred­ibly tragic movie. It’s also an important one, reminding viewers that America is more than its coasts and cities. There are corners of the country we all too easily forget.
  6. As with other Aardman productions, the greatest delights derive from relishing the details of the clay figures and intricate sets, crafted by the studio’s master model builders.
  7. The acting across the board is top-notch, especially by Banks, who is probably best known for her comedic roles. She doesn’t get to flex any of those muscles here; Little Accidents is a serious movie, but, to its credit, it’s never entirely bleak.
  8. The movie sometimes dillydallies, but the unhurried rhythms ultimately have a hypnotic effect.
  9. A fascinating, funny and informative documentary.
  10. Comedy today is less about punch lines and pratfalls and more about eliciting that laugh-gasp hybrid. And those jokes come constantly in Appropriate Behavior.
  11. Like a fat slab of pastrami, Deli Man is the cinematic equivalent of comfort food: warm, generous and made with love.
  12. It may not boldly go where no “Star Trek” film has gone before, but it gets there at warp speed, and with a full tank of fresh ideas.
  13. Nostalgia trips are fun, but when they intersect with genius, virtuosity and genuine revelatory insight, they take viewers to a higher place.
  14. In an increasingly mean-spirited world, the spirit of fun and kindness in Captain Underpants is simply a tonic.
  15. The Boss Baby (adapted from the 2010 book by author and illustrator Marla Frazee) is a sweet adventure tale about sibling rivalry that ultimately becomes a moving tribute to family and brotherhood.
  16. For fans of horror at its most sinister, The Witch is not to be missed. It casts a spell that lingers long after its most disquieting mists have cleared.
  17. Sunny, slimy and profoundly silly, the new, lady-centric reboot of Ghostbusters immediately silences the backlash and bluster that’s preceded it.
  18. Famuyiwa reminds viewers not to believe — or worse, internalize — the hype, and he provides a great deal of cheeky, infectious fun in the process. Put another way, Dope is the bomb.
  19. Results is a smooth transition for Bujalski from the fringes to more commercial work. It’s heartening that he didn’t give up his calling-card observational humor to do it.
  20. As one character observes in Tangerine, Los Angeles is “a beautifully wrapped lie.” Baker has created a fitting homage to artifice and the often tawdry, tender realities that lie beneath.
  21. The acting is strong, with Robbie and Ejiofor turning in performances that feel powerfully authentic, even in moments of ethical confusion. Maybe especially in moments of ethical confusion.
    • 72 Metascore
    • 75 Critic Score
    The film is most interesting when it uses Gold to tell the story of Los Angeles’s diversity, rather than the story of the most important stomach in Los Angeles.
  22. As Finders Keepers gets weirder, it also gets better and deeper. Somehow, Carberry and Tweel have managed to fashion an inspirational tale out of what one local newscaster calls a “freak show.”
  23. Like all of her greatest creations, Tomlin brings Elle to life with compassion and candid, sometimes withering knowingness.
  24. With its unflinching portrayal of cynical school officials and their corrupt symbiosis with the sports teams and Greek systems to which they’re beholden, The Hunting Ground is, at its most basic, a damning indictment of entitlement and impunity.
  25. [A] meandering, deliberate and tearless — yet oddly moving — western vehicle.
  26. The film doesn’t always dig deeply, glossing over why certain trends have emerged. And some of the interviews don’t add much to the movie beyond star power. Fresh Dressed nevertheless offers an original and worthwhile look at the history of hip-hop style. And the soundtrack doesn’t hurt either.
  27. Like any good Sherlockian case, the stories interweave into a satisfying conclusion. And the cinematic elements fit together as neatly as the plot lines.
  28. Some of the characters make more of an impression than others, and the vignettes aren’t always entirely thrilling or well-acted. But Panahi’s movie remains a political coup considering his significant constraints.
  29. As she demonstrated in “The Skeleton Twins,” the former “Saturday Night Live” comedian has grown so adept at rendering troubled characters without offering sideline commentary that you can’t help but fall in love with her, even as laughter gives way to uncomfortable silence.

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