Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. That's the movie: It's taking us inside the burqa to the woman.
  2. Before this voyage plummets into Stevie Spielberg's locker, the human stuff is more than worth the descent.
  3. Forget the heavy stuff. This monkey shines.
  4. This is pretty much a feel-good film for committed fans and moviegoers looking for some spectacular combination of travelogue, athleticism and slo-mo grace.
  5. Martin's poetic elegance turns to sappy mysticism. And if the material had been presented more insistently, it might have been insufferable, too goopy and new-age. Its modesty, though, is its prime virtue.
  6. Like rubbernecking motorists, we can't help but watch with lurid fascination.
  7. Only the title is clunky in this felicitous marriage of cinematic trickery, theatrical whimsy and the Bard's fabulous tale.
  8. An exhilarating ride.
  9. Elle fans will likely ignore the narrative shortcomings in favor of a well-loved character.
  10. The psychological darkness that underpins this film doesn't seem inappropriate to its wit and charm, but rather amplifies it, makes it more real.
  11. A mostly unsentimental little gem.
  12. Yes, it's a hyped, hip "Sting" for our times, with goatees, mousse and attitude as part of the update package. It's also Burns's best film since "Saving Private Ryan."
  13. A smoothly executed jab in your solar plexus, a lean, smart film noir that pokes at you with quintessentially English disdain and sarcasm.
  14. A movie that grows better by the minute.
  15. A captivating comic allegory about daring to be different in the face of conformity.
  16. The movie is exquisitely directed by Anand Tucker in an anti-documentary style that sometimes fractures the time sequence, sometimes re-creates moments impressionistically instead of objectively and is vivid in style.
  17. Like its Southern California setting, the sunny semi-autobiography is tempered with just the right touch of Jenkins's smoggy cynicism.
  18. If emotional catharsis is what you seek, Stepmom delivers the goods.
  19. Parker stays with and even streamlines Wilde's clever manipulations of betrayals and lies and plots and counterplots. Yet the film never feels stagy.
  20. The funniest scenes involve Jim and his father, thanks to the brilliant, improvisational skills of Eugene Levy.
  21. Hounsou, a West African model with beauty and presence but no acting experience, carries much of the movie on his broad shoulders with surprising skill and strength.
  22. [Huston] brings a vital conviction to her scenes; they're scorchingly immediate, and her ability to get in sync with what Lily's feeling is what gives the movie weight. She may be the best we have.
  23. An entertaining tangle of pop aesthetic and comic book myth that occasionally bogs down, but manages to be ingratiating for all its defects.
  24. Short but powerful drama.
  25. An uplifting, superbly acted and intelligent family drama.
  26. Like the TV show, The X-Files movie is stylish, scary, sardonically funny and at times just plain gross.
  27. Nicely done, sweet, delicately comic and a complete delight.
  28. Amusing and inventive.
  29. You have to see this to believe it.
  30. A poke in the adrenal gland -- obeys the first law of action movie-making by quickening the heart and dazzling the eye.
  31. It's not every day that movies present a Teutonic character in SS uniform as an unambiguously moral hero, so enjoy this rarity. And the film.
  32. In its small, achingly beautiful way, this is the lesson that Osama teaches us: When one human being suffers, it is all of us who share her pain.
  33. A bleakly comic, palm-sweaty hoot.
  34. The performers bring freshness to what could have been cliched roles.
  35. Riveting, gracefully constructed film.
  36. Yes, it's corny and reemerging cynics need not apply. But it is blissfully heartwarming.
  37. Sweet without being saccharine, sad without being maudlin and funny without being forced.
  38. This one is dumbest. And funniest, as if that matters even a little bit!
  39. There's no denying its surreal, hypnotic effect.
  40. Although almost nothing about The Eye is surprising, the movie is nevertheless engrossing, as it mutates from horror movie to ghost story to psychological drama to disaster flick (a late, stunning twist). It casts a spell strong enough that viewers won't want to look away.
  41. A caper film of such postmodernist pretense that it's almost a parody of itself.
  42. Even though it's weak in the final stages, Rock Star has more than enough sparkle to last you. That's chiefly thanks to Wahlberg, the main firework of this movie.
  43. Deftly mixes irony, self-reference and wry social commentary with chills and blood spills.
  44. A pleasure because of zany developments like this, and a healthy dose of amusing characters.
  45. The movie is not only a better version of the book, it's a work unto itself.
  46. Takes its absurd premise and keeps itself narrowly focused, pushing its heroic cast through obstacle after obstacle.
  47. Not everyone's cup of tea, but it's actually rather beautiful.
  48. It's slight but in a haunting way, like a half-remembered dream.
  49. In a sense, Shattered Glass is a parenthetical horror movie in which someone discovers (or worse, denies) the monster within themselves.
  50. Its images of the destruction of the cities is far more powerful than in American films, where the cities are trashed for the pure pleasure of destruction, without any real sense of human loss.
    • 78 Metascore
    • 80 Critic Score
    Paul Thomas Anderson shows off the same sort of quirky smarts that Joel and Ethan Coen did in "Blood Simple."
  51. Classy fare, with posh settings, gorgeous scenery and lots and lots of polishing from director John Madden ("Ethan Frome") and writer Jeremy Brock.
  52. The haunting beauty of the music, and the people who produce it – that's the chapter and verse of this story.
  53. Surprisingly witty and sophisticated spy movie spoof that will tickle adult pet lovers and still capture kids 6 and older with its boy-and-his-dog love story and pet slapstick.
  54. As a terrifying example of what can happen when too many angry people are crowded into too small a space, it's a gripper.
  55. Wickedly clever.
  56. An enchanting, staggeringly beautiful epic at sea, is poetry in motion.
  57. Its pleasures aren't so much in the inevitable plot complications, but in the passion of the performances and the spare beauty of the elegant framing and photography.
  58. Penn's performance is the movie's ultimate grace note. As funny and ingenious as Allen's films can get, they are rarely known for depth of character.
  59. The outlandish story and exaggerated colors ... swirl together to create an ethereal, sometimes sinister dreamscape.
  60. This is, after all, the kind of movie in which traffic accidents not only mess up getaways but also liberate goats to wander through the airport. We need more of that stuff.
  61. Unfolds with a marvelously understated humanism.
  62. The result isn't a fragmentary experience so much as an evocative collage.
  63. Very, very funny, in that morbid sort of way that makes you laugh even as you shudder with horror.

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