Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. It's formulaic, yet edgy. It's predictable, yet full of surprises. How far you get through this tall tale of a thriller before you give up and howl is a matter of personal taste.
  2. Start lining up now, bring a bullwhip -- and maybe some d-Con. Indiana will do the rest.
  3. Spielberg's dark side may not be where everyone wants to live, but it's somehow encouraging to know that he has one.
  4. A considerable kick, though it would have helped if one of the boys had wiped off the lens of the camera once in a while.
  5. Pirates of the Caribbean moves easily from sunny 18th-century seafaring adventure to creepy zombie flick and back again.
  6. This is a compelling cautionary tale hot-wired to your gag reflex.
  7. It never smirks or condescends as does, say, a Michael Moore; it never seems smug and superior, only committed and compassionate.
    • 70 Metascore
    • 80 Critic Score
    Terrific at capturing what teenage behavior would look like on a grown-up.
  8. Doesn't just bring you to the edge of the hopeless zone, it takes you right into its homes where the children play.
  9. This is wonderful stuff, as far as it goes.
  10. It stays in character, small, human, bitter and sad.
  11. May be most valuable for its depiction of the strength of democratic ideals, even in the most precarious and contradictory of circumstances.
  12. The strongest magnet in this psychedelic morass is Johnny Depp who, as the story's antic, disgusting and seductive spirit guide, is impossible to look away from.
  13. Making a movie about the life of Ed Wood certainly qualifies as an impossible dream, but Burton has pulled it off with wit, imagination and something amazingly close to grace.
  14. Retains (and in many cases, boosts) as much of the spirit [of the book] as you could reasonably expect. And it makes a worthy attempt to duplicate Rowling's engaging sense of humor.
  15. In terms of sheer belly-laugh count, this one's in the same plentiful company as "There's Something About Mary" and "Road Trip."
  16. Drew Barrymore has figured out what works, and what works for Drew Barrymore is this: Cinderella stories.
  17. As a movie, this is exciting stuff.
  18. A sturdily entertaining vehicle, easily the little guy's best American-made film.
  19. For filmgoers whose idea of a good time is getting the stuffing scared out of them (who are you guys, anyway?), Signs should prove to be time well spent.
  20. This is not a movie that wraps up its story in a tidy bow, but it's a lot more fun than most of the ones that do.
  21. The movie has many of the elements that made the first "Dawn" so darkly entertaining.
  22. Doesn't go down smooth, but it doesn't promise to.
  23. One big, fat, honking comic book of a sci-fi-martial-arts adventure flick.
  24. It's good fun for bad boys.
  25. A film whose effects are as hard to wash away as blood.
  26. Old myths and wonder tales spun afresh.
  27. Though its attitudes are decidedly French, this intelligent film goes a long way toward explaining America's obsession with Martha Stewart Living, fake designer labels and TV talk show makeovers.
  28. Ghastly yet wonderful at the same time.
  29. Though far from a seamless work, the film is gorgeously crafted, and Silberling obviously has a passion for angels. But then these days, who doesn't?
  30. Soderbergh won't hit the Oscar jackpot with Ocean's Eleven, but he has come up with a stylish winner.
  31. Eastwood's instinct for creating efficient, adult, mainstream entertainment is virtually unerring. He's still a class act, not to mention craggy, suave, laconic and very, very cool.
  32. Kitano the filmmaker makes sure that everything is beautiful, from the wonderful colors and passing tableaux to the intricate fighting choreography. This blind swordsman, you realize, has vision to spare.
  33. Like nothing else that's played in months.
  34. Though lovely to behold, this film isn't meant to send you home with a song in your heart.
  35. The movie is as visually inventive and wildly eccentric as the Coens' earlier movies, but it lacks the emotional maturity and moral clarity of 1996's "Fargo."
  36. Ultimately, [Heckerling's] portrait is affectionate and, in places, even sweet, enabling us to laugh at them and embrace them at the same time.
  37. A film about war and reconciliation, is deeply Christian, a study in humility and the moral uncertainty at the core of the Christian message.
  38. The movie may leave its audience feeling a little battered (some might say betrayed) as well. Still, the film's honesty, along with its refusal to pander to Hollywood happy endings, is well worth the beating.
  39. May, at times, be deadpan to the point of stiffness, but it's far from dead.
  40. Proves to be a whiz-bang kick in the pants.
  41. War is hellishly entertaining, especially in Behind Enemy Lines, a 21-gun salute to the commitment and preparedness of the U.S. military.
  42. A tantalizing spine-tingler.
  43. The movie's a treasure of small gems.
  44. The film occasionally drags -- a money transfer scene set in a department store lasts longer than several geologic epochs -- but it's so funny and the plot twists are so sudden and violent it's great fun.
  45. To watch this movie is to not only appreciate the majesty of Shakespeare's poetics but to engage in a profound, subtextual dialogue with bigotry.
  46. Roach knows to play to the movie's twin strengths: Stiller and De Niro. Throw these guys together, turn up the intensity.
  47. It's a literate though strained uplifter.
  48. Doesn't try to be more than what it is: a romantic fantasy caper.
  49. It's funny! It's not Shakespeare's "Twelfth Night" or anything, but it's pretty darned good!
  50. The most expensive animated feature ever made in Japan (over 1 billion yen) and it's easily the most impressive, as well.
  51. Anything that inspires that many whoops, gasps and groans with only two actors and a few choice words has earned its place at the summertime box office trough.
  52. Does a terrific job of capturing the outlaw energy of the original production.
  53. Jarmusch's use of yin/yang, dark/light and good/evil symbolism makes glorious if goofy sense.
  54. This is high-carb filmmaking at its finest. When it's all over, you'll have a knot in your stomach.
  55. Full of visual dazzle, engaging characters and a reasonably sprightly narrative.
  56. If it lacks a certain fuzzy warmth, Kinsey makes up for the shortfall with spirited and (for a commercial movie) amazingly candid vigor. It's an alert, lively movie with a crackling performance by Liam Neeson.
  57. Smart, funny, well-acted and visually lively.
  58. Lynch's new movie, Mulholland Drive, is a trip and a half: It's like playing Twister and Scrabble simultaneously while high on LSD. Oh, and it's dark out.

Top Trailers