For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Gary Arnold
Raiders of the Lost Ark is sensational. This awesomely entertaining adventure spectacle, directed by Steven Spielberg from an idea hatched by executive producer George Lucas, succeeds in fusing the most playful and exciting elements of Spielberg's "Jaws" and Lucas' "Star Wars" in a fresh format. It is a transcendent blend of heroic exploits, cliffhangers and chases distilled with nostalgia and wit from the pulp thrillers, comic books and Republic serials of the World War II era. [12 June 1981, p.E1]- Washington Post
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Reviewed by
Gary Arnold
Spielberg has always demonstrated extraordinary aptitude for filmmaking, but "E.T." is far and away his most satisfying work to date. He knows how to transform the raw material of his childhood into an appealing popular fable. There are sequences that touch you to the quick in mysteriously casual ways- Washington Post
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Reviewed by
Ann Hornaday
The narrative is lean, the supporting performances are solid, and, perhaps most crucially, the emotional tone of the piece is spot-on.- Washington Post
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Reviewed by
Stephen Hunter
Misanthropic, cruel, hostile, corrupt, blasphemous and basically pretty evil. I loved it.- Washington Post
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Reviewed by
Rita Kempley
Hopkins and Thompson's downright marvelous duet is supported by a host of deft players, and the detailed re-creation of this small universe is in all ways remarkable.- Washington Post
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Reviewed by
Desson Thomson
Kidman grabs center stage and never relinquishes the position. Playing mercilessly against her pinup girl image, she's an unforgettable, comic archetype—a more slapsticky corollary to William Hurt's bumbling, handsome newscaster in "Broadcast News."- Washington Post
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Reviewed by
Desson Thomson
It is sheer brilliance and testament to the vitality of an old master.- Washington Post
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Reviewed by
Stephen Hunter
If you don't fall in love with it, you've probably never fallen in love with a movie, and never will.- Washington Post
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Reviewed by
Desson Thomson
An extraordinary film ... that's impossible to dismiss or leave unmoved.- Washington Post
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Reviewed by
Desson Thomson
Through this miasma of pain and suffering, love may not flicker more strongly than a dim lamp. But it's the only beacon to consider. Can Barry find his? Thanks to Anderson's assured picture, a symphony of cinematic textures, that disarmingly simple question becomes incredibly compelling.- Washington Post
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- Washington Post
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Reviewed by
Paul Attanasio
A gory and gorgeous cop thriller -- you'll forgive it almost anything, so full is your eye with the beauties of its design and photography, and your ear with its supercool electronic music. For all its faults, it's one of the most sensually thrilling movies of the year.- Washington Post
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Reviewed by
Desson Thomson
The best heist flick since "The Usual Suspects," a perfect 10 of a movie.- Washington Post
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Reviewed by
Tom Shales
Raising Arizona is a prize package and a bundle of joy, one that puts a fresh, funny face on the American comedy movie. It's as encouraging as it is entertaining. [20 March 1987, p.C1]- Washington Post
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Reviewed by
Desson Thomson
Manchurian, with its fatalistic, dreamlike quality, comprises two of [Frankenheimer's] finest hours. [Re-release]- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
There are so many good things to say about this film it's hard to find a statement that really nails it. Perhaps we can leave at this: Y Tu Mama Tambien is originality writ large.- Washington Post
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- Critic Score
Paltrow and Fiennes are so good and the script, referencing not only "Romeo and Juliet" but "Twelfth Night," is so consistently intelligent that seduction is inevitable.- Washington Post
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- Washington Post
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- Washington Post
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Reviewed by
Rita Kempley
A tour de force so haunting that other films can't exorcise the memory of its radiant cast, exquisite craftsmanship or complex system of metaphors. This, ladies and gentlemen, is a movie.- Washington Post
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Reviewed by
Stephen Hunter
It's brilliantly acted. But best of all, it's brilliantly made.- Washington Post
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Reviewed by
Desson Thomson
A humanistic gem of a movie, with unforgettable performances from Linney and Ruffalo.- Washington Post
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Reviewed by
Desson Thomson
Watching this masterwork allows you to return to the filmmaking sensibility of the 1960s, when epics looked like epics.- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
A movie that appeals to the eye, mind, heart and funny bone; that's a pretty good quadruple for any movie.- Washington Post
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- Washington Post
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Reviewed by
Rita Kempley
A magnificent melodrama that draws both tears and laughter from the everyday give-and-take of seemingly ordinary souls.- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
You emerge from this experience rather like a returning U-boat crewman -- drained, blinking in the light, but oddly triumphant. [Director's cut]- Washington Post
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Reviewed by
Stephen Hunter
Searing, heartbreaking, so intense it turns your body into a single tube of clenched muscle, this is simply the greatest war movie ever made, and one of the great American movies.- Washington Post
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Reviewed by
Gary Arnold
A stunning successor, a tense and pictorially dazzling science-fiction chase melodrama that sustains two hours of elaborate adventure while sneaking up on you emotionally.- Washington Post
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Reviewed by
Stephen Hunter
A wonderful, piercing and hilarious examination of high school politics and how bitter and ruinous it can become.- Washington Post
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Reviewed by
Richard Harrington
Most of Festival Express resonates with the power and passion, even the innocence, of the era.- Washington Post
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Reviewed by
Desson Thomson
What gives About Schmidt its ultimate boost, what pushes it into the stirring heavens is Nicholson, who produces the most understated -– and one of the most powerful –- performances of his career.- Washington Post
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Reviewed by
Desson Thomson
With its deft intercutting of place and time, the film creates a powerful sense of mysticism and fate.- Washington Post
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Reviewed by
Michael O'Sullivan
It's a comic book at heart, albeit a thoroughly, grandly romantic one in the end.- Washington Post
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- Washington Post
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Reviewed by
Stephen Hunter
It's a celebration of young American women, finding them smarter, tougher, shrewder, more rigorous, more persistent and more honest than any movie in many a moon.- Washington Post
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Reviewed by
Desson Thomson
Maintains its artistic magnificence after more than 30 years.- Washington Post
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Reviewed by
Rita Kempley
Grand enough in scale to carry its many Biblical and mythological references, Blade Runner never feels heavy or pretentious -- only more and more engrossing with each viewing. It helps, too, that it works as pure entertainment.- Washington Post
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Reviewed by
Desson Thomson
It gets you below the emotional belt in a searing, delicate way. No movie this year approaches such magnificent imagery, such delectable poetry.- Washington Post
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Reviewed by
Rita Kempley
Like the eloquent, darkly funny dialogue, the film's characters, setting and cadences draw us into its world, with all its terrors and tenderness. What emerges is a masterpiece of Southern storytelling that draws a sharp line between good and evil.- Washington Post
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Reviewed by
Rita Kempley
An instant slapstick classic from Disney and Steven Spielberg. Already, it's a hare's breadth away from legend. [22 June 1988]- Washington Post
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Reviewed by
Desson Thomson
A sequel that eclipses the original. The toys are back with even more hilarious vengeance. The story's twice as inventive as its predecessor.- Washington Post
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- Critic Score
What the bright minds of Walt Disney have produced here is a must-see movie. Must-see, must-talk-about, must-plan-to-see-again.- Washington Post
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Reviewed by
Desson Thomson
A guaranteed pleasure for anyone who ever loved pop music, owned a record collection or suffered in love- Washington Post
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- Washington Post
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Reviewed by
Gary Arnold
The aerial dogfight Dykstra and Stears have helped Lucas perfect as his climactic piece de resistance looks more exciting than its antecedents in live-action war movies. It’s the most gorgeous stylized combat sequence since the underwater battle at the end of "Thunderball," a project that won an Oscar for Stears.- Washington Post
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Reviewed by
Desson Thomson
Isn't just a fabulous seagoing spectacle. It's one for the ages.- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
The most eloquent and exacting vision of the war to date... Inspired with technique rather than overblown with it, Kubrick, the filmmaker's filmmaker, lays one on you.- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
May not be the first movie to examine the creative process. But it's the most playfully brilliant.- Washington Post
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Reviewed by
Hal Hinson
The movie fixes you in its gravitational pull. It's an enveloping, walk-in vision... As rich and satisfying a movie as you're likely to see all year.- Washington Post
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Desson Thomson
A movie for aesthetically hungry moviegoers: wildly amusing, sometimes sardonic and always touching. There's so much here, and all of it delightful.- Washington Post
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Desson Thomson
With the exception of the opening scene -- whose purpose is chiefly comic -- the movie is one, extended climax. Even with flashbacks and other time jumps, it never lets up. You have to go back to Henri-Georges Clouzot's 1952 "The Wages of Fear" to recall suspense this relentless.- Washington Post
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Reviewed by
Ann Hornaday
Jarecki has created a tour de force of narrative ambiguity, and in doing so has made one of the most honest reality shows ever.- Washington Post
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Reviewed by
Gary Arnold
The movie version of Jaws is one of the most exciting and satisfying thrillers ever made.- Washington Post
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Reviewed by
Desson Thomson
Brilliant and brutal, funny and exhilarating, jaw-droppingly cruel and disarmingly sweet...To watch this movie (whose 2 1/2 hours speed by unnoticed) is to experience a near-assault of creativity.- Washington Post
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Reviewed by
Rita Kempley
One of the smartest, most inventive movies in memory, it manages to be as endearing as it is provocative.- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
Its themes of passion, heartbreak and the inexorable passage of time are eternal.- Washington Post
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Reviewed by
Desson Thomson
Thanks to two delightful performers, you're drawn powerfully to the outcome.- Washington Post
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Reviewed by
Stephen Hunter
A beautiful story, told in measured cadences by a master of old-timey narrative compression and expression.- Washington Post
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Reviewed by
Desson Thomson
A smart cartoon about the life of the mind. It's about the fuzzy border between dreaming and living. It's thoughtful, provocative, liberating and fun.- Washington Post
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Reviewed by
Desson Thomson
There's no doubt about the film's sheer power and taut originality.- Washington Post
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Reviewed by
Desson Thomson
This movie -- which is equally appealing to children (those of adventurous, non-freak-outable spirit), Japanese animation (anime) fans, and any surviving acquaintances of Timothy Leary -- is so full of invention, you might want to take a breather now and then.- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
Eastwood's elegantly directed Mystic River, a deeply textured drama in which the sins (or perceived sins) of the past weigh heavily on the present.- Washington Post
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Reviewed by
Rita Kempley
Delicious with foreboding, a masterly suspense thriller that toys with our anticipation like a well-fed cat.- Washington Post
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Desson Thomson
On one level, Yi Yi is classic soap opera, with a suicide attempt, a wedding ceremony, even a brutal 11 o'clock news murder, all in the mix. But Yang's direction is so admirably restrained, it lends rich heft to everything.- Washington Post
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Desson Thomson
One of Martin Scorsese's most brutal but stunning movies, an incredible, relentless experience about the singleminded pursuit of crime.- Washington Post
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Desson Thomson
Instead of "Masterpiece Theatre"-style fawning, [Scorsese] fills this movie with visual flow, masterful cinematography and assured direction. There's an alert, thinking presence behind the camera.- Washington Post
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Desson Thomson
An extraordinary and brilliant (and almost wordless) film that takes us above ground and below it, up in the air and deep below water, to follow its conundrum of a story.- Washington Post
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Reviewed by
Michael O'Sullivan
Sure, the animation work is great, but it's the actors and their subtle, complex vocal performances that make us care about these fairy-tale characters. Shrek 2 is all about fantasy, but its characters are rousingly, affectingly real -- not to mention real, real funny.- Washington Post
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Reviewed by
Ann Hornaday
One of the best performances -- and movies -- of the year so far.- Washington Post
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Reviewed by
Rita Kempley
What "Raising Arizona" was to baby lust, "Barton Fink" is to writer's block -- a rapturously funny, strangely bittersweet, moderately horrifying and, yes, truly apt description of the condition and its symptoms.- Washington Post
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Reviewed by
Stephen Hunter
It's funny, it's heartbreaking, it's scary, it's exhilarating. It's got love stuff and lots of laughs and cool gunfights. It's really long and it feels like it's over in 15 minutes. It does something so few movies do these days: It satisfies.- Washington Post
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Reviewed by
Hal Hinson
A delectably naughty experience. This sort of wit and immediacy is extraordinarily rare in a period film.- Washington Post
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Ann Hornaday
The great joy of watching a Pixar production is how it rewards not only younger viewers but their older companions as well.- Washington Post
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Desson Thomson
No matter how you come down on this movie politically, Dogville is a compelling chamber piece with constant cinematic surprises. And you remember that von Trier is, above everything else, a consummate filmmaker.- Washington Post
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Reviewed by
Stephen Hunter
Delivered with such high panache and brio, it's mesmerizing.- Washington Post
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Desson Thomson
The film's not only funny and weird, it's oddly poignant. I miss Hedwig already.- Washington Post
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Reviewed by
Desson Thomson
One of the most startling, grittily brilliant films in recent years.- Washington Post
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Reviewed by
Desson Thomson
A great little film, dignified by a superb performance, Diamond Men is a gem.- Washington Post
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Reviewed by
Ann Hornaday
Ingenious, exhilarating, funny and profound.- Washington Post
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Reviewed by
Ann Hornaday
Stanley Kubrick's wicked sendup of the then-burgeoning military-industrial complex is still lacerating today. Which is better, George C. Scott's bull-like portrayal of Gen. Buck Turgidson ("Mr. President, I'm not saying we wouldn't get our hair mussed") or the Peter Sellers trifecta of Group Capt. Lionel Mandrake, Dr. Strangelove and President Merkin Muffley? You'll watch it and weep -- from laughter and maybe just a hint of despair. [13 June 2004, p.N03]- Washington Post
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Desson Thomson
Buscemi makes Seymour into a character you simply want to see again and again. He's the most appealing, amusing "loser" anyone could ever share old records with.- Washington Post
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Desson Thomson
It's easily the best and brightest family-friendly movie of the year.- Washington Post
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Reviewed by
Richard Harrington
Is "The Last Waltz" the greatest rock movie of all time? It makes its case persuasively in a restoration overseen by director Martin Scorsese and producer Robbie Robertson that's been released to celebrate the 25th anniversary of the concert it made famous.- Washington Post
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- Washington Post
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Reviewed by
Hal Hinson
The Piano is dark, sublime music, and after it's over, you won't be able to get it out of your head.- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
Wickedly funny and devilishly subversive. It is satire at its most fearless.- Washington Post
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Reviewed by
Stephen Hunter
This is an absolutely brilliant film but in a quiet way.- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
Not since the 1972 'Cabaret' has there been a movie musical this stirring, intelligent and exciting.- Washington Post
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Ann Hornaday
To watch Bad Education is to revel, along with Almodovar, in the power of cinema to take us on journeys of breathtaking mystery and dimension and beauty.- Washington Post
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Reviewed by
Desson Thomson
A great American picture, full of incredible images and lasting moments.- Washington Post
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