For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Stephen Hunter
Sumptuous, warm, continually amazing, it's a completely enjoyable couple of hours at the flickers.- Washington Post
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- Washington Post
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Reviewed by
Ann Hornaday
The best advice to filmgoers who appreciate smart, mature, humanist movies is, simply, Go.- Washington Post
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- Critic Score
This is one fan's valentine to the music he loves. It just happens that the fan is a terrific filmmaker and the music loves him back -- and we get to see it and hear it all. What a treat.- Washington Post
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Reviewed by
Stephen Hunter
Friendship matters to those of us who still claim membership in the human race, and Goldbacher's merciless autopsy on it is both illuminating and dispiriting.- Washington Post
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Reviewed by
Stephen Hunter
Profane, sacrilegious, pornographic, sadistic and Sade-istic, titillating and the most honorable movie of the year.- Washington Post
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Reviewed by
Desson Thomson
Mullan's movie is admiringly uncompromising. He refuses to augment the horrors with relief.- Washington Post
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Reviewed by
Rita Kempley
The latest furiously paced, perversely entertaining "Pulp Fiction" for puppies.- Washington Post
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Reviewed by
Desson Thomson
I'm talking cheap visual gags, painfully embarrassing moments and other sophomoric humor guaranteed to get you and your friends almost vomiting with laughter.- Washington Post
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Reviewed by
Desson Thomson
In this admirably unconventional film, director Paul Schrader is interested in just about everything BUT traditional biopic business.- Washington Post
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Reviewed by
Desson Thomson
Raimi offers all the fantasy, camp and hardcore horror you devoured in the comics. You can feel the pen-and-ink drawings coming to life. Dipping wittily into myth, the macabre and the modern, it's an effervescent adventure that's as amusing as it is genuinely gripping. [19 Feb 1993, Weekend, p.n38]- Washington Post
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Reviewed by
Desson Thomson
For students of cool ... Le Cercle Rouge is required viewing.- Washington Post
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Reviewed by
Stephen Hunter
The movie becomes something quite rare and magical: a text about a text that is also full of life. In other words, it's a true first: It's both postmodern and fun!- Washington Post
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Reviewed by
Stephen Hunter
The genius of the film is its utter commitment to the Pekar point of view.- Washington Post
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Reviewed by
Michael O'Sullivan
You'll likely come away from this astonishing encounter between the three corners of a lovers' triangle not just amused but enlightened about such not-so-simple issues as fidelity, betrayal, lust, possessiveness, honesty and forgiveness.- Washington Post
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Reviewed by
Desson Thomson
Mamet's graceful, reverent movie adaptation moves along with a deliberating, almost hypnotic flow, strengthened by impeccable, dignified performances from Nigel Hawthorne, Rebecca Pidgeon and others.- Washington Post
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Reviewed by
Stephen Hunter
When you think you've figured out Bielinsky's great game, that's when you're in the most trouble: He's the con, and you're just the mark.- Washington Post
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Reviewed by
Rita Kempley
It's a deliciously dishy comedy, but like sushi an acquired taste.- Washington Post
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Reviewed by
Ann Hornaday
A candid, colorful and deeply meaningful sociocultural time capsule, one that captured the black community at the height of its political energy and optimism.- Washington Post
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Reviewed by
Rita Kempley
Nolte is not only made for the role, he's also rehearsed it in real life.- Washington Post
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Reviewed by
Desson Thomson
Theron has rendered herself 100 percent unrecognizable. Not since Robert De Niro morphed into hulk dimensions to play heavyweight boxer Jake La Motta in "Raging Bull" has there been a transformation this powerful and effective.- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
Three sterling performances from Moore, Haysbert and Quaid, all of whom grapple with psychic pain in different, touching ways.- Washington Post
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Reviewed by
Desson Thomson
It's a wonderful postmodern hug of a movie, and never once do you not know you're watching a movie.- Washington Post
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Reviewed by
Desson Thomson
The scenes unfold with such unhurried delicacy, and the characters are so intriguing, you can ignore the editorial bluntness and savor the smaller, sweeter details.- Washington Post
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Reviewed by
Rita Kempley
Profound, powerful Czech import takes a tragicomic approach to the Holocaust, though unlike Benigni's film, the movie does not sentimentalize those caught up in the Nazi dragnet.- Washington Post
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Desson Thomson
As Morvern, Morton is disconcertingly enigmatic, often bordering on catatonic. But she carries the movie effortlessly. And even though we're on the outside looking in, she carries us along, too.- Washington Post
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Reviewed by
Michael O'Sullivan
A small film of surpassing beauty and sadness. Yet its bittersweet flavor isn't artificial, but rather the product of the slow ripening of character.- Washington Post
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Reviewed by
Stephen Hunter
I don't think "Queimada" is as great a movie as "Battle of Algiers," but it retains its vitality, its outrage, its savagery and its spirit.- Washington Post
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- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
The animation, rendered in good old-fashioned watercolors, is appealing. It's easy, rather than flashy, on the eyes. But the best thing about the movie is the humor.- Washington Post
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Reviewed by
Hal Hinson
It's hard to remember a recent love story -- maybe "Moonstruck" -- that's as involving as this one. This is not to suggest that the two movies are in the same league, but this is a teen movie that transcends its teen limitations.- Washington Post
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Michael O'Sullivan
It is difficult to watch, but it's also impossible to take your eyes off the screen. It does not blench at the things that Hollywood routinely blenches at: substance abuse, dying, family dysfunction, love.- Washington Post
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Stephen Hunter
The next worst thing to being there. That's how real it feels.- Washington Post
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- Washington Post
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Reviewed by
Michael O'Sullivan
Aniston delivers an utterly un-Rachel-like performance. It's neurosis-free and unmannered, by turns funny, sad and profound.- Washington Post
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Reviewed by
Hal Hinson
What this intelligent, balanced, devastating movie puts before us is nothing less than a contest between good and evil.- Washington Post
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Desson Thomson
Without hesitation, I hand the comic award to Smith. She plays a pinched guest known as Constance, Countess of Trentham, to such a hilarious tee, her tee runneth over.- Washington Post
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Reviewed by
Ann Hornaday
Not just a fitting document of a life brilliantly lived but a vibrant, almost palpitating piece of cinema.- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
A witty, raunchy comedy, which proves that a well-written piece of business – oozing with sex, wit and nasty intrigue – works for any generation.- Washington Post
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Reviewed by
Stephen Hunter
Witherspoon's simply terrific, and it's amazing how quickly and easily she sheds speculation that she was too modern for the role.- Washington Post
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Reviewed by
Stephen Hunter
It's not the sort of film one can be said to enjoy, but it is the sort of film that has the clarity of a dream and lingers for hours.- Washington Post
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Desson Thomson
Amounts to a rare gift and an opportunity to appreciate the end of an era and celebrate one of the screen's most subtly etched heroes: the soft-spoken Monsieur Georges Lopez.- Washington Post
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Reviewed by
Hal Hinson
Writer-director David O. Russell's exhilarating follow-up to "Spanking the Monkey," is even wilder, giddier and more unpredictable than that irreverent debut.- Washington Post
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Stephen Hunter
It's a new new thing, classic myth from both literature and the movies, commingled, set to great folk music, and untrammeled by any sense of predictability, urgency, realism or believability but hypnotic, graceful and seductive.- Washington Post
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Reviewed by
Rita Kempley
This rapturous romance is not only laugh-out-loud funny but demonstrates how little humankind has evolved in matters of the heart.- Washington Post
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Reviewed by
Ann Hornaday
Harbors some indelibly arresting images and characters whose stories, even at their most superficial, manage to be authentically inspiring.- Washington Post
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Reviewed by
Ann Hornaday
The greatness of The Battle of Algiers lies in its ability to embrace moral ambiguity without succumbing to it.- Washington Post
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Reviewed by
Ann Hornaday
Exploding on the screen in a riot of movement, music and color.- Washington Post
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Stephen Hunter
The longest, hardest sit of the season -- you are stuck there, a single tube of puckered muscle, waiting for the extremely ugly violence to occur -- but it is driven by performances of such luminous humanity that they break your heart.- Washington Post
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Reviewed by
Rita Kempley
The brothers, who have always seemed fond of their characters, have never taken quite so overt a stand for life's simple joys.- Washington Post
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Reviewed by
Rita Kempley
The movie is sleek and shiny as a new bullet, reflecting Scott's patented surplus of style.- Washington Post
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Desson Thomson
The movie's intense watchability can be traced directly to superb performances by Jennifer Connelly and Ben Kingsley.- Washington Post
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Michael O'Sullivan
His story is sad, compelling and morbidly, tragically watchable.- Washington Post
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Reviewed by
Stephen Hunter
But the movie has a great deal of zest and charm, and Yakusho gets so exactly that crest of melancholy that is a man’s early 40s, until he decides to go for another kind of life, that the movie is infinitely touching.- Washington Post
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Reviewed by
Ann Hornaday
Takes both its characters and the audience to the depths, but it's a journey Kidd redeems with wit and fluency and, ultimately, a deeply persistent humanism.- Washington Post
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Reviewed by
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- Washington Post
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- Washington Post
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Reviewed by
Stephen Hunter
The movie may take five extra minutes to end and could do with one less sunset but . . . other than that it's damned near perfect.- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
Shows us, in an extraordinarily simple way, the hopes and frustrations of one woman's life.- Washington Post
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Reviewed by
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- Washington Post
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