For 11,478 reviews, this publication has graded:
-
46% higher than the average critic
-
2% same as the average critic
-
52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
-
Positive: 6,014 out of 11478
-
Mixed: 3,069 out of 11478
-
Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Desson Thomson
The movie's pace is unhurried by Hollywood standards, but it's all the richer in character detail.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
Searing dramatization of a story of remarkable courage, stamina and spirit.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
The movie does what any great musician should: It lifts an idea to the heights of ecstasy; it sells its song.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Rita Kempley
Yet much of the movie's validity stems from time and place recreated with such authenticity that you can sense the wet chill in the morning air and the new wax pungent on the old gym floor. [27 Feb 1987, Weekend, p.n29]- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Rita Kempley
The real story lies beneath the surface of this superbly acted, strangely moving film.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
- Washington Post
- Read full review
-
-
Reviewed by
Rita Kempley
Apollo 13 is humanized by Hanks's reassuring portrait in courage, by Harris's nicotine-stained fingers and Quinlan's lacquered French twist.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Hunter
The director isn't much on orgies; he's all talk. But that's good, not bad, because his talk is so brilliant. Stillman is the Balzac of the ironic class, the Dickens of people with too much inner life.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael O'Sullivan
Jack is just one of a dozen enormously appealing personalities in Out of Sight.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Ann Hornaday
Small, quiet movie that imperceptibly takes its viewers by their throats and doesn't let go- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Hal Hinson
Though brilliant, Menace II Society is definitely a film to guard yourself against. There's not a trace of softness or sentimentality. At times, the picture takes on the scary you-are-there verisimilitude of a tabloid-TV show.- Washington Post
-
Reviewed by
-
-
Reviewed by
Desson Thomson
Pure energy, a perfect orchestration of heroism, villainy, suspense and comic relief.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Hunter
And that's the surprise of the movie, beyond even the humor and humanity of its inside look at contemporary American Indian culture. It's really the oldest and most primal story forms, the one about the old man and the boy.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
Everything has a Chaplinesque feeling, from the largely silent scenes to the highly visual, tragicomic situations...But The Man Without a Past is entirely free of the tramp's cloying sentimentality.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Hal Hinson
Never has political correctness looked so sumptuously handsome as it does here, and in its perfect-pitch instinct for the cultural vibe, this sweeping movie is so immaculately dead-on that it nearly transcends criticism.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Stephen Hunter
The tension is never crushing, as it would be in an American job. Instead, it grows by increments, until you realize the movie, in its quiet way, has you snared entirely.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
Mamet doesn't just give us an enthralling heist flick, he makes the language something to savor. You're biting your nails with your ears peeled.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael O'Sullivan
Maybe Thomas Wolfe was right: You can't go home again- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
When you're in the hands of the Coen brothers, you're in for sheer originality.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
- Washington Post
- Read full review
-
- Critic Score
This is a bittersweet story, no question. But to the son's great credit, what emerges from his patient investigation is a remarkably rich, even sympathetic, portrait of the father.- Washington Post
- Read full review
-
-
Reviewed by
Stephen Hunter
It begins by scaring you to death by evoking a monster, and by the end it has seduced you into caring for him.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
So unassuming and pure of heart, you can't help but warmly extend your arms and yell "Safe!"- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
The movie's big action scenes, at times, make you forget you're even watching animation. There's an in-your-face sequence involving a runaway, crashing train that will make you squirm in your seat trying to get out of the way.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
This isn't a stand up and cheer flick; it's a sit down and ponder affair. And thanks to Kline's superbly nuanced performance, that pondering is highly pleasurable.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
- Washington Post
- Read full review
-
-
Reviewed by
Ann Hornaday
Has Blanchett and Jones to its credit. To watch them is to take in two of the screen's greatest natural wonders.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Rita Kempley
A hilarious new addition to the wonderfully warped Generation X-Files.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
Each revelation seems more disturbing than the next. But Chinese treatment of Tibetans is only half the heartbreak. The other is the amazing resilience of the Tibetans, who are overwhelmingly Buddhist.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Hal Hinson
It eases up on you, lazy as a cloud, and carries you off in a mood of exquisite delight. To borrow W.P. Kinsella's phrase, it has the thrill of the grass.- Washington Post
- Read full review
-
Reviewed by
-
- Critic Score
Still a marvel of verve and bone-dry wit, the movie has been treated kindly by time.- Washington Post
-
-
Reviewed by
Stephen Hunter
This Tarzan doesn't bellow, he kvetches; he doesn't dominate, he persuades; he doesn't rule, he seeks consensus. He isn't the king of the apes, he's a citizen of the animal planet.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
This is a fully realized movie, whose intelligence -- despite its grim findings -- dwarfs any Hollywood production.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
One of the most thought-provoking documentaries of recent times.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Desson Thomson
More juvenile than a Mel Brooks movie, wittier than "Get Smart," almost as low as "Animal House" and close to the laugh count of "Airplane!", "Gun" is a loving parody of every cop show that ever syndicated its way to your living room. [2 Dec 1988]- Washington Post
-
Reviewed by
-
-
Reviewed by
Stephen Hunter
It's sad, funny, shocking and completely unlike any movie in a dozen years.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael O'Sullivan
With a cast of actors playing some of England's smartest people and with a crackling script by Stoppard -- no slouch in the brains department -- it pays to stay awake.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Hal Hinson
Oldman is the least inhibited actor of his generation, and as this deranged detective, he keeps absolutely nothing in reserve.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Desson Thomson
Though it might lack in Hollywood production values, it overflows with moral impact.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Rita Kempley
Not since "Ghostbusters" have the spirits been so uplifting. [30 Mar 1988]- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Hal Hinson
A glorious romantic confection unlike any other in movie history.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Hal Hinson
For once, the audience isn't forced to surrender its intelligence (or its healthy cynicism) to embrace the film's sunny resolution.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
There's visceral horror, too, including a grisly image -- a horror-in-miniature involving a fingernail -- that located an open nerve in my jaded ability to endure screen violence.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
A hilarious fantasy, about a plucky piglet that learns how to tend sheep, Babe is a barnyard charmer.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
A modern epic that fuses myth with hard-edged reality, it's a one-of-a-kind, thoroughly engaging experience.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
McNamara fits perfectly into Morris's canon: He tells a story that knocks you right off your feet.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Hunter
About as good a picture of a writer's real life as we are likely to get. It is wide-ranging, it is fair, it is thorough, and although it admires, it is also tough enough to condemn.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
A disconcertingly assured tango between tenderness and brutality.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Michael O'Sullivan
It's part sugar, part spice (cayenne, not nutmeg) and all-around brilliant.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
Thanks to Caine's subtly nuanced performance, there's a deeper dimension to everything. He's snappily ironic at times, sometimes amazingly delicate, always engaging.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
If Frears and screenwriter Donald E. Westlake (who scripted "The Stepfather") are light on substance, they're satisfyingly heavy on nuance. Grifters may not blow you away afterward but it keeps your attention riveted during.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Rita Kempley
What "The Big Chill" was to baby boomers, the inspirational sex, lies, and videotape is to the mall crowd. It's designer soul-searching, a looking glass for a generation.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Hunter
A dead-on sense of how rich kids live and talk today, a sense of the melancholy of a dysfunctional family, and some great dark laughs.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Hal Hinson
Brilliantly written by Buck Henry, "To Die For" works on several levels. As a satire on the American obsession with celebrity and fame, the movie is nuanced and haunting. And for the most part, Van Sant keeps the tone chillingly light and ironic.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Hunter
It's funny and human and really pretty damned wonderful, all at once.- Washington Post
-
Reviewed by
-
-
Reviewed by
Desson Thomson
There's an extra dimension here, not present in the other comedies. Not only is the material amusing, it's charmingly engaging.- Washington Post
- Read full review
-
Reviewed by
-
- Critic Score
Using home movies, photos, a brilliant soundtrack and candid, articulate interviews, director Stacy Peralta (one of the original Z-boys) details the birth of a pop culture phenomenon.- Washington Post
- Read full review
-
- Critic Score
Mysteries still surround many aspects of bird migration. This film unravels exactly none of them. Rather, in some of the most remarkable footage you'll ever see, the film lets you look over the shoulders of migrating birds.- Washington Post
- Read full review
-
- Washington Post
- Read full review
-
- Washington Post
- Read full review
-
-
Reviewed by
Michael O'Sullivan
Part of this success is due to the exquisitely cast ensemble-composed of actors, not movie stars. To a man, woman and child, the unforced performers are spot-on.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
Ford makes such a dynamic president in Air Force One, you may find yourself favorably weighing his odds in Iowa and New Hampshire.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Rita Kempley
Obliged to go from lost soul to demigod, Sewell's performance is as fascinating as Proyas's mystical vision.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael O'Sullivan
The fantastic and at times deliciously nihilistic world of X2 is fully, believably three-dimensional.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
Mike Myers unleashes (or seems to unleash) the entire contents of his comic mind.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Stephen Hunter
The interplay between Glass and Lane is riveting and rigorous.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Stephen Hunter
It's a highly professional project complete with exquisite production details and superb actors, yet its subject matter is so far out of the mainstream, it feels almost radical.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Michael O'Sullivan
An extraordinary film in many ways, the least of which is its unorthodox casting.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Desson Thomson
Until its final stumble, this intelligence thriller, starring Val Kilmer, is charged with brilliance.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Hunter
What a good movie. Sometimes you get tired of 'splaining and you just want to say: Hey, this one's really very good. That's all, folks. It's a damn good movie.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael O'Sullivan
It's a kind of 18th-century "Dead Man Walking" but with that earlier film's foreground arguments against capital punishment pushed to the background here.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael O'Sullivan
Really, really good -- Yes, it's over the top, giddy and parodistic (God bless it). But it also takes a thoughtful, if surreptitious, look at what eight women might act like when men aren't around.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Desson Thomson
Yes, it's that cheesy, but it's also surprisingly appealing. After all, the horse Seabiscuit really WAS that phenomenal.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Richard Harrington
It offers a special "something" for everyone who ever appreciated the Quiet Beatle's musical gifts and spiritual explorations.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
As with his other works, [Mann] binds sound, music and pictures into one hypnotic triaxial cable and plugs it right into your brain. He makes this almost-three-hour experience practically glide by.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
A well-orchestrated nightmare that keeps you on edge until the very end.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
Although fictionalized, it feels depressingly real. It's a 90-minute newsreel with a broken heart.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
Succeeds where 100 studio-generated teen romances -- starring the bland, the blunt or the blow-dried -- have failed.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
Just might be the most action-packed suspense thriller of the summer.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Hal Hinson
An exceedingly loopy satire of the entire American political circus, and could be viewed as offensive to the sensitive-souled in either camp. And time hasn't in the least softened its bite. [Re-release]- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
Brings kinetic, stylistic and even sexy dimension to the Bram Stoker legend.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
The movie, a lyrical blend of documentary and fiction filmmaking techniques, offers a bold example of the rewards of crossing boundaries -- stylistic, cultural, temporal and even commercial.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
- Washington Post
- Read full review
-
-
Reviewed by
Rita Kempley
As a good fairy tale should, The Princess Bride teaches but never preaches. It's a lively, fun-loving, but nevertheless epic look at the nature of true love.- Washington Post
- Read full review
-
Reviewed by