Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Atomica's slapdash script is a hasty aggregation of screenwriting and science fiction clichés, barely feature-length and possibly written over a single weekend.
  2. For better or for worse, Paxton's performance will be the focus of viewers’ attention, so it is decidedly to the good that he doesn't just deliver. He gives a sort of master class on why we've loved him: Paxton was amazing in the role of regular guys, and equally compelling as the subversion of same.
  3. Don't expect style or invention, much less satire. Its only interest as an experiment is that, out of duty, the roomful of critics I saw it with all stuck around until the end.
  4. The savage derangements of grief so guttingly explored by Ozon in Under the Sand (2000), a career-revitalizing project for Charlotte Rampling, are decorously treated in Frantz.
  5. I walked out of After the Storm wanting to be a better person — and further convinced that Hirokazu Kore-eda isn't just one of the world's best filmmakers, but one of its most indispensable artists.
    • 67 Metascore
    • 50 Critic Score
    It's as if the filmmakers recognized the wanness of the material and settled on a strategy of padding it out with empty high style on the one hand and clever meta awareness on the other.
  6. The clock, Cogsworth, serves as a perfect metaphor for the production itself: The movie’s just as poky and lumbering as he is while huffing up the staircase to escort Belle to her bedroom.
  7. Maslany and Cullen's characters seem intended to be psychologically realistic, but they're only as complex as The Other Half's surface-deep style.
    • 72 Metascore
    • 80 Critic Score
    This film shows that canners (he interviews 18 of them, from different backgrounds) are industrious, resourceful and hardworking.
  8. The filmmaker isn't as nimble as he is ambitious, though, and you'll feel all 148 minutes of Brimstone's runtime — just maybe not in the way Koolhoven wants you to.
  9. There is such a thing as too sweet, and after this film, you'll feel a toothache coming on.
  10. The film's a little choppy as Theroux takes side trips to interview other former Scientologists, but it comes together as a chilling look at America's most famous 20th-century homegrown religion.
  11. This movie's got everything except gravity or a sense of emotional coherence.
  12. His interviews are informative and captivating, but the film’s gut-punch immediacy comes from the astounding visuals caught by participants on digital cameras and cellphones, including shocking images of Assad’s torturers at work.
    • 89 Metascore
    • 80 Critic Score
    Uncertain is a film content to be small, one that knows that every atom is a universe.
  13. Structurally, there’s little that’s new in Suntan. The tale of a middle-aged man delusionally pursuing youth and beauty reaches back to Thomas Mann and beyond. But Papadimitropoulos has a feel for the physicality of this world, for contrasting postures and gestures.
  14. Raw
    Raw isn’t derivative — it’s fresh, funny, and grounded in reality. Underneath all the blood and guts, this is the story of a woman whose body demands love in extremity and the only person who’ll ever understand her fully: her sister.
  15. When one goes to see Kristen Stewart — among the most quicksilver of her generation's performers — in Olivier Assayas's Personal Shopper, a shape-shifting, resolutely of-this-moment ghost story that features her in nearly every frame, one goes not to watch her act but refract.
  16. Thomas White's lost-and-found avant-lulu Who's Crazy? pulses with the newly possible.
  17. Jordenö, in a recurring motif, honors the kiki denizens the most when she captures them motionless, staring directly into the camera, regal and indefatigable.
  18. Surreal and wordlessly unsettling, Eduardo Williams’ globe-crossing feature The Human Surge is intimate and pleasurably inscrutable.
  19. [An] insightfully open-ended inquiry into the role of humor as it relates to unspeakable tragedy.
  20. With Uwais choreographing the insane fights and Indonesian genre vets the Mo Brothers catching every bloody, manic minute, both fists and bullets get dished out with equal, frenetic fury — and the movie offers plenty of "Oh shit!" moments.
  21. Junction 48 mostly sticks to uplifting formula, rarely offering anything particularly fresh or interesting.
  22. Everything you would expect happens, but little of it is funny or affecting.
  23. As a writer, Kornbluth is vivid, funny and skilled at conveying characters, qualities he actually matches in performance.
  24. Rosenstein makes this a suspenseful legal yarn and an essential history lesson.
  25. Nakom is sometimes slow-moving and occasionally succumbs to heavy-handed symbolism, contrasting images.... But the movie is commendable for centering on an atypical hero.
  26. Those who favor gore above all else will be at home amid the blood and guts, but others should heed the obvious warning invited by the title: don't watch it.
  27. There's real turmoil in Freundlich's script (abuse, a crumbling marriage, pregnancy) but the problems sometimes seem tacked on for added crisis.

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