For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
|---|---|---|
| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Serena Donadoni
Gass-Donnelly (The Last Exorcism Part II) blends supernatural elements into a psychological thriller for a kind of spectral therapy, but his experimentation ultimately conforms to genre conventions.- Village Voice
- Posted Mar 2, 2017
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Reviewed by
Diana Clarke
What Dotan has to say — in arresting new footage — about today’s Hilltop Youth, a right-wing Jewish Israeli settler organization that unites and mobilizes young people to occupy territory in the West Bank, is crucial and, in the American context, frighteningly familiar.- Village Voice
- Posted Mar 2, 2017
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Reviewed by
Bilge Ebiri
In the struggle between sober subtext and monster-movie goofiness, the goofiness mostly wins out.- Village Voice
- Posted Mar 2, 2017
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Reviewed by
Serena Donadoni
In a bitterly funny performance, Avedisian lets Donald's freak flag fly, a big-toothed grin lighting up his face, framed by a shaggy haircut not deliberate enough to be a mullet.- Village Voice
- Posted Mar 2, 2017
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Reviewed by
Bilge Ebiri
In its blunt, inelegant, but surprisingly gripping way, Catfight is the (im)perfect movie for our rotten times.- Village Voice
- Posted Mar 2, 2017
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Reviewed by
Nick Schager
In a finale rife with twisted feelings of resentment, fury, and self-loathing, the film transforms into a grave meditation on the corrosive shadow cast by the decisions, and crimes, of yesterday.- Village Voice
- Posted Mar 2, 2017
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Reviewed by
Alan Scherstuhl
The approach is experiential, a you-are-there-and-overwhelmed dazzlement, rather than a definitive record of each squad's big moment.- Village Voice
- Posted Feb 28, 2017
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Reviewed by
April Wolfe
Russo-Young gives this teen parable the thriller treatment to ward off any cheese, and watching Deutch learn her lesson with that expressive face of hers is a singular, moving experience.- Village Voice
- Posted Feb 28, 2017
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Reviewed by
Melissa Anderson
Les Hautes Solitudes is both ravishing portraiture and wordless biography, a life and aura distilled to glances and gestures.- Village Voice
- Posted Feb 23, 2017
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Reviewed by
Bilge Ebiri
Thanks to that cast, and some savvy direction, you might very well enjoy Fist Fight. But don’t be surprised if it also leaves a sour taste in your mouth.- Village Voice
- Posted Feb 22, 2017
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Reviewed by
April Wolfe
The Girl with All the Gifts is neither dead nor alive but somewhere in between.- Village Voice
- Posted Feb 22, 2017
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Reviewed by
Sherilyn Connelly
Though never sentimental, the picture is hopeful about breaking the cycle of violence.- Village Voice
- Posted Feb 22, 2017
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Reviewed by
Alan Scherstuhl
Well observed and sometimes hilarious, Punching Henry stands as a better film than The Comedian, but many fewer people will see it. That might be its truest punch line.- Village Voice
- Posted Feb 22, 2017
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Reviewed by
Pete Vonder Haar
A subject like the Holodomor demands something more than a TV-movie aesthetic and pitched battle scenes featuring a couple dozen combatants.- Village Voice
- Posted Feb 22, 2017
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Reviewed by
Serena Donadoni
Constructed as a mystery, As You Are offers glimpses into intense adolescent bonds, just enough to remind baffled onlookers that they don't have a clue.- Village Voice
- Posted Feb 22, 2017
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Reviewed by
Bilge Ebiri
In Logan, we have an example of a superhero story taken to new extremes and a franchise to a spare, sad, apocalyptic finish (or “finish”), with R-rated action scenes that are both rousing and unbearably violent.- Village Voice
- Posted Feb 22, 2017
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Reviewed by
Alan Scherstuhl
Get Out is fully surprising in both concept and craft, with the scares never coming just when you expect them and the secrets more audacious than you might be guessing.- Village Voice
- Posted Feb 22, 2017
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Reviewed by
Bilge Ebiri
As pure spectacle, The Great Wall is absolutely dazzling. It may be a studio release, but the constant sense of invention, the go-for-broke intricacy of its battle scenes, feels very much of a piece with Chinese action fantasy flicks.- Village Voice
- Posted Feb 17, 2017
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Reviewed by
Sherilyn Connelly
Roberto Sneider's You're Killing Me Susana (Me estás matando Susana) is a culture-clash comedy in which the clash happens both onscreen and off.- Village Voice
- Posted Feb 16, 2017
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Reviewed by
Serena Donadoni
My Name Is Emily gets lighter as it goes along, releasing tension and pretension for a pleasant, routine ride.- Village Voice
- Posted Feb 16, 2017
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Reviewed by
Melissa Anderson
Like its central not-couple, two women tongue-tied about their desire for each other, So Yong Kim's Lovesong frustrates with its lack of articulation.- Village Voice
- Posted Feb 16, 2017
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Reviewed by
Kristen Yoonsoo Kim
The naturalistic, handheld camerawork aims to create an intimate space for human connection, but the film only skims the surface, taking cues from other touching dramas without ever reaching its own original core.- Village Voice
- Posted Feb 16, 2017
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Reviewed by
Pete Vonder Haar
Everybody Loves Somebody won’t reinvent the (third) wheel, but the knowing dialogue and convincingly human characters are a refreshing break from the norm and worthy of your attention.- Village Voice
- Posted Feb 16, 2017
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Reviewed by
Alan Scherstuhl
The film beguiles more than it thrills, its plotting never quite measuring up to its atmosphere or its suggestions of deeper meanings.- Village Voice
- Posted Feb 15, 2017
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Reviewed by
April Wolfe
I’d rather see these shorts included in a co-ed anthology, which would allow each director’s piece to gain resonance via proximity to works of shared themes. Still, if it takes segregating the sexes to climb up to gender parity, I can overlook a slightly mismatched directing combo.- Village Voice
- Posted Feb 15, 2017
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Reviewed by
Craig D. Lindsey
By the time the final half-hour rolls around, the film descends into twist-ridden, ridiculous madness. It becomes as messy and unattractive as the blood and brain matter that gets scattered throughout.- Village Voice
- Posted Feb 13, 2017
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Reviewed by
April Wolfe
The director conjures some chills with a cold plunge into an enchanting and frightful world — the imagery’s straight out of a Kubrick and Lynch nightmare — but the story unravels as he tries to overexplain his evil doctor’s devilish plot.- Village Voice
- Posted Feb 10, 2017
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Reviewed by
Melissa Anderson
Despite the nonstop banality, Johnson remains the sole source of allure: Her sleepy eyes suggest nights devoted to pleasure inconceivable to James.- Village Voice
- Posted Feb 10, 2017
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Reviewed by
Abbey Bender
Sex Doll, flat though it may sometimes be, is shrewdly aware of the countless clichés surrounding sex work.- Village Voice
- Posted Feb 9, 2017
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Reviewed by
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- Village Voice
- Posted Feb 9, 2017
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