Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. The Rashevski Tango begins and ends with a burial, but the movie teems with cranky life, then heals all rifts with a dance that sets a seal of comically erotic approval on that undying genre, the domestic melodrama.
  2. Davidson weaves deeper questions of who a Jew is into this powerful tale of a clan shredded by the rage and hatred passed down through three generations.
    • 60 Metascore
    • 50 Critic Score
    This authoritative, far-reaching documentary by veteran investigative journalists Leslie and Andrew Cockburn comes off as curiously bloodless.
    • 66 Metascore
    • 70 Critic Score
    Unmade Beds revels in its art-pop sensibility, bursting with the spirit of Jean-Luc Godard and Wong Kar-wai.
  3. Wintour's arctic imperiousness has a way of creating the most masochistic deference, a dynamic that R.J Cutler superficially explores--and becomes prone to--in his documentary The September Issue.
  4. Timoner takes Harris's erratic pulse--and diagnoses society.
  5. Can be enjoyed in all its endearing awfulness, as a loony "High School Musical" with posher accents and a lot more going on upstairs.
    • 70 Metascore
    • 90 Critic Score
    By turns stupendously beautiful and grimly terrifying, and best appreciated in a movie theater.
  6. It takes considerable effort to make Darren Aronofsky seem like a model of restraint, but Robert Siegel pulls it off in Big Fan.
  7. Besides the frank, blithe sex scenes, a melodramatic ending aims to banish any last hope of gemütlichkeit, but the film comes to feel curiously incomplete, like one long fretful afternoon.
  8. This Lifetime-ready comedy is hardly provocative--let alone perceptive, funny, or fresh
  9. Little music from the concert itself is heard. On display instead are inane, occasionally borderline offensive portrayals of Jews, performance artists, trannies, Vietnam vets, squares, and freaks.
  10. Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment--rich in fantasy and blithely amoral.
  11. The particular stew of midlife and pubescent despair that clogs a single-father male-child household has rarely been achieved so well.
  12. In 2009. Vicky Jenson's live-action debut is as cartoonish as her work on "Shrek," and that's OK for the comic bits. The rest seems like a remarkably cynical cross-breed—for all demographics, but, ultimately, for none.
  13. A cute and mildly clever fantasy.
  14. The movie is a sweeping, hectic docudrama that would have been immeasurably helped by the use of informational intertitles.
  15. The unfitting flashiness and clunky segues between thriller and melodrama kill any real sense of tension, making this a poor man's "Donnie Brasco"--that is, if its self-congratulation and failure to contextualize the values on both sides of the ethno-political struggle didn't already make it the poor man's "Hunger."
  16. The production design is spot-on, but Hirschbiegel tries way too hard to create tension, making every occurrence--a record needle dropping, a car door slamming--an unsubtle potential bomb, fraying your nerves like a cheap horror movie.
    • 43 Metascore
    • 50 Critic Score
    Steve Lawrence's glitzy infotainment raises the question, "How much awesomeness can an audience take?"
    • 62 Metascore
    • 60 Critic Score
    Yet however stirring these vintage campaigns and their graying creators may be for ad junkies and nostalgists, Pray fails at analysis: His film is simply a tribute.
  17. Occasionally diverting but ultimately forgettable, My One and Only will become unforgivable if it inspires other former competitors from "Dancing With the Stars" to go in search of lost time.
  18. Passing Strange conjures a rare kind of theatrical magic with its emotionally raw, frequently euphoric portrait of the artist as a young man.
  19. Despite the cliché-riddled translation and super-corny sound design, writer-director Piyush Jha presents an affecting account of the Kashmir conflict through the struggles of its children.
  20. There's a temptation to "give" this to Van Peebles, but any scene in which actors get to interact is deathly awkward, and 100 minutes should never feel this long.
  21. A none-too-clever but hustling-to-please Mexican comedy.
    • 89 Metascore
    • 90 Critic Score
    Koreeda imbues the story with such specificity, tactility, and humanity that yet another movie about a dysfunctional family reunion becomes a cinematic tone poem.
  22. As dense and fluid as Martel's movie is, the viewer--like the protagonist--is compelled to live in the moment. And a rich moment it is.
  23. District 9 whizzes by with a resourcefulness and mordant wit nearly worthy of its obvious influences: "Invasion of the Body Snatchers," "Dawn of the Dead," and "Starship Troopers."
  24. It's a movie for anyone who, like Miyazaki himself, can still happily commune with his inner five-year-old.

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