For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
|---|---|---|
| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Aaron Hillis
The script feels workshopped to death yet still hits only a single broad note of irony-drenched whimsy, but the voice-work sparkles and the action-heavy animation clips along fluidly. There's charm in the backyard, but it's still of a garden variety.- Village Voice
- Posted Feb 10, 2011
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Reviewed by
Andrew Schenker
As in many a Sandler picture, Just Go With It is a tale of both escalating lies that finally give way to truth and of childish behavior eventually corrected strung along by lowbrow jokes that hit and miss in roughly even number.- Village Voice
- Posted Feb 10, 2011
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Reviewed by
Michael Atkinson
Quietly and atmospherically touches on the Kiarostamian Uncertainty Principle, with Aljafari liberally corrupting his demi-documentary with scripted dialogue, rehearsals, and even digital effects.- Village Voice
- Posted Feb 9, 2011
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Reviewed by
Nick Schager
Director Icíar Bollaín mixes Even the Rain's various storytelling modes with an obviousness that ultimately negates enlightening intellectual or emotional discovery.- Village Voice
- Posted Feb 9, 2011
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Reviewed by
Andrew Schenker
Nothing speaks more elegantly to the bewilderment of the locals than a long shot of newly built windmills lining a distant hilltop while a villager, made tiny by Álvarez's framing, looks on in the foreground, swallowed up by the forces of history.- Village Voice
- Posted Feb 9, 2011
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Nick Pinkerton
Too scattered in its arguments and piecemeal in its sources to weave together a convincing institutional condemnation.- Village Voice
- Posted Feb 9, 2011
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Mark Holcomb
A 2010 Sundance favorite, this inventive (and inventively thrifty) character study from Austin indie stalwart Bryan Poyser never flinches from the intractable sibling resentment at its core.- Village Voice
- Posted Feb 9, 2011
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- Village Voice
- Posted Feb 9, 2011
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Reviewed by
Michelle Orange
Director Peter Byck opted for corny graphics, a wall of statistics, a voice-of-God narrator, and a xylophonic score, but behind the infomercial presentation are solid ideas that warrant scrutiny.- Village Voice
- Posted Feb 8, 2011
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Reviewed by
Melissa Anderson
More accurately titled "Vidal Sassoon: The Slavering Advertorial," Craig Teper's obsequious documentary on the stylist who popularized geometric haircuts in the '60s is in desperate need of shaping and trimming itself.- Village Voice
- Posted Feb 8, 2011
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Reviewed by
Nicolas Rapold
The big-kid-bulky Dayton-born comedian gets some welcome playtime in Jim Pasternak's patchwork tribute, but not nearly enough.- Village Voice
- Posted Feb 8, 2011
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Reviewed by
Nick Schager
Short on genuine suspense and long on righteous anger, the film is bolstered by a sturdy performance by Darín that brings emotional nuance to an underwritten role.- Village Voice
- Posted Feb 8, 2011
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Reviewed by
Melissa Anderson
A perfectly paced and performed character study of a woman raising a child on her own who must contend with a heinous act of violence.- Village Voice
- Posted Feb 8, 2011
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Reviewed by
Nick Pinkerton
It is draggily paced and lacks felicity of form; the 3-D is a rip-off and the songs are pap, save a snippet of Etta James singing "At Last" while Bieber's glossy fringe sways in slow-motion.- Village Voice
- Posted Feb 8, 2011
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- Village Voice
- Posted Feb 8, 2011
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Reviewed by
J. Hoberman
The Eagle is full of action and fleet of foot-it's a movie of smoky, lowering battlefields and trippy, space-bending flashbacks, pausing only for admiring location shots of Scotland's wild, craggy vistas.- Village Voice
- Posted Feb 8, 2011
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- Village Voice
- Posted Feb 1, 2011
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- Village Voice
- Posted Feb 1, 2011
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Reviewed by
Nick Pinkerton
Playing an ignoble protagonist, Dobrygin keeps his motives always quietly evident; later, lost in a fog painted red by an emergency flare, he's an abject vision of man in a hell of his own making.- Village Voice
- Posted Feb 1, 2011
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Reviewed by
Andrew Schenker
While Close's testimony is sufficiently terrifying, moving toward an apocalyptic vision of climate-change catastrophe, the urgency of her tone is belied by the placidity of the film's visuals.- Village Voice
- Posted Feb 1, 2011
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- Village Voice
- Posted Feb 1, 2011
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Reviewed by
Ernest Hardy
David John Swajeski, who directed, produced, and edited this documentary on the fledgling fashionista, snags his film on clichés, poor pacing, and an unwillingness or inability to push his subject beyond talk-show pop-psych babble when the topic is interior life and wounds.- Village Voice
- Posted Feb 1, 2011
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Reviewed by
Melissa Anderson
Though lazily mocking hyper-vigilant parenting, the film treats the moldiest clichés - as gospel.- Village Voice
- Posted Feb 1, 2011
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Reviewed by
J. Hoberman
Steadily building in intensity from sluggish interest to mild excitement, Cold Weather is a slight movie with a long, circuitous fuse-and that's the point.- Village Voice
- Posted Feb 1, 2011
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Reviewed by
Aaron Hillis
Under all the pretty faces and MTV Latino pop, there's something crassly disingenuous about the movie's blatant demographic pandering (hooray for immigration-panic jokes!) and half-assed condemnation of gluttony.- Village Voice
- Posted Jan 29, 2011
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- Critic Score
Jason Statham bares his six-pack before speaking his first line in this humorless, efficient remake of the 1972 Charles Bronson hitman movie.- Village Voice
- Posted Jan 26, 2011
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Reviewed by
Mark Holcomb
A wispy mix of boy-boy romance and noir-lite potboiler, the Shumanski brothers' (Wrecked) latest wastes a promising premise by loading up on tender whimsy and skimping on grit.- Village Voice
- Posted Jan 25, 2011
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Reviewed by
Michelle Orange
The structuring allegory's invocation of familial bonds and immigrant burdens grows stilted: It doesn't collapse this delicate film, but it can't quite hold it up, either.- Village Voice
- Posted Jan 25, 2011
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Reviewed by
Aaron Hillis
Levy's deeply sorrowful but wonderfully affectionate doc depicts the wistful link between humanity and celebrity.- Village Voice
- Posted Jan 25, 2011
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Reviewed by
Nick Pinkerton
Kekilli, more than an unofficial spokeswoman for rebellious Euro-Muslim youth, sells a simple and deterministic story through her sheer presence and precise reaction shots.- Village Voice
- Posted Jan 25, 2011
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