Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
    • 81 Metascore
    • 10 Critic Score
    I haven't seen a film this year that so openly invited me to revile each and every one of its characters-and I reviewed "The Human Centipede."
  1. Without additional context surrounding its subject's life, sharing the man's final excruciating moments eventually devolves into an exercise in morbidity, an experience considerably more ponderous than profound.
  2. Watching Nénette watch those who gape at her is an intriguing, multi-layered exercise of voyeurism, but one that wanes after our gaze is demanded for too long.
  3. Game performances and a couple of half-laughs, sure, but this is the screen comedy equivalent of the televised Yule log.
  4. With Hadewijch, he (Dumont) endorses something like the Dardenne brothers' rugged, squalid secular humanism, offering the barrier-breaking embrace as vague alternative to Despair, Church, or Capital.
  5. One of the year's best films.
  6. Those who groan that the writer-director has made another indulgent film about the obscenely privileged have overlooked Coppola's redoubtable gifts at capturing milieu, languor, and exacting details.
  7. For its 80 minutes, the movie creates the illusion that not just Tati but his form of cerebral slapstick lives.
  8. For the most part, the Coens' is a highly enjoyable yarn, stocked with pungent bushwa and a full panoply of frontier bozos.
  9. If nothing else, I found my son's Kryptonite: boring superhero rip-offs voiced by check-cashing actors. At least Steve Carell used an accent.
  10. Sillen ennobles the havoc of his life with a measure of down-and-out romance, but no moments really puncture a viewer, and the darkness is all too easily shaken off.
  11. The film's one-note premise is only as fitfully affecting as watching caricatures hit rock bottom over and over again.
  12. Romanycheva exudes cunning carnality, yet her wiles are as rote as the rest of this B-grade genre flick, which feigns interest in post-Communist Eastern European power dynamics but favors listlessly staged shoot-outs and heists devoid of emotional, psychological, or sociopolitical substance.
    • 51 Metascore
    • 60 Critic Score
    Fast, lazy, and out of control in a manner that's basically commendable.
  13. In the grand finale, Abramoff fantasizes about using a Senate hearing to blow the whistle on the entire corrupt establishment. His rant offers a clue to how this otherwise pointlessly manic movie might have honed its political edge.
    • 76 Metascore
    • 50 Critic Score
    Becca and Howie's extracurricular relationships are the saving grace of a movie that's otherwise a sledgehammer of plot and score.
  14. Adults will be thrilled to see Anna Faris as nature documentarian Rachel. Greeting Yogi by speaking in "brown bear," the actress never fails to be seriously goofy.
  15. Not that How Do You Know doesn't have its moments of shamelessly entertaining shtick, much of it furnished by Nicholson (watch for a very funny visual gag about his proclivities for much younger women) and by Wilson as Lisa's current squeeze.
  16. Given the movie's graphic pizzazz, the best hippie wisdom Bridges might offer the viewer is: Turn off your mind, relax, and float downstream.
  17. A different kind of surveillance thriller - an expensive, star-gazing Hollywood one.
  18. The nitty-gritty science of global warming is tough enough to evaluate without the sort of hard-sell Ondi Timoner pushes on behalf of her subject, Bjørn Lomborg.
    • 69 Metascore
    • 50 Critic Score
    It's like a mashup of classic commercials for Ford pickup trucks, Bud Lite, and Hooters (where, God help us, Frank's daughters are working their way through college).
  19. The film's aim to bring its convoluted saga full-circle through the reappearance of original "Saw" victim Carey Elwes merely reeks of desperation, a futile final stab at imparting significance to a creatively bankrupt franchise that need not be resuscitated.
  20. Claire Denis's strongest movie in the decade since "Beau Travail," her tense, convulsive White Material is a portrait of change and a thing of terrible beauty.
    • 55 Metascore
    • 20 Critic Score
    Buried somewhere in Zwick's film might be a topical modern romance, maybe even a health care satire, but you'd need to dig past layers of creative desperation to find it.
  21. Guy and Madeline is at once self-conscious and breezy, clumsy and deft, diffident and sweet, annoying and ecstatic. It's amateurish in the best sense, and it radiates cinephilia. No movie I've seen this year has given me more joy.
  22. In her tale of a brusque, prickly young Dutch woman who inexplicably cuts herself off from the world, except for a heavily circumscribed relationship with a man whose isolation is less voluntary, writer-director Urszula Antoniak hits a lot of expected notes.
  23. With erratic success, Heartless tries a number of different veins-urban fairy tale with "There was no magic, it was you all along" twist, supernatural family drama-but it's on firmest footing as a macabre comedy.
  24. A comedy of youthful confusion that gets its kick not only for evoking a world of unromantic hookups, casual BJs, and iPhone porn, but for satirizing New York's bourgeois bohemia.
  25. A well-wrought, enjoyably amusing inspirational drama that successfully humanizes, even as it pokes fun at, the House of Windsor.

Top Trailers