Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Mikael Buch's debut feature is silly and sweet, but also paper thin and mostly unimaginative: a series of cartoonish vignettes during which a generically eccentric Jewish clan confronts movie-family problems (adultery, divorce, health scares, tense sibling relationships).
  2. The film's energy is frequently low, befitting that of its main character, a stalled, self-loathing, San Diego–based indie musician named Brook (Dominic Bogart), breathing contempt for anyone asking him personal questions.
  3. Messina's performance has a lived-in, emotional messiness, but the film is nothing but clichés.
  4. Getting even is wearying in My Best Enemy, a banal World War II thriller dependent on contrived role reversals.
  5. Whatever their orientation, both men are intrepid in pursuing the truth, the consequences of which are made clear in a series of terrifying late-film crackdowns.
  6. A charming, involving first feature, Clandestine Childhood muscles its familiar coming-of-age material into something more vibrant and urgent than the usual.
  7. A stew of cartoon stereotypes, violence, and "Freebird" cast in a skuzzy "Sons of Anarchy" mold.
  8. Mazur miscalculates when he tries to direct viewers' outrage at stars' inability to walk down the street without getting cameras thrust in their faces. He's on far surer ground when he uses his on-screen subjects to decry the proliferation of gossip outlets, such as TMZ.
  9. The eventual appearance of creature fodder in the form of a crazy old coot who lives in the storage facility, as well as a sequel-promising closing note borrowed from innumerable predecessors, ultimately exposes Storage 24 as a monster from a familiar mother.
  10. The proximity of horrible headlines scarcely matters - released on any day of any calendar year, Gangster Squad would be a crime against cinematic sensibility.
  11. Discredit director John Luessenhop for giving us 3-D visuals reminiscent of "Jaws 3-D": That slab of meat's coming right for us! Try as he might to honor the original - flashbulb transitions, a skeevy (yet buff) hitchhiker, metal doors, and meat hooks - there's little of its mounting dread.
  12. Mostly likable thanks to its creators' preference for light-hearted mugging over self-serious teeth-gnashing.
  13. The film's heart is in exactly the right place, but there's not a brain in its pretty little head.
  14. Although smoothly directed, A Bottle in the Gaza Sea has little visual personality or dramatic urgency. What might have been a tough and adult take on a bond full of hope but thwarted by war plays more like an after-school special.
  15. By now, grandchildren are ever-present, and stasis has set in. Apted's entire project is awesome in scale but subject to inevitable diminishing returns.
  16. As a paean to the sort of vibrant, quickly disappearing community that Brooklyn represents less now than it did in the past, her film works well; as a genuine study, it sometimes falls short.
    • 79 Metascore
    • 90 Critic Score
    Tabu manages to be both classical and modern, ironic and heartbreaking.
  17. Without its topical pretext and overzealous patriotism, Allegiance would be just another generic action film.
  18. Van Sant knows how to display the common touch, but the movie is a hard sell whose ending is never in doubt.
  19. The ravishing and kitschy Cirque du Soleil: Worlds Away is the rare movie whose title serves as an accurate indicator of whether you will enjoy seeing it.
  20. It's a small gem with a killer rock soundtrack, well worth seeking out amid all the awards-season Sturm und Drang.
  21. Much like marriage, This Is 40 is somewhat formless, and it almost never hurries up. But life is improved by having the option.
  22. Here is one glimmer of truth in what's otherwise a deliberately unfinished fraud - another "primitive" postwar antique repurposed for boutique sale.
  23. Cruise is definitely too short for the gig, but in this first fight, he proves his tough-guy chops. Outraged Reacher readers can stand down.
  24. These horrors, and the absorbing performances of Watts and McGregor, will soon be undermined by a surfeit of sentiment.
  25. The film is as simple, straightforward, and elegant as its title.
  26. A transfixing Cold War thriller set in the East Germany of 1980, Christian Petzold's superb Barbara is made even more vivid by its subtle overlay of the golden-era "woman's picture," the woman in question being Dr. Barbara Wolff, brilliantly played by Nina Hoss in her fifth film with the writer-director.
  27. Hernandez is soulful and affecting, though, and Cornish embodies Ashley's self-centered character with nuance and subtlety.
  28. That makes this the most rare of films: one that indisputably matters. And one that stuns.
  29. For the more Hooper tries - and oh, how he tries, ratcheting the filth amp to 11 and shooting almost everything with an arsenal of wide-angled, handheld cameras - the more the moist-eyed storybook romanticism of the source material proves resilient to his efforts.

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