Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Dave Grohl's Sound City is an exciting, sometime illuminating documentary about how a squad of technicians and engineers in a hole-in-the-Valley music studio helped great rock 'n' rollers make great rock 'n' roll.
  2. The film's genius is how completely it tunes in to his 
experience, delicately outlining Joey's private moments of shame, elation, despondency, and pride.
  3. It's an effective primer on a voluble and charismatic mayor who embodied the spirit of the city he loved.
  4. The Brothers Grimm may have come up with some cruel, weird material in their day, but they'd never condone actor abuse like this.
  5. The existence of The Gatekeepers is its own chief statement. You don't get the sense that it's any easier for these men to question Israel's leadership from the safety of retirement.
  6. Iglesia's slick and frisky direction stirs up some hearty stock-character performances, stoking and stretching out the tension, but it all still feels like black comedy by the numbers.
  7. It's the kind of thing you feel you should laugh at through a phlegmy, hacking cough-and it does get laughs, if inconsistently, predictable given the circumstances of production.
  8. Frequently funny, Schechter's movie is also shrewd in its handling of the tensions between longtime friends and co-workers as professional opportunities dwindle and off-the-job romantic drama trickles into the cutting room.
  9. Ambiguity enlivens the smart, knotty Resolution, which routinely nods to its own artificiality while positing storytelling as a constantly evolving beast apt to save your life one moment and consume you the next.
  10. A fiction film that documents the unpredictable, unscripted actions of its pint-size lead, Nana offers new ways of thinking about childhood, or, at the very least, about children in movies.
  11. For many of the film's brisk 84 minutes, Fox eclipses his earlier work-and several other same-sex tragedies-by immersing us in his protagonist's quiet turmoil.
  12. Throughout, Knife Fight feels like TV, like a half-season of some promising cable show stuffed into a 98-minute film that never really builds or surprises.
  13. Kimball's bird footage is attractive on its own, but the way he positions his birders in conversation with one another is why Birders soars.
  14. Mumbai Mirror might not be consistently exciting, but it is mostly irresistible.
  15. For all the tense interpersonal conflicts and the inevitable, if thrilling, stormy-seas set piece, what proves most striking are the exactly rendered little moments.
  16. Is there such a thing as "tastefully smutty"? Director Im Sang-soo's moody and semi-Shakespearian The Taste of Money walks that line with some artfully lit humping and cross-generational seduction.
  17. John Dies at the End is a product of a parallel universe where slacker flippancy never got old-and, oh, it is terrible.
  18. It's fitting that this film of people making do with what they have should itself look somewhat humble, without lyricism, a work not of beauty but of work-which is the thing that makes it beautiful, no matter who directed it.
  19. Broken City slogs through such fatigued plot "twists" as having one character confess to another without realizing he's being recorded. The actors look generally unhappy to be here, most of all Crowe, who seems even more miserable than he did in "Les Misérables."
  20. Kim finally lets loose, and the imaginatively choreographed mayhem that ensues - culminating in two fast cars chasing each other across a pesky cornfield - can be a wonder to behold.
  21. Despite the efforts of many interviewees to seem broad-minded, Nicoara has a knack for ferreting out moments that reveal actual Romanian attitudes.
  22. The protracted 2008 ship-napping of the CEC Future...is couched in illuminating context.
  23. Beautifully filmed but written without the psychological depth or sleight of hand of the best thrillers.
  24. Save for a couple of visually engaging dance numbers, mostly shot with hand-held digital cameras, MKBKM is dishearteningly banal.
  25. Ultimately less an arty provocation than a secular invocation, Outside Satan seems almost helplessly exploratory, an honest account of groping for grace.
  26. LUV
    Although Common and Rainey make a well-matched duo, their chemistry is frequently squandered by a script that boxes them into impossible roles in one clichéd scene after another.
  27. Mama never delivers the primal terror its premise would suggest.
  28. Are the movie's half-dozen genuine laughs there just to tease the audience? What can we do to keep "A Haunted House 2" from happening?
    • 41 Metascore
    • 50 Critic Score
    Struck by Lightning means well, but its gentle dissection of high school cliques brings nothing new to the genre, except the fact that being out isn't the problem for the hero, Carson (Colfer).
  29. In his concise, accessible oral history of Egypt's 2011 revolution, director Fredrik Stanton stitches together voices of the activists and organizers at the center of the events that led to the end of President Hosni Mubarak's 30-year reign.

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