For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
|---|---|---|
| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Alan Scherstuhl
Dave Grohl's Sound City is an exciting, sometime illuminating documentary about how a squad of technicians and engineers in a hole-in-the-Valley music studio helped great rock 'n' rollers make great rock 'n' roll.- Village Voice
- Posted Jan 29, 2013
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Reviewed by
Nick Pinkerton
The film's genius is how completely it tunes in to his 
experience, delicately outlining Joey's private moments of shame, elation, despondency, and pride.- Village Voice
- Posted Jan 29, 2013
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Reviewed by
Nick Schager
It's an effective primer on a voluble and charismatic mayor who embodied the spirit of the city he loved.- Village Voice
- Posted Jan 29, 2013
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Reviewed by
Stephanie Zacharek
The Brothers Grimm may have come up with some cruel, weird material in their day, but they'd never condone actor abuse like this.- Village Voice
- Posted Jan 29, 2013
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Reviewed by
Michelle Orange
The existence of The Gatekeepers is its own chief statement. You don't get the sense that it's any easier for these men to question Israel's leadership from the safety of retirement.- Village Voice
- Posted Jan 29, 2013
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Jonathan Kiefer
Iglesia's slick and frisky direction stirs up some hearty stock-character performances, stoking and stretching out the tension, but it all still feels like black comedy by the numbers.- Village Voice
- Posted Jan 29, 2013
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Reviewed by
Nick Pinkerton
It's the kind of thing you feel you should laugh at through a phlegmy, hacking cough-and it does get laughs, if inconsistently, predictable given the circumstances of production.- Village Voice
- Posted Jan 26, 2013
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Reviewed by
Andrew Schenker
Frequently funny, Schechter's movie is also shrewd in its handling of the tensions between longtime friends and co-workers as professional opportunities dwindle and off-the-job romantic drama trickles into the cutting room.- Village Voice
- Posted Jan 23, 2013
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Reviewed by
Nick Schager
Ambiguity enlivens the smart, knotty Resolution, which routinely nods to its own artificiality while positing storytelling as a constantly evolving beast apt to save your life one moment and consume you the next.- Village Voice
- Posted Jan 23, 2013
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Melissa Anderson
A fiction film that documents the unpredictable, unscripted actions of its pint-size lead, Nana offers new ways of thinking about childhood, or, at the very least, about children in movies.- Village Voice
- Posted Jan 23, 2013
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Reviewed by
Melissa Anderson
For many of the film's brisk 84 minutes, Fox eclipses his earlier work-and several other same-sex tragedies-by immersing us in his protagonist's quiet turmoil.- Village Voice
- Posted Jan 23, 2013
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Reviewed by
Alan Scherstuhl
Throughout, Knife Fight feels like TV, like a half-season of some promising cable show stuffed into a 98-minute film that never really builds or surprises.- Village Voice
- Posted Jan 23, 2013
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Simon Abrams
Kimball's bird footage is attractive on its own, but the way he positions his birders in conversation with one another is why Birders soars.- Village Voice
- Posted Jan 23, 2013
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Simon Abrams
Mumbai Mirror might not be consistently exciting, but it is mostly irresistible.- Village Voice
- Posted Jan 23, 2013
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Reviewed by
Andrew Schenker
For all the tense interpersonal conflicts and the inevitable, if thrilling, stormy-seas set piece, what proves most striking are the exactly rendered little moments.- Village Voice
- Posted Jan 23, 2013
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Reviewed by
Chris Packham
Is there such a thing as "tastefully smutty"? Director Im Sang-soo's moody and semi-Shakespearian The Taste of Money walks that line with some artfully lit humping and cross-generational seduction.- Village Voice
- Posted Jan 22, 2013
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Reviewed by
Nick Pinkerton
John Dies at the End is a product of a parallel universe where slacker flippancy never got old-and, oh, it is terrible.- Village Voice
- Posted Jan 22, 2013
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Reviewed by
Alan Scherstuhl
It's fitting that this film of people making do with what they have should itself look somewhat humble, without lyricism, a work not of beauty but of work-which is the thing that makes it beautiful, no matter who directed it.- Village Voice
- Posted Jan 22, 2013
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Reviewed by
Scott Foundas
Broken City slogs through such fatigued plot "twists" as having one character confess to another without realizing he's being recorded. The actors look generally unhappy to be here, most of all Crowe, who seems even more miserable than he did in "Les Misérables."- Village Voice
- Posted Jan 17, 2013
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Scott Foundas
Kim finally lets loose, and the imaginatively choreographed mayhem that ensues - culminating in two fast cars chasing each other across a pesky cornfield - can be a wonder to behold.- Village Voice
- Posted Jan 17, 2013
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Nick Pinkerton
Despite the efforts of many interviewees to seem broad-minded, Nicoara has a knack for ferreting out moments that reveal actual Romanian attitudes.- Village Voice
- Posted Jan 16, 2013
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Reviewed by
Alan Scherstuhl
The protracted 2008 ship-napping of the CEC Future...is couched in illuminating context.- Village Voice
- Posted Jan 16, 2013
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Reviewed by
Ernest Hardy
Beautifully filmed but written without the psychological depth or sleight of hand of the best thrillers.- Village Voice
- Posted Jan 16, 2013
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Reviewed by
Simon Abrams
Save for a couple of visually engaging dance numbers, mostly shot with hand-held digital cameras, MKBKM is dishearteningly banal.- Village Voice
- Posted Jan 16, 2013
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Reviewed by
Jonathan Kiefer
Ultimately less an arty provocation than a secular invocation, Outside Satan seems almost helplessly exploratory, an honest account of groping for grace.- Village Voice
- Posted Jan 15, 2013
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Reviewed by
Melissa Anderson
Although Common and Rainey make a well-matched duo, their chemistry is frequently squandered by a script that boxes them into impossible roles in one clichéd scene after another.- Village Voice
- Posted Jan 15, 2013
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- Village Voice
- Posted Jan 15, 2013
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Reviewed by
Sherilyn Connelly
Are the movie's half-dozen genuine laughs there just to tease the audience? What can we do to keep "A Haunted House 2" from happening?- Village Voice
- Posted Jan 15, 2013
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- Critic Score
Struck by Lightning means well, but its gentle dissection of high school cliques brings nothing new to the genre, except the fact that being out isn't the problem for the hero, Carson (Colfer).- Village Voice
- Posted Jan 8, 2013
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Reviewed by
Michelle Orange
In his concise, accessible oral history of Egypt's 2011 revolution, director Fredrik Stanton stitches together voices of the activists and organizers at the center of the events that led to the end of President Hosni Mubarak's 30-year reign.- Village Voice
- Posted Jan 8, 2013
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Reviewed by