Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Like a Hollywood fairy tale, Lola is always threatening to turn into a musical. Its edge as a film comes from the fact that it never quite does.
  2. Derails toward the end, becoming platitudinous, not to mention kitschy, but, given the Cheerios wholesomeness of most gay indies, its grief-stricken delirium is a welcome relief.
    • 73 Metascore
    • 70 Critic Score
    Achieves a torturous, race-against-time desperation.
  3. Becalmed or bobbing along, they remain balseros -- but then, as this engrossing documentary suggests, so are we all.
  4. The Canadian painter-photographer-filmmaker-musician gives full vent to his genius in this exhilarating perceptual vaudeville, titled for the "central region" of tissue that acts as a conduit between the brain's two hemispheres.
  5. Mining the song's associative richness, Katz's film works as jazz genealogy, Meerpol bio, Jewish-leftist puzzle piece, performance homage, and exegetic history of lynching.
  6. The central couple’s unforced benevolence is hard to resist; the bespectacled John, in particular, exhibits remarkable comfort in front of the camera, his frizzy white hair and knowing reaction shots lending him a kind of quizzical charisma throughout.
  7. With such a compelling central figure it would be tough for the doc to not stimulate, but stimulation aside, its rather shapeless narrative can feel desultory.
  8. As things spun out of control, getting ever stranger, I started to wonder if the director had merely written himself into a corner and was doubling down on weirdness to get himself out. And yet the film never quite loses its mythic drive. You walk out feeling like you’ve truly had an experience.
  9. Sheridan’s feel for psychology and setting are in fine evidence here. Wind River’s landscapes are forbidding and beautiful.
  10. Thanks to Lynch's expert pacing and modulation of narrative tension, even viewers who already know the outcome of the film's central incident will likely be pulled to the edges of their seats.
  11. Determined to twist every character into an ideogram for vulgar humanity.
  12. The film's delighted affinity with Ungerer's well-turned perspective does lend an advertorial slickness to what might have been a more challenging study of a fascinating and famously elusive subject.
  13. Mildly cheesy but not overwrought, this long-awaited future franchise is a competent seat-warmer at the box-office table for the two weekends preceding George Lucas's "Attack of the Clones."
  14. Lean, fast-moving, and filled with game-changing fight sequences that have a brutally beautiful (or beautifully brutal) quality, Gareth Evans's Indonesian martial-arts film The Raid: Redemption lives up to its viral hype.
  15. At times the film's Buddhist lessons feel a bit forced, but the naturalistic performances Davaa has coaxed from a real-life Mongolian family, and her intimate understanding of their culture and values, give this sensitive portrayal its heft.
  16. Honoré’s scenes feel at once composed and curiously mundane, as if he’s trying to take the precision of his earlier work and mix it with a more realist impulse — or, if we’re being less charitable, as if he’s trying to will his aesthetic into something more “mature.”
  17. As too often happens in nonfiction movies, their exploration of these concepts is undermined by ill-considered execution.
    • 73 Metascore
    • 80 Critic Score
    More than a vibrant experiment in ethnomusical cross-pollination, it's just great fun.
  18. Van Looy has created a fast-paced and stylish thriller. Declair's Ledda, marvelously suave and vulnerable, provides most of the pathos.
  19. What kept Paris from the top? The answers provided rarely qualify as revelation, but this affectionate portrait distinguishes itself from the ongoing epidemic of musician docs by mere virtue of staking out ground that hasn't already been thoroughly tilled.
  20. Transpecos distinguishes itself with a sharp ear for dialogue, keen attention to ground-level detail, and an ending that unexpectedly chooses cautious optimism over blanket cynicism.
  21. Watching Ben get the girl or be seriously injured trying always has its dry, keening pleasures.
  22. A movie isn’t a cliché when it can sing like this.
  23. The cumulative effect is perversely deflationary: long before it's over, the film has flushed the paranoia from its system.
  24. Guedes's complex performance leaves no doubt regarding the fragility of Veronica's psyche.
  25. These horrors, and the absorbing performances of Watts and McGregor, will soon be undermined by a surfeit of sentiment.
  26. At its most contemplative, The Trilogy is a stirring and shrewd portrait of lives lived in oblivious parallel. [Note: From a review of the entire trilogy.]
  27. The tale's faux-fable simplicity is cunningly eloquent.
  28. Cheeky and elusive, Last Life in the Universe inhabits a high-lonesome world unto itself, a bright daydream that dissipates in the aching gap of a missed connection.

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